Coming Home To The Pleistocene

"When we grasp fully that the best expressions of our humanity were not invented by civilization but by cultures that preceded it, that the natural world is not only a set of constraints but of contexts within which we can more fully realize our dreams, we will be on the way to a long overdue reconciliation between opposites which are of our own making." --from Coming Home to the Pleistocene Paul Shepard was one of the most profound and original thinkers of our time. Seminal works like The Tender Carnivore and the Sacred Game, Thinking Animals, and Nature and Madness introduced readers to new and provocative ideas about humanity and its relationship to the natural world. Throughout his long and distinguished career, Paul Shepard returned repeatedly to his guiding theme, the central tenet of his thought: that our essential human nature is a product of our genetic heritage, formed through thousands of years of evolution during the Pleistocene epoch, and that the current subversion of that Pleistocene heritage lies at the heart of today's ecological and social ills. Coming Home to the Pleistocene provides the fullest explanation of that theme. Completed just before his death in the summer of 1996, it represents the culmination of Paul Shepard's life work and constitutes the clearest, most accessible expression of his ideas. Coming Home to the Pleistocene pulls together the threads of his vision, considers new research and thinking that expands his own ideas, and integrates material within a new matrix of scientific thought that both enriches his original insights and allows them to be considered in a broader context of current intellectual controversies. In addition, the book explicitly addresses the fundamental question raised by Paul Shepard's work: What can we do to recreate a life more in tune with our genetic roots? In this book, Paul Shepard presents concrete suggestions for fostering the kinds of ecological settings and cultural practices that are optimal for human health and well-being. Coming Home to the Pleistocene is a valuable book for those familiar with the life and work of Paul Shepard, as well as for new readers seeking an accessible introduction to and overview of his thought.

This book documents the agreed geological reference point for the Pleistocene boundary, and its worldwide correlation.

Gathered here in book form for the first time, the fourteen essays in Where We Belong exemplify Paul Shepard's interdisciplinary approach to human interaction with the natural world. Drawn from Shepard's entire career and presented chronologically, these pieces vary in setting from the Hudson River to the American prairie to New Zealand. Equally impressive is Shepard's spatial range, as he moves from subtle differences to grand designs, from the intimacy of an artist's brush stroke to a vista of the harsh Greek terrain. Alluding to a range of sources from Star Trek to Marshall McLuhan to the Bible, the writings discuss such topics as the geomorphology of New England landscape paintings, beautification and conservation projects, the Oregon Trail, and tourism. Whether Shepard is pondering why the Great Plains conjured up sea imagery in early observers, or how pioneers often resorted to architectural terms--temple, castle, bridge, tower--when naming the West's natural formations, he exposes, and thus invites us to unshoulder, the cultural and historical baggage we bring to the act of seeing. Throughout the book, Shepard seeks the antecedents of environmental perception and questions whether the paradigm we inherited should be superseded by one that leads us to a greater concern for the health of the planet. This volume is an important addition to Shepard's canon if only for the new view it offers of his intellectual development. More important, however, these selections demonstrate Shepard's grasp of a wide range of ideas related to the physical environment, including the various factors--historical, aesthetic, and psychological--that have shaped our attitudes toward the natural world and color the way we see it.

An enlightening investigation of the Pleistocene’s dual character as a geologic time—and as a cultural idea The Pleistocene is the epoch of geologic time closest to our own. It’s a time of ice ages, global migrations, and mass extinctions—of woolly rhinos, mammoths, giant ground sloths, and not least early species of Homo. It’s the world that created ours. But outside that environmental story there exists a parallel narrative that describes how our ideas about the Pleistocene have emerged. This story explains the place of the Pleistocene in shaping intellectual culture, and the role of a rapidly evolving culture in creating the idea of the Pleistocene and in establishing its dimensions. This second story addresses how the epoch, its Earth-shaping events, and its creatures, both those that survived and those that disappeared, helped kindle new sciences and a new origins story as the sciences split from the humanities as a way of looking at the past. Ultimately, it is the story of how the dominant creature to emerge from the frost-and-fire world of the Pleistocene came to understand its place in the scheme of things. A remarkable synthesis of science and history, The Last Lost World describes the world that made our modern one.

"How are we placed on Earth? What is our relationship to the world around us, and how does our thinking affect the way we relate to the world? We are entrapped, says A. James Wohlpart, by what Martin Heidegger calls "enframing," a worldview that considers all objects as mere resources for our use. Walking in the Land of Many Gods envisions a new way of thinking about the world, one grounded in a moral imagination reconnected to Earth. Insightful readings of three contemporary classics of nature writing--Janisse Ray's Ecology of a Cracker Childhood, Terry Tempest Williams's Refuge: An Unnatural History of Family and Place, and Linda Hogan's Dwellings: A Spiritual History of the Living World--are at the heart of Wohlpart's endeavor. Powerful and affecting works like these reveal a pathway to a deeper remembering, one that reconnects us with the primal forces of creation and acknowledges the sacredness of the world. We have forgotten that the world around us is rich and fertile and generative, says Wohlpart. His exploration of these literary works, based on deep anthropology and Native American philosophy, opens a pathway into a new way of thinking called sacred reason. Founded on interdependence and interrelationship, and on care and compassion, sacred reason reminds us that divinity exists around us at all times. We are invited to walk, once again, in a land filled with many gods."--

“An enjoyable read that provides a substantial amount of detail on the biology, ecology, and distribution of these fantastic animals . . . Highly recommended.” —Choice More than 10,000 years ago spectacularly large mammals roamed the pampas and jungles of South America. This book tells the story of these great beasts during and just after the Pleistocene, the geological epoch marked by the great ice ages. Megafauna describes the history and way of life of these animals, their comings and goings, and what befell them at the beginning of the modern era and the arrival of humans. It places these giants within the context of the other mammals then alive, describing their paleobiology—how they walked; how much they weighed; their diets, behavior, biomechanics; and the interactions among them and with their environment. It also tells the stories of the scientists who contributed to our discovery and knowledge of these transcendent creatures and the environment they inhabited. The episode known as the Great American Biotic Interchange, perhaps the most important of all natural history “experiments,” is also an important theme of the book, tracing the biotic events of both North and South America that led to the fauna and the ecosystems discussed in this book. “Collectively, this book brings attention to the discovery and natural history of ancient beasts in South America while providing a broader temporal and geographic background that allows readers to understand their evolution and potential immigration to South America.” —Quarterly Review of Biology “An excellent volume . . . This book is likely to facilitate progress in the understanding of fossil mammals from the Americas.” —Priscum

A pioneering exploration of the roots of our attitudes toward nature, Paul Shepard's most seminal work is as challenging and provocative today as when it first appeared in 1967. Man in the Landscape was among the first books of a new genre that has elucidated the ideas, beliefs, and images that lie behind our modern destruction and conservation of the natural world. Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture--their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.

According to bestselling historian Yuval Noah Harari, today's average American has their foot in three ideological camps: nationalism, free market capitalism, and humanism. The first two might seem obvious, but the third? It's entirely possible that most who qualify for that label would be hard pressed to explain its meaning, much less use it self-descriptively. This book is designed to serve two important purposes: First, to provide an accessible resource for anyone curious about the humanist tradition and the arguments advanced by leading contemporary proponents. Second, to address what the author believes is a critical question for our time, the era of the Anthropocene: Is humanism's seemingly benign package of values at least partially responsible for some of the world's most pressing problems? To answer the last question, Schuler draws from an elective collection of commentators, including life scientists, spiritual writers, public intellectuals, technologists, novelists, and even poets. In the end, this wide-ranging survey will help the reader determine whether humanism makes sense for them.