Breakdowns

The creator of the Pulitzer Prize-winning Maus explores the comics form ... and how it formed him! This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist's evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents' memories of Auschwitz on his own son. The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist's comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story "Ace Hole-Midget Detective." Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir.

Contributions by Georgiana Banita, Colin Beineke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem “The Wild Party,” and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children’s books, and various cross-media collaborations. The twelve chapters cut across Spiegelman’s career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman’s predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman’s comics—such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist’s elevation of children’s comics—the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman’s achievements in the realm of comics and beyond.

Example in this ebook CHAPTER I. BREAKDOWNS IN GENERAL. An express train was on its way from London to Edinburgh. It was running at sixty miles an hour, and the passengers, as comfortable as if they had been sitting in easy chairs by their own firesides, were engaged in reading, sleeping, talking or looking out of the windows. Not a thought of any impending trouble crossed their minds. Suddenly they felt a jar, followed by a jerk; the train slowed down, and within ten seconds had come to a standstill. Then there was general commotion, and heads appeared at every window, to see or inquire what was the matter. There was no station in sight, and no signal against them. Yet that train, which a few moments earlier had been speeding along in all its power and pride, had come to a dead stop. And when those passengers alighted from their compartments and began to investigate matters, they were no nearer a solution of the mystery. The train had not left the rails, the carriage wheels were intact, the engine was undamaged, the fires burning and the steam up. Yet something had happened, and whatever it was, it had rendered that train a useless mass of timber and steel for the time being. It was still a fine thing to look at, but as a means of locomotion it was of no more use than a child’s toy would have been. Yet, great as was the trepidation of those passengers, it was nothing to the shock experienced by the man who in the prime of life, and perhaps just when he bids fair to reach the heights towards which he has been striving with all his might for long years, suddenly finds that he is incapable of the very work of which he had prided himself he was master. It may be that he has toiled since youth in order to attain a certain position, and just when it comes within his reach his nerve fails him, and he cannot put out his hand to take it. The energy and ability which have carried him so far along the road fail him at the critical moment. Or it may be that he has struggled through laborious days and nights and amid many disappointments for fame. Just as he is about to realise his ambitions he breaks down, and becomes an embittered misanthrope. The genius which has enabled him to climb so many rungs of the ladder becomes inert, and he cannot mount the last step. Another spends his life in a good cause—philanthropy, religion, public work of any sort. At the very time when, by the experience he has gained, his years of greatest usefulness stretch before him, he is cut off, incapacitated by nervous debility. And it is not only men who go through this experience; the same may befall women. Often has it happened that a woman has devoted herself so assiduously to the care of her family, regardless of her own disturbed meals and broken rest, that just when her children needed her most of all—and that is when they were growing up—her strength has failed her and she has become an invalid. The lamentable part about breakdowns is the fact that they attack those who can least be spared. It is not the clodhopper, the navvy or the labourer, the careless or the incompetent, who suffer from them. On the contrary, we meet with them among skilled workmen, business men of the greatest ability, professional men of the highest acumen and experience. The former can be replaced, whilst these others have carved a niche for themselves which no one else can fill. It is the natures of finest fibre which accomplish the most, and it is they who are most liable to give way beneath the strain. A common mug may fall to the ground unharmed, where a piece of costly china would be smashed to atoms. When a masterpiece of art is lost or stolen, the whole nation grieves after it. How much more so when a man of repute, either in great ways or small, is invalided and his services lost to the world. To be continue in this ebook

Strange and Stranger: The World of Steve Ditko is an art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.

Finalist for the 2018 International Thriller Writers Best Hardcover Thriller Award! Named One of the Most Anticipated Thriller Novels Of 2017 by Bustle! THE NEW CHILLING, PROPULSIVE NOVEL FROM THE AUTHOR OF THE INSTANT NEW YORK TIMES AND USA TODAY BESTSELLING BEHIND CLOSED DOORS. If you can’t trust yourself, who can you trust? Cass is having a hard time since the night she saw the car in the woods. It was on the winding rural road, in the middle of a downpour, and a woman was sitting inside—the woman who was killed. She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm, and she probably would have been hurt herself if she’d stopped. Not only that, her husband would be furious if he knew she’d broken her promise not to take that shortcut home. But since then, she’s been forgetting every little thing. Where she left the car; if she took her pills; even the alarm code. The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt. And the silent calls she’s receiving, or the feeling that someone’s watching her... You won't be able to put down B. A. Paris's The Breakdown, the next chilling, propulsive novel from the New York Times and USA Today bestselling author of Behind Closed Doors.

NEW YORK TIMES BESTSELLER • Jonathan Kellerman has been universally hailed as the master of psychological suspense, and the blockbuster new thriller featuring Alex Delaware and Milo Sturgis confirms his status as today’s preeminent practitioner of saber-sharp storytelling. Psychologist Dr. Alex Delaware meets beautiful and emotionally fragile TV actress Zelda Chase when called upon to evaluate her five-year-old son, Ovid. Years later, Alex is unexpectedly reunited with Zelda when she is involuntarily committed after a bizarre psychotic episode. Shortly after Zelda’s release, an already sad situation turns tragic when she is discovered dead on the grounds of a palatial Bel Air estate. Having experienced more than enough of L.A.’s dark side to recognize the scent of evil, Alex turns to his friend LAPD Lieutenant Milo Sturgis for help in finding out who ended Zelda’s broken life. At the same time, Alex is caught up in another quest: the search for Zelda’s missing son. And when other victims vanish from the same upscale neighborhood, worry turns to terror. As Alex struggles to piece together the brief rise and steep fall of a gorgeous, talented actress, he and Milo unveil shattered dreams, the corruption of a family, and a grotesque betrayal of innocence. With each devastating revelation and damning clue, Alex’s brilliant mind is challenged as never before—and his determination grows to see a killer caged and the truth set free. Praise for Breakdown “This is a book you should not miss. . . . A master craftsman at the top of his game . . . one of his best to date.”—Bookreporter “Gripping . . . an exhilarating masterclass in the art of plotting, suspense, characterization and brilliant mind games.”—Blackpool Gazette Praise for Jonathan Kellerman “Jonathan Kellerman’s psychology skills and dark imagination are a potent literary mix.”—Los Angeles Times “Kellerman doesn’t just write psychological thrillers—he owns the genre.”—Detroit Free Press

Why do some authoritarian regimes topple during financial crises, while others steer through financial crises relatively unscathed? In this book, Thomas B. Pepinsky uses the experiences of Indonesia and Malaysia and the analytical tools of open economy macroeconomics to answer this question. Focusing on the economic interests of authoritarian regimes' supporters, Pepinsky shows that differences in cross-border asset specificity produce dramatically different outcomes in regimes facing financial crises. When asset specificity divides supporters, as in Indonesia, they desire mutually incompatible adjustment policies, yielding incoherent adjustment policy followed by regime collapse. When coalitions are not divided by asset specificity, as in Malaysia, regimes adopt radical adjustment measures that enable them to survive financial crises. Combining rich qualitative evidence from Southeast Asia with cross-national time-series data and comparative case studies of Latin American autocracies, Pepinsky reveals the power of coalitions and capital mobility to explain how financial crises produce regime change.

The book describes the main physical processes and phenomena in pulsed electric breakdown. The knowledge and the control of the electric breakdown of liquids is important not only for the insulation inside power systems but it is also used for the creation and information of high voltage and high current pulses. Such high-voltage micro- and nanosecond pulses find wide application in experimental physics, electro discharge technology, physics of dielectrics, radar detection and ranging, high-speed photography.