Dance In Dust

Breaking through the long-established image of Heian Japan (794–1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents a picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. The court does not disappear, but rather becomes part of a larger society inhabited by Buddhist nuns and mountain ascetics, farmers and fishermen, beggars and gamblers. In popular songs called imayo, they express their concerns about religion, love, aging, and even current affairs. In 1179 Emperor Go-Shirakawa compiled a collection of this song genre, which had flourished for two centuries. His twenty-volume anthology, Ryojin hisho, circulated until the middle of the fourteenth century, when it disappeared completely. To the astonishment of the scholarly world, two volumes reappeared early in the twentieth century. It is these texts—a small remnant of a powerful popular literature—that Kim makes accessible to English-speaking readers. Ryojin hisho juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. The songs, in translations that faithfully reflect the sounds and images of the originals, make up the core of this book. They are surrounded by a wealth of material on the imayo genre, the women who sang the songs, the role of court patronage, and other aspects of Heian culture. Far from simply surviving as an aesthetic artifact, the anthology comes to life in its own literary and cultural context. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

Dance in Palestine has a history as complex and contentious as the land itself. Whether dismissed as bacchantic madness by Bible tourists in the 19th Century, revived and glorified by Zionists, Pan-Arabists and Palestinian Nationalists in the 20th Century, or rejected by Islamic Reformists in the 21st Century, dance in Palestine has a rich and elusive story that remains to be told. 'Raising Dust' traces one dancer's journey into Palestine's past and present. Through historical archives, the memories of dancers of yesteryear and into today's vibrant performing arts scene, Nicholas Rowe shows how dance has acted as a barometer of social change, a forum for debate and a means of expressing forbidden ideas. Far from apolitical, this most physical of art forms has often defined the political mood of the day. Sumptuously illustrated, the author provides a unique, rare and compelling cultural history of dance in Palestine.

Everyone deserves a second chance–and another dance. Tamsin Cooper's career as a Parisian showgirl is coming to an end. Nearly thirty, with no boyfriend and no prospects of a family of her own, she decides to take up her inheritance–her Uncle Ted's cattle farm in Queensland. Farm life seems to be suiting her until Tamsin discovers that Uncle Ted had a secret–and her sexy neighbour Angus Walker helped him keep it. Faced with losing her farm and her heart, Tamsin returns to what she knows best, dancing, and starts teaching the residents of Elliott's Crossing how to get in touch with their inner showgirl. She may have the dance moves, but can she shimmy past a forty–year–old lie and a betrayal of lost love to find her place–and rediscover love–in this country town?

In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.

A sweeping historical novel from the Queen of Romance, originally published in 1959 and now available for the first time in eBook. Seduction, betrayal, rapture. Esmond, Earl of Mornbury and the handsomest man in all England, had renounced his elegantly reckless lifestyle - only to be shattered by a cruel tragedy. Grief-stricken, he resumed his dissolute living and fought a deadly duel before retreating to a monastery to suffer alone. But now Queen Anne urges marriage upon him, and Esmond's thoughts turn to the lovely Magda, whom he has seen just once, but who captured his interest and desire. The preparations for the match are put in place. But a shocking discovery awaits Esmond on his wedding day... a revelation that will put love to the ultimate test. He is England's most charming rogue - she is treachery's pawn. They thought nothing could stand between them - but will her terrible betrayal destroy their love?