Dinosaurus

This book offers a new contribution to the debate concerning the “real time acquisition” of grammar in First Language Acquisition Theory. It combines detailed and quantitative observations of object placement in Dutch and Italian child language with an analysis that makes use of the Modularity Hypothesis. Real time development is explained by the interaction between two different modules of language, namely syntax and pragmatics. Children need to build up knowledge of how the world works, which includes learning that in communicating with someone else, one must realize that speaker and hearer knowledge are always independent. Since the syntactic feature referentiality can only be marked if this (pragmatic) distinction is made, and assuming that certain types of object placement (such as scrambling and clitic placement) are motivated by referentiality, it follows that the relevant syntactic mechanism is dependent on the prior acquisition of a pragmatic distinction.

Brimming with research from digs in North America, Mongolia, Europe, China and elsewhere, Dinosaurus is an encyclopedic and vividly illustrated reference for all ages.

From classics like King Kong, to beloved B–movies like The Beast from 20,000 Fathoms, to blockbusters like Jurassic Park, it’s easy to see that filmmakers and audiences alike love to see dinosaurs on the screen. This comprehensive filmography, arranged alphabetically by title, contains entries that include basic facts (year of release, country of origin, studio, and running time), followed by a concise plot summary, the author’s critical commentary, information on the production and the people behind it, and secrets of the often-ingenious special effects. Three useful appendices feature films with minor dinosaur content, planned but unfinished dinosaur movies, and the quasi-dinosaurs of Toho Studios. To be included, a movie must depict one or more representations of a “prehistoric reptile.” Inaccurate portrayals are included, as long as the intent is to represent a real or fictional dinosaur. Not eligible are films featuring prehistoric mammals, prehistoric humans or humanoids, and beasts of mythology—unless, of course, the movie also has a dinosaur.

"Peck's Bad Boy with the Cowboys" by George W. Peck. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Relating the Amusing Experiences and Laughable Incidents of this Strenuous American Boy and his Pa while among the Cowboys and Indians in the Far West. Exciting Hunts and Adventures mingled with Humorous Situations and Laugh Provoking Events.

"Dinosaurus" is broken into six sections. Back to Triassic Times, Back to Jurassic Times, Back to Cretaceous are the first three sections with four pages on each of the 34 dinosaurs. Discovering Dinosaurs moves from the earliest discoveries to the most up-to-date findings and includes a four page section on the paleontologist at work. Section five, Dinosaur Atlas, follows discoveries of dinosaur movements worldwide from Europe and Asia to Africa and North America. The final section, Dinosaur Data, is an absolute fund of information about dinosaurs from their teeth and skin to their speed and intelligence; from their birth to their extinction.

After the American Civil War ended, George W. Peck (1840–1916) became a newspaper publisher. His weekly newspaper, "Peck’s Sun," contained Peck’s humorous writings, including his famous semi-autobiographical “Peck’s Bad Boy” stories. Peck died in 1916 at age 75, but his writing continued to win fans for years. The "Peck’s Bad Boy" stories became the basis for several films and a short-lived television show. Included in this volume are: PECK’S BAD BOY AND HIS PA THE GROCERY MAN AND PECK’S BAD BOY PECK’S BAD BOY ABROAD PECK’S BAD BOY WITH THE COWBOYS PECK’S BAD BOY WITH THE CIRCUS PECK’S UNCLE IKE AND THE RED HEADED BOY PECK’S SUNSHINE PECK’S COMPENDIUM OF FUN HOW PRIVATE GEORGE W. PECK PUT DOWN THE REBELLION If you enjoy this volume, please search this ebook store for "Wildside Press Megapack" to see more entries in the series, collecting great tales of adventure, mystery, science fiction, westerns, ghost stories, and much more. (Sort by publication date to see the most recent additions.)

From the early days of the movies, “cavemen” have been a popular subject for filmmakers—not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods—from the advent of civilization up to the present—or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.