December Dread

Mira James investigates a serial killer who uses online dating sites to seduce and kill women who look just like her--and leaves a candy cane as his calling card.

Silent Night, Deadly Night With Christmas just over a week away, ’tis the season for grinning sales elves on TV, maddeningly jolly Muzak, and a guilty Nut Goodie addiction. But for Mira James and other Battle Lake-area women, the holidays are marred by something far worse—a serial killer leaving candy canes as his calling card. His target? Thirty-something brunettes who look just like Mira. When a woman from her high school graduating class becomes his latest victim, Mira plows through a case of online dating turned deadly with Mrs. Berns at her side. Will she earn her detective stripes . . . or end up deader than the Ghost of Christmas Past? Praise: "Lourey pulls out all the stops in this eighth case."—Library Journal "Lourey creates a splendid mix of humor and suspense."—Booklist "Lourey, who keeps her secrets well, delivers a breathtaking finale."—Publishers Weekly

With Christmas just over a week away, 'tis the season for grinning elves, maddeningly jolly Muzak, and a guilty Nut Goodie addiction. But the holidays are marred by something far worse-a serial killer leaving candy canes as his calling card.

Since the 1970s, poet Linton Kwesi Johnson has been putting pen to paper to refute W.H. Auden’s claim that “poetry makes nothing happen.” For Johnson, only the second living poet to have been published in the Penguin Modern Classics series, writing has always been “a political act” and poetry “a cultural weapon.” In Dread Poetry and Freedom David Austin explores the themes of poetry, political consciousness, and social transformation through the prism of Johnson’s work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism, and feminism, and in dialogue with Aimé Césaire and Frantz Fanon, C.L.R. James and Walter Rodney, W.E.B. Du Bois and the poetry of d’bi young anitafrika, Johnson’s work becomes a crucial point of reflection on the meaning of freedom in this masterful and rich study.

This imaginative and empowering book explores the ways that our emotions entangle us with climate change and offers strategies for engaging with climate anxiety that can contribute to social transformation. Climate educator Blanche Verlie draws on feminist, more-than-human and affect theories to argue that people in high-carbon societies need to learn to ‘live-with’ climate change: to appreciate that human lives are interconnected with the climate, and to cultivate the emotional capacities needed to respond to the climate crisis. Learning to Live with Climate Change explores the cultural, interpersonal and sociological dimensions of ecological distress. The book engages with Australia’s 2019/2020 ‘Black Summer’ of bushfires and smoke, undergraduate students’ experiences of climate change, and contemporary activist movements such as the youth strikes for climate. Verlie outlines how we can collectively attune to, live with, and respond to the unsettling realities of climate collapse while counteracting domineering ideals of ‘climate control.’ This impressive and timely work is both deeply philosophical and immediately practical. Its accessible style and real-world relevance ensure it will be valued by those researching, studying and working in diverse fields such as sustainability education, climate communication, human geography, cultural studies, environmental sociology and eco-psychology, as well as the broader public. The Open Access version of this book, available at https://doi.org/10.4324/9780367441265, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Includes parodies of Tennyson, Longfellow, Bret Harte, Thomas Hood, Swinburne, Browning, Shakespeare, Milton, Poe, Shelley, Cowper, Coleridge, Herrick, Carroll, Lever, Lover, Burns, Scott, Goldsmith, Kingsley, Byron and many others.