Bookless In Baghdad

This amalgam of essay, literary criticism, and memoir blends into a tribute to the world of books. Chicago...

Shashi Tharoor Began Reading Books Enid Blyton S Noddy Series When He Was Three. By The Time He Was Ten, He Had Published His First Work Of Fiction, Operation Bellows, A Credulity-Stretching Saga Of An Anglo-Indian Fighter Pilot. In Between Were Years When He Read A Book A Day. And In The Years Since, He Has Published Eight Books And Written For Many Indian And Foreign Publications. Bookless In Baghdad Brings Together Pieces Written Over The Past Decade By This Compulsive Reader And Prolific Writer On The Subject Closest To His Heart: Reading. In These Essays On Books, Authors, Reviews, Critics, Literary Festivals, Literary Aspirants, Empire, And India, Tharoor Takes Us On A Delightful Journey Of Discovery. He Wanders The Book Souk In A Baghdad Under Sanctions Where The Middle-Class Are Selling Their Volumes So That They Can Afford To Live; Analyses The Indianness Of Salman Rushdie; Discusses P.G. Wodehouse S Enduring Popularity In India; And Drives Around Huesca Looking To Pay An Idiosyncratic Tribute To George Orwell. There Are Excursions Into The Pitfalls Of Reviewing, Explorations Of The Anxiety Of Audience Of Indian English Writers, And A Wicked Account Of How Norman Mailer Dealt With A Negative Review.

Supremely personal, yet always probing and analytical, this brilliant collection of essays is part memoir, part literary criticism. 'A fluid and powerful writer, one of the best in a generation of Indian authors" (New York Times Book Review), Shashi Tharoor, the acclaimed author of six books, all published by Arcade, is once again at his provocative best.

Who killed twenty-four-year-old Priscilla Hart? This highly motivated, idealistic American student had come to India to volunteer in women’s health programs, but had her work made a killer out of an enraged husband? Or was her death the result of a xenophobic attack? Had an indiscriminate love affair spun out of control? Had a disgruntled, deeply jealous colleague been pushed to the edge? Or was she simply the innocent victim of a riot that had exploded in that fateful year of 1989 between Hindus and Muslims? Experimenting masterfully with narrative form in this brilliant tour de force, internationally acclaimed novelist Shashi Tharoor chronicles the mystery of Priscilla Hart’s death through the often contradictory accounts of a dozen or more characters, all of whom relate their own versions of the events surrounding her killing. Like his two previous novels, Riot probes and reveals the richness of India, and is at once about love, hate, cultural collision, the ownership of history, religious fanaticism, and the impossibility of knowing the truth.

For More Than Four Decades After Gaining Independence, India, With Its Massive Size And Population, Staggering Poverty And Slow Rate Of Growth, Was Associated With The Plodding, Somnolent Elephant, Comfortably Resting On Its Achievements Of Centuries Gone By. Then In The Early 1990S The Elephant Seemed To Wake Up From Its Slumber And Slowly Begin To Change Until Today, In The First Decade Of The Twenty-First Century, Some Have Begun To See It Morphing Into A Tiger. As India Turns Sixty, Shashi Tharoor, Novelist And Essayist, Reminds Us Of The Paradox That Is India, The Elephant That Is Becoming A Tiger: With The Highest Number Of Billionaires In Asia, It Still Has The Largest Number Of People Living Amid Poverty And Neglect, And More Children Who Have Not Seen The Inside Of A Schoolroom Than Any Other Country. So What Does The Twenty-First Century Hold For India? Will It Bring The Strength Of The Tiger And The Size Of An Elephant To Bear Upon The World? Or Will It Remain An Elephant At Heart? In More Than Sixty Essays Organized Thematically Into Six Parts, Shashi Tharoor Analyses The Forces That Have Made Twenty-First Century India And Could Yet Unmake It. He Discusses The Country S Transformation In His Characteristic Lucid Prose, Writing With Passion And Engagement On A Broad Range Of Subjects, From The Very Notion Of Indianness In A Pluralist Society To The Evolution Of The Once Sleeping Giant Into A World Leader In The Realms Of Science And Technology; From The Men And Women Who Make Up His India Gandhi And Nehru And The Less Obvious Ramanujan And Krishna Menon To An Eclectic Array Of Indian Experiences And Realities, Virtual And Spiritual, Political And Filmi. The Book Is Leavened With Whimsical And Witty Pieces On Cricket, Bollywood And The National Penchant For Holidays, And Topped Off With An A To Z Glossary On Indianness, Written With Tongue Firmly In Cheek. Diverting And Instructive As Ever, Artfully Combining Hard Facts And Statistics With Personal Opinions And Observations, Tharoor Offers A Fresh, Insightful Look At This Timeless And Fast-Changing Society, Emphasizing That India Must Rise Above The Past If It Is To Conquer The Future.

In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.

With previously unpublished photographs by an incredibly diverse group of the world's top news photographers, Photojournalists on War presents a groundbreaking new visual and oral history of America's nine-year conflict in the Middle East. Michael Kamber interviewed photojournalists from many leading news organizations, including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, the New York Times, Paris Match, Reuters, Time, the Times of London, VII Photo Agency, and the Washington Post, to create the most comprehensive collection of eyewitness accounts of the Iraq War yet published. These in-depth interviews offer first-person, frontline reports of the war as it unfolded, including key moments such as the battle for Fallujah, the toppling of Saddam's statue, and the Haditha massacre. The photographers also vividly describe the often shocking and sometimes heroic actions that journalists undertook in trying to cover the war, as they discuss the role of the media and issues of censorship. These hard-hitting accounts and photographs, rare in the annals of any war, reveal the inside and untold stories behind the headlines in Iraq.