Bodies In Motion And At Rest On Metaphor And Mortality

Masterful essays that illuminate not only how we die but also how we live. Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts." "Lynch engages the reader with a mixture of poetic and funerary elements....his voice is rich and generous."—Richard Bernstein, New York Times "[W]hat makes him such a fine essayist is that it's just the business of everyday life and death to him."—Los Angeles Times Book Review "Few readers will walk away from this volume less than stunned and grateful."—Jay Parini, author of Benjamin's Crossing "A luminous work of words."—Nicholas Delbanco, author of What Remains

Formerly titled Comforting the Bereaved, this practical, insightful guide gives direction to pastors and lay-leaders of all levels of experience. Included are recommended Scriptures to read; an explanation of the stages of grief; approaches to conducting funerals in special circumstances such as suicide, victims of crime, multiple family deaths, or when the deceased is unknown to the pastor; signs of healthy and unhealthy grief, and how to help survivors cope. This new edition contains a chapter on ministering to victims of terrorism. It is also recommended for chaplains and hospice caregivers.

When life is murder, who can you trust? One minute Mia Quinn is in her basement, chatting on the phone with a colleague at the prosecutor’s office. The next minute there’s a gunshot over the line, and Mia listens in horror as her colleague and friend Colleen bleeds to death. Mia’s a natural for heading up the murder investigation, but these days it’s all she can do to hold her life together. As a new widow with a pile of debts, a troubled teenaged son, and a four-year-old who wakes up screaming at night, she needs more time with her family, not less — and working Colleen’s case will be especially demanding. But Colleen was her friend, and she needs to keep her job. So she reluctantly teams up with detective Charlie Carlson to investigate Colleen’s death. But the deeper they dig, the more complications unfold — even the unsettling possibility that someone may be coming after her. Lis Wiehl’s signature plot twists and relatable characters shine in this absorbing series debut . . .with an intriguing cameo from her best-selling Triple Threat series.

An exploration of burial sites and customs in Metro Detroit and the historical and social changes behind our treatment of the dead.

Transformation by Fire offers a current assessment of the archaeological research on the widespread social practice of cremation. Editors Ian Kuijt, Colin P. Quinn, and Gabriel Cooney chart a path for the development of interpretive archaeology surrounding this complex social process.

Monuments and memorials commemorating the dead and past events around the world have recently gained importance, not least because we are living in an era in which many are driven to record and archive the events of their lives. Cemeteries, in particular, are increasingly viewed as places associated with popular culture and cultural memory, with many now being considered as heritage tourism sites. Culture, Celebrity, and the Cemetery analyses the famous Hollywood Forever Cemetery in Los Angeles, USA, examining how the cemetery presents itself as an attraction, whilst also safeguarding and promoting cultural heritage. Focusing on an analysis of the articulation and performance of commemoration, Levitt examines how the cemetery leverages its rich resources to draw visitors and the diverse ways in which visitors interact with the cemetery, considering the influence of celebrity culture, fandoms, and cinema culture. Combining ethnographic research with cultural analysis, the book situates Hollywood Forever in the context of cemetery development in the United States and argues that touristic visits to cemeteries more generally have become similar to visits to more traditional memorials. Providing more than just a critical analysis of this fascinating cemetery as a landscape of famous death, Levitt coherently weaves the theme of cultural memory and meaning-making throughout every chapter. Offering the first book-length study of the cultural impact of Hollywood Forever in particular, and the cemetery as public heritage space in general, Culture, Celebrity, and the Cemetery will be of interest to scholars and students of heritage studies and tourism around the world.

Kiley and Mansfield have co-authored this new book, which has been heralded variously as “an inspirational story of how faith, persistence, desire and brotherhood can make great things happen,” “recollections that the contributors all agree molded their lives while at the same time adding a valued quality of life for each of them,” “The story of young men coming of age in the sixties and how they continued the relationships throughout their lifetimes” and “those heady days of 1961...brought back to life from the unique perspective of the men on the field. I found it hard to put down and was left wanting more when I was finished.” Fontbonne University President emeritus Dr. Dennis C. Golden has written, “In 1961...legendary head football coach Mr. Joe Thomas, his staff and players committed themselves to actualizing their once-in-a-lifetime core value of becoming the first untied and undefeated team in Chaminade history.”

I was told I need to write a section for the book about the book. Well, Im out of words and too tired to think. Why cant I just draw pictures with stick figures? This isnt a novel; its an autobiography. Is not whats inside enough to emphasize in writing what this is all about? I cant explain everything because sometimes some things are just meant to be figured out. In a maximum of one hundred and fifty words, this section must be defined. Sorry to say Im going to keep going past that because I have thoughts of unrealistic but words so intelligently intricate. Anybody can plant a seed, but how healthy is your soil? Theres no telling what my words say because I can explain them in multiple different ways. Im not trying to confuse you. Can you just really understand what Im trying to say? They can go this way, but then again they can go that way. Dont ask me. I already know what Im trying to say. If you have questions, you might as well keep them to yourself. My answers are all right here, and its not my fault if you dont understand what Im trying to say. Maybe Im not trying to say anything but explain how my thoughts come to you. No producer, no director, just straight angles in ways Im trying to write to you. Good luck, because nobody knows what my words mean but me. How Im directing them, theres no control to the wind that can shift them into a direction that youll have no way to go but one way to go through. Im going to put so much into this; maybe I should just add an extra page. Im looking for a sound but dont hear a noise. Im sniffing for a breeze but dont feel any wind. I execute my steps, and maybe thats why I feel like I have nothing to walk on. The ground is planted, and Im on the ground. But somehow the air has taken me afloat to the clouds that can only bring me back down. Man makes concrete and lays it down. People walk over this concrete. I am the concrete. Thats how solid Ive become from the tramples to the stampedes. I dont care what you say from however to therefore, so with the cracks, you may seem to think it breaks me down. My weight limit exceeds multiple degrees in unlimited units of measure. I have two intros and an afterthought. What more do you need for an explanation for this book? Im designing my own pine box, but whatever you have for me, let God decide the rest on that. Be careful what youre reading though because I might not even be talking to you. If the assumption is the mother of all , then I must be mistaken. If Im your doubt, then I have nothing to worry about.