British Religion And The World Wars

Drawing on a wealth of new material from military, ecclesiastical and secular civilian archives, Michael Snape presents a study of the experience of the officers and men of Britain’s vast citizen armies, and also of the numerous religious agencies which ministered to them. Historians of the First and Second World Wars have consistently underestimated the importance of religion in Britain during the war years, but this book shows that religion had much greater currency and influence in twentieth-century British society than has previously been realised. Snape argues that religion provided a key component of military morale and national identity in both the First and Second World Wars, and demonstrates that, contrary to accepted wisdom, Britain’s popular religious culture emerged intact and even strengthened as a result of the army’s experiences of war. The book covers such a range of disciplines, that students and scholars of military history, British history and Religion will all benefit from its purchase.

The Great and Holy War offers the first look at how religion created and prolonged the First World War, and the lasting impact it had on Christianity and world religions more extensively in the century that followed. The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today.

Religion did much to shape contemporary British opinion and behaviour during the First and Second World Wars, but it featured rather less in the initial historiography of either conflict. The situation has changed considerably in the past half-century, with a steadily increasing number of academic and popular outputs on the religious aspects of the wars. As key milestones, in connection with the centenary of the First World War and the eightieth anniversary of the Second World War, have occurred or approach, it seems an appropriate time to take bibliographical stock. This volume is the first to offer an in-depth listing of modern literature, in English and other European languages, on British religion and the First and Second World Wars, both on the home front and in combat zones. Coverage extends to Judaism and alternative religion, as well as Christianity. More than 1,200 items are included, comprising monographs, book chapters, journal articles, and postgraduate theses. They are arranged by subjects, in separate sections on each war, with cross-references and a cumulative index of personal names. Carefully compiled over several years by an accomplished religious historian and bibliographer, the work will be an indispensable reference tool to those embarking on investigations into the religious landscape of Britain during the World Wars, and those who wish to discover what has been written about their chosen field to date. It will also help identify gaps in scholarship and encourage researchers to try and fill them.

The First World War was a transformative event, affecting international culture, economics, and geopolitics. Though often presented as the moment heralding a new secular era of modernity, in actuality the war experience was grounded in religious faith and ritual for many participants. This Element examines how religion was employed by the state to solicit support and civic participation, while also being subordinated to the strategic and operational demands of the combatant armies. Even as religion was employed to express dissent, it was also used as a coercive tool to ensure compliance with the wartime demands of the state on civilians.

Drawing on a wealth of new material from military, ecclesiastical and secular civilian archives, Michael Snape presents a study of the experience of the officers and men of Britain's vast citizen armies, and also of the numerous religious agencies which ministered to them. Historians of the First and Second World Wars have consistently underestimated the importance of religion in Britain during the war years, but this book shows that religion had much greater currency and influence in twentieth-century British society than has previously been realised. Snape argues that religion provided a key component of military morale and national identity in both the First and Second World Wars, and demonstrates that, contrary to accepted wisdom, Britain's popular religious culture emerged intact and even strengthened as a result of the army's experiences of war. The book covers such a range of disciplines, that students and scholars of military history, British history and Religion will all benefit from its purchase.

Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? and Where do we find hope? We are introduced to the detail of different belief systems - Judaism, Christianity, Islam - and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position. Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Brontë sisters. Antony Lowenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam. Provocative, informative and passionately argued, For God's Sake encourages us to accept religious differences but to also challenge more vigorously the beliefs that create discord.