Davy Jones And The Heart Of Darkness

DAVY JONES ! A dreaded name for all who sailed the seven seas. Behind the folklore, myth and legend is the tragedy of a young man who touches the impossible dream that becomes a cosmological nightmare. "Davy Jones & the Heart of Darkness" is part adventure story, part high seas romance sprinkled with philosophy and humor. This novella also includes two essays from The Cave of Cinema Dave; "The Monkees and Davy Jones" and "Movies from Davy Jones' Locker." This book also contains family album photos from 1975 that feature The Bounty, the tall ship that sank on October 29th, 2012 caused by Hurricane Sandy. Built for the 1962 version of "Mutiny of the Bounty," this ship was seen in two "Pirates of the Caribbean" movies, "Dead Man's Chest" and "At World's End," which features the character of Davy Jones. Fans of Ernest Hemingway, H.P. Lovecraft, Paul McCartney, J.K. Rowling, Alice Cooper, Louis L'Amour and C.S. Lewis will want to read "Davy Jones & the Heart of Darkness!"

Introduction:'at the turn of time' --Part I. David Jones and empire --Introduction to Part I:The political formation of the Roman analogy --Shaping Rome through 'contactual' experience: war and post-war disillusionment --British imperial rhetoric: subverting the Roman analogy of empire --Expanding the Roman imperial analogy: fascism, communism, and the co-agency of empires --Part II. David Jones and cyclical historyIntroduction to Part II:The Roman precedent for the decline of western civilisation --Cyclical history and Roman decline: a theoretical foundation for the Roman fragments --The forms of the late civilisational phase: charting the decline of the West from Roman precedents --The antithesis of culture and civilisation: examining Spenglerian principles in Roman poetry --Part III. David Jones and culture --Introduction to Part III: Recovering Rome in the pursuit of Western unity and continuity --Investigating cultural decline: the Classical and Christian traditions --Reconnecting with Rome: the fight for the unity and continuity of Western culture --Jones's cultural theory: re-establishing the bridge in response to the break --Part IV. David Jones and Wales --Introduction to Part IV:The Roman foundation of the Welsh nation --Reimagining cultural decline: the fight for Wales as Britain s last link to Rome --Rewriting Welsh history: establishing Wales as a Roman nation --Cultural dynamics: the place of Rome in the bridge --Conclusion:'down the history maze'.

Come along on a great pirate adventure with hand-picked literary classics and true stories about the legendary outlaws: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure The Pirates' Own Book Treasure Island (R. L. Stevenson) Captain Blood (Rafael Sabatini) Sea Hawk (Sabatini) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Martin Conisby's Vengeance (J. Farnol) Coral Island (Ballantyne) Pirate of Panama (W. M. Raine) Under the Waves (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Captain Boldheart (Dickens) The Ways of the Buccaneers (J. Masefield) Master Key (L. Frank Baum) Black Bartlemy's Treasure (J. Farnol) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Barbarossa—King of the Corsairs (E. H. Currey) Robinson Crusoe (Defoe) Jim Davis (J. Masefield) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pagan Madonna (H. MacGrath) A Pirate of the Caribbees (H. Collingwood) The Pirate Island (H. Collingwood) The Devil's Admiral (F. F. Moore) The Pirate of the Mediterranean (W. H. G. Kingston) The Black Buccaneer (Stephen W. Meader) The Third Officer (P. Westerman) Narrative of the Capture of the Ship Derby...

Originally published in 1941, this book provides a brief study of the life and work of Joseph Conrad ('Poland's English genius') through the lens of his writings. Bradbrook divides Conrad's stories by three main themes: the wonders of the deep, the hollow men and recollections in tranquillity, in order to show Conrad's literary development. This book will be of value to anyone with an interest in Conrad's writings.

“A scarifying, blood-soaked portrait of savagery on the early frontier—much of it committed by European settlers . . . superb.”—Kirkus Reviews (starred) An acclaimed historian captures the true nature of imperialism in early America, demonstrating how the frontier shaped the nation. We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans. Drawing skillfully on Joseph Conrad’s famous novella, Heart of Darkness, he demonstrates that imperialism in North America was neither heroic nor a perfectly planned conquest. It was, rather, as bewildering, violent, and haphazard as the European colonization of Africa, which Conrad knew firsthand and fictionalized in his masterwork. At the center of Parkinson’s story are two families whose entwined histories ended in tragedy. The family of Shickellamy, one of the most renowned Indigenous leaders of the eighteenth century, were Iroquois diplomats laboring to create a world where settlers and Native people could coexist. The Cresaps were frontiersmen who became famous throughout the colonies for their bravado, scheming, and land greed. Together, the families helped determine the fate of the British and French empires, which were battling for control of the Ohio River Valley. From the Seven Years’ War to the protests over the Stamp Act to the start of the Revolutionary War, Parkinson recounts the major turning points of the era from a vantage that allows us to see them anew, and to perceive how bewildering they were to people at the time. For the Shickellamy family, it all came to an end on April 30, 1774, when most of the clan were brutally murdered by white settlers associated with the Cresaps at a place called Yellow Creek. That horrific event became news all over the continent, and it led to war in the interior, at the very moment the First Continental Congress convened in Philadelphia. Meanwhile, Michael Cresap, at first blamed for the massacre at Yellow Creek, would be transformed by the Revolution into a hero alongside George Washington. In death, he helped cement the pioneer myth at the heart of the new republic. Parkinson argues that American history is, in fact, tied to the frontier, just not in the ways we are often told. Altering our understanding of the past, he also shows what this new understanding should mean for us today.

Informative, broad-ranging, this title sheds new light on the life and literary art of one of the last century's most celebrated authors. The first volume to be authorized by the Graham Greene Birthplace Trust, "Dangerous Edges of Graham Greene" brings together writers, journalists and scholars to investigate as well as to assess Greene's prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene's Vienna at the time of the filming of "The Third Man" to his sometimes fraught relationship with Evelyn Waugh, from Greene's unconventional fictional treatment of women to his "believing skepticism". While Greene often informed friends that "a ruling passion gives to a shelf of novels the unity of a system", critics of his literary art have found it extraordinarily difficult to define the content of this "ruling passion". Perhaps this is because Greene's own character seems so paradoxical, ironic even. Moreover, in believing that sin contains within itself the seeds of saintliness, he consistently loiters on what Robert Browning calls "the dangerous edge of things". In exploring this "dangerous edge", this book covers the full breadth of Greene's life and literary career.

FROM THE HEART OF DARKNESS come no gentle wraiths, no pastel fantasies of bittersweet, seductive evil. This horror slams like a muzzle blast into its victim's awareness, carves its image with razor claws of violence as vivid as graphic as uncensored imagination. This horror comes from the center of the man soul, David Drake's FROM THE HEART OF DARKNESS. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.