Competitive Dreams

With the murder of the serial killer known as The Ghost Maker, the serial killer club he ran became dormant. Now, someone calling themselves Mictlan the Collector has taken control of the defunct club. He’s arranged a competition for a select group of members. The serial killer with the most points at the end will win a million dollars in cryptocurrency, and he’s chosen Kansas City as the hunting grounds. Fearing this could happen after The Ghost Maker’s death, the NSA had an operative infiltrate the nefarious club. The operative gives the SCTU advanced warning of the competition. To stop it, Aislinn Cain and the SCTU must identify and capture Mictlan the Collector before the first day. Identifying and capturing a serial killer is never easy and Mictlan complicates the issue by requiring competitors to take a victim to gain admittance. The competitors have less than one week to complete the entrance task, which divides the resources of the SCTU between trying to identify Mictlan the Collector and identifying the serial killers participating in the competition. For a chance at a million dollars in cryptocurrency, serial killers will travel far and wide to participate. With visiting serial killers comes new signature methods requiring the SCTU to reach out to their law enforcement contacts all over the world to at least attempt to find their place of origin and gain any files on them that might exist. The situation is dire enough that the CIA activates their own special black books operation referred to as The Home Defense Program, forcing the SCTU to coordinate with the CIA as well as local law enforcement. Finally, as the start date of the competition gets nearer, panicked politicians want to enact martial law for the Kansas City Metro area. Convinced that martial law will result in more deaths than the competition, the SCTU is racing against the ticking clock, fighting their limited manpower, and extreme panic to save their home city from becoming a grisly battlefield.

Marshal Aislinn Cain and the serial crimes tracking unit are sent to New York City to investigate murders identical to murders committed during the 1980s. However, the serial killer responsible for the original murders is dead, killed in a shootout with the NYPD when they cornered him dumping his last victim. This new series of murders though includes details never released. Only the medical examiner’s office and investigators working the case knew the killer shoved straight pins in the soles of his victim’s feet. Every murdered woman, dumped in the same location as the original victims, in this new series has, not just the straight pins, but the same brand, pushed into the soles of their feet. The SCTU will need to reinvestigate the original case to ensure the NYPD got the correct man, while investigating this new series and identifying reasons someone would replicate this particular series of murders. During their investigation, they’ll meet the nemesis of murdered hero US Marshal Nathan Green. Can they vindicate Marshal Green’s suspicions about his nemesis and solve both series of murders or will they leave NYC questioning if they got the right man too?

Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents but because of the "dreamtense" through which they deploy their being. A diverse selection of films are examined in this light: Tarkovsky's anti-realism exploring the domain of the improbable between symbolization, representation and alienation; Sokurov's subversive attacks on the modern image ideology; Arthur Schnitzler's shifting of thefamiliar to the uncanny and Kubrick's avoidance of this structural model in Eyes Wide Shut; and Wong Kar-Wai's dreamlike panorama of parodied capitalism.

How can small cities make an impact in a globalizing world dominated by ‘world cities’ and urban development strategies aimed at increasing agglomeration? This book addresses the challenges of smaller cities trying to put themselves on the map, attract resources and initiate development. Placemaking has become an important tool for driving urban development that is sensitive to the needs of communities. This volume examines the development of creative placemaking practices that can help to link small cities to external networks, stimulate collaboration and help them make the most of the opportunities presented by the knowledge economy. The authors argue that the adoption of more strategic, holistic placemaking strategies that engage all stakeholders can be a successful alternative to copying bigger places. Drawing on a range of examples from around the world, they analyse small city development strategies and identify key success factors. This book focuses on the case of ‘s-Hertogenbosch, a small Dutch city that used cultural programming to link itself to global networks and stimulate economic, cultural, social and creative development. It advocates the use of cultural programming strategies as a more flexible alternative to traditional top-down planning approaches and as a means of avoiding copying the big city. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

After celebrating their country's three decades of fantastic economic success, many Chinese are now asking, "What comes next?" How can China convert its growing economic power into political and cultural influence around the globe? William Callahan's China Dreams gives voice to China's many different futures by exploring the grand aspirations and deep anxieties of a broad group of public intellectuals. Stepping outside narrow politics of officials vs. dissidents, Callahan examines what a third group - "citizen intellectuals" - think about China's future. China Dreams eavesdrops on fascinating conversations between officials, scholars, soldiers, bloggers, novelists, film-makers and artists to see how they describe China's different political, strategic, economic, social and cultural futures. Callahan also examines how the PRC's new generation of twenty- and thirty-somethings is creatively questioning "The China Model" of economic development. The personal stories of these citizen intellectuals illustrate China's zeitgeist and a complicated mix of hopes and fears about "The Chinese Century," providing a clearer sense of how the PRC's dramatic economic and cultural transitions will affect the rest of the world. China Dreams explores the transnational connections between American and Chinese people, providing a new approach to Sino-American relations. While many assume that 21st century global politics will be a battle of Confucian China vs. the democratic west, Callahan weaves Chinese and American ideals together to describe a new "Chimerican dream." Explores the thinking of a new generation of China's young leaders and intellectuals; Presents diverse sets of information from government documents, academic scholarship, blogs, film, and visual art; Opens a window into China's own public debates about its future.--Publisher's website.

Includes Proceedings of the Executive council and List of members, also section "Review of books".

Dreams: We all have this deep great desire to live and achieve them. In sleep they are mysterious, and are full of oblique contradictory confusion to our reality. And we often wonder what they mean, and how we find ourselves in them. At times they can be a pleasing wonderful and a great experience of fantasy and desire. Yet and also, they can be awfully terrifying, horrific, and a complete nightmare of an experience. Well, DREAMS OF LOVE is exactly for that. It precisely explains how we find ourselves in a dream; and how to consciously gain and take control of our dreams when we are in their realm by manipulating its reality very aware. It gives the will power and solutions of how to live and achieve our most desired dreams in this world-by understanding that the connection of dreams and reality are one.

Public trust in corporations plummeted in the wake of the 2008 financial crisis, when “Lehman Brothers” and “General Motors” became dirty words for many Americans. In Corporate Dreams, James Hoopes argues that Americans still place too much faith in corporations and, especially, in the idea of “values-based leadership” favored by most CEOs. The danger of corporations, he suggests, lies not just in their economic power, but also in how their confused and undemocratic values are infecting Americans’ visions of good governance. Corporate Dreams proposes that Americans need to radically rethink their relationships with big business and the government. Rather than buying into the corporate notion of “values-based leadership,” we should view corporate leaders with the same healthy suspicion that our democratic political tradition teaches us to view our political leaders. Unfortunately, the trend is moving the other way. Corporate notions of leadership are invading our democratic political culture when it should be the reverse. To diagnose the cause and find a cure for our toxic attachment to corporate models of leadership, Hoopes goes back to the root of the problem, offering a comprehensive history of corporate culture in America, from the Great Depression to today’s Great Recession. Combining a historian’s careful eye with an insider’s perspective on the business world, this provocative volume tracks changes in government economic policy, changes in public attitudes toward big business, and changes in how corporate executives view themselves. Whether examining the rise of Leadership Development programs or recounting JFK’s Pyrrhic victory over U.S. Steel, Hoopes tells a compelling story of how America lost its way, ceding authority to the policies and values of corporate culture. But he also shows us how it’s not too late to return to our democratic ideals—and that it’s not too late to restore the American dream.