Detroit S Downtown Movie Palaces

The spokelike grid of wide grand avenues radiating out from downtown Detroit allowed for a concentration of theaters initially along Monroe Street near Campus Martius and, after the second decade of the 20th century, clustered around Grand Circus Park, all easily accessible by a vast network of streetcars. In its heyday, Grand Circus Park boasted a dozen palatial movie palaces containing an astonishing total of 26,000 seats. Of these theaters, five remain today, fully restored and operational for live entertainment. Detroit, more so than any other North American city, illustrates how demographic and economic forces dramatically changed the landscape of film exhibition in an urban setting.

This book provides the tools to maintain and rebuild the interaction between architecture and public space. Despite the best intentions of designers and planners, interactive frontages have dwindled over the past century in Europe and North America. This book demonstrates why even our best intentions for interactive frontages are currently unable to turn a swelling tide of economic and technological evolution, land consolidation, introversion, stratification, and contagious decline. It uses these lessons to offer concrete locational, programming, design, and management strategies to maximize street-level interaction and trust between street-level architecture, its inhabitants, and the city. This book demonstrates that designers, developers, planners, and managers ultimately have to create the right preconditions for inhabitants and passersby to bring frontages to life. These preconditions connect architecture to its urban, social, economical, and technological context. Only the right frontage in the right context, with the right design, the right inhabitation, and the right attitude to the city will become part of the ecosystem of trust and interaction that supports public life. This book empowers the many participants in this ecosystem to build, inhabit, and enjoy truly urbane architecture.

Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit's diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr'actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.

The first movie theaters in Cleveland consisted of converted storefronts with sawed-off telephone poles substituting for chairs and bedsheets acting as screens. In 1905, Clevelanders marveled at moving images at Rafferty's Monkey House while dodging real monkeys and raccoons that wandered freely through the bar. By the early 1920s, a collection of marvelous movie palaces like the Stillman Theater lined Euclid Avenue, but they survived for just two generations. Clevelanders united to save the State, Ohio and Allen Theaters, among others, as wrecking balls converged for demolition. Those that remain compose one of the nation's largest performing arts centers. Alan F. Dutka shares the remarkable histories of Cleveland's downtown movie theaters and their reemergence as community landmarks.

This standard textbook on Michigan history covers the entire scope of the Wolverine State's historical record -- from when humankind first arrived in the area around 9,000 B.C. up to 1995. This third revised edition of Michigan also examines events since 1980 and draws on new studies to expand and improve its coverage of various ethnic groups, recent political developments, labor and business, and many other topics. Includes photographs, maps, and charts.

On July 24, 1701, Antoine de La Mothe Cadillac stood in the heart of the wilderness on a bluff overlooking the Detroit River and claimed this frontier in the name of Louis XIV; thus began the story of Detroit, a city marked by pioneering spirits, industrial acumen, and uncommon durability. Over the course of its 300-year history, Detroit has been sculpted into a city unique in the American experience by its extraordinary mixture of diverse cultures: American Indian, French, British, American colonial, and a variety of immigrant newcomers. Detroit: A Motor City History documents the major events that shaped this once-small French fur-trading outpost across three centuries of conflict and prosperity. Through informative text and a variety of imagery, readers experience firsthand the struggles of the nascent village against raiding Indian tribes and the incessant political and military tug of war between the colonial French and English, and then American interests. Like many other major cities across the United States, Detroit played a pivotal role in establishing the country's economic and industrial power in the nineteenth and twentieth centuries, serving as a center for its well-known civilian and military mass-production resources. This visual history provides insight into Detroit's rapid evolution from a hamlet into a metropolis against a backdrop of important community and national affairs: the decimating fire of 1805, the War of 1812, the Civil War, the Industrial Revolution, the Great Depression, and both world wars.

All Our Yesterdays is the first history of the City of Detroit to be published in the last twenty-five years. It is an account based on extensive historical research, yet is written in such a style as to make interesting and enjoyable reading. The authors tell of the founding of the the town by the French, control by the British, and growth as an American city. These episodes are recounted in the words and deeds of the people who lived and worked here, men like Judge Woodward, Father Gabriel Richard, and Governor Lewis Cass. Here also are accounts of the expansion of the automobile industry, the days of the roaring twenties, prohibition, the great depression, World Wars I and II, and the city of the 1950s and 1960s. This is the story of a great city; a story of past deeds, present problems, and future hopes. But more important, this is a story by and about the people of Detroit, for it is the people that have made this city great.

This is where the KKK and Back Legion congregated in the 1920s and 1930s. This is where America’s most racist suburb bread. By centuries end, this is where the white extremists control the city some sixty miles out. This is a racist hell. These are the Detroit Northwestern Heydays.