Edmund Wilson S America

When Edmund Wilson died in 1972 he was widely acclaimed as one of America's great literary critics. But it was often forgotten by many of his admirers that he was also a brilliant and penetrating critic of American life. In a literary career spanning half a century, Wilson commented on nearly every aspect of the American experience, and he produced a body of work on the subject that rivals those of Tocqueville and Henry Adams. In this book, George H. Douglas has distilled the essence from Wilson's many writings on America. An active reporter and journalist as much as a scholar, Wilson ranged from Harding to Nixon, from bathtub gin to marijuana. Douglas here surveys Wilson's mordant observations on the roaring twenties, the Great Depression, income tax, suburbia, sex, populist politics, the Vietnam War, the Great Society, the failure of American scholarship, pollution of the landscape, and the breakdown of traditional American values. The Wilson who emerges from this survey is a historical writer with deep and unshakable roots in Jeffersonian democracy. Among his most far-seeing and poignant books are studies of the literature of the American Civil War and of the treatment of the American Indian. Pained by the crumbling moral order, Wilson was never completely at home in the twentieth century. In politics he was neither a liberal nor a conservative as those terms are understood today. He endured those ideologies and their adherents, but his genius was that he could bring them into hard focus from the perspective of the traditional American individualist who was too pained to accept the standardized commercial world that had grown up around him. Edmund Wilson's America offers a distinctive overview of the nation's life and culture as seen and judged by its leading man of letters.

From the Jazz Age through the McCarthy era, Edmund Wilson (1895-1972) stood at the center of the American cultural scene. In his own youth a crucial champion of the young Ernest Hemingway and F. Scott Fitzgerald, Wilson went on to write three classics of literary and intellectual history (Axel's Castle, To the Finland Station, and Patriotic Gore), searching reportage, and criticism that has outlasted many of its subjects. Wilson documented his unruly private life--a formative love affair with Edna St. Vincent Millay, a tempestuous marriage to Mary McCarthy, and volatile friendships with Fitzgerald and Vladimir Nabokov, among others--in openly erotic fiction and journals, but Lewis Dabney is the first writer to integrate the life and work. Dabney traces the critic's intellectual development, from son of small-town New Jersey gentry to America's last great renaissance man, a deep commentator on everything from the Russian classics to Native American rituals to the Dead Sea Scrolls. Along the way, Dabney shows why Wilson was and has remained--in his cosmopolitanism and trenchant nonconformity--a model for young writers and intellectuals, as well as the favorite critic of the general reader. Edmund Wilson will be recognized as the lasting biography of this brilliant man whose life reflected so much of the cultural, social, and human experience of a turbulent century.

"In 1940 Edmund Wilson was the undisputed big dog of American letters. Vladimir Nabokov was a near-penniless Russian exile seeking asylum in the States. Wilson became a mentor to Nabokov, introducing him to every editor of note, assigning reviews for The New Republic, engineering a Guggenheim. Their intimate friendship blossomed over a shared interest in all things Russian, ruffled a bit by political disagreements. But then came Lolita, and suddenly Nabokov was the big (and very rich) dog. Finally the feud erupted in full when Nabokov published his hugely footnoted and virtually unreadable literal translation of Pushkin's famously untranslatable verse novel Eugene Onegin. Wilson attacked his friend's translation with hammer and tong in the New York Review of Books. Nabokov counterattacked in the same publication. Back and forth the increasingly aggressive letters volleyed until their friendship was reduced to ashes by the narcissism of small differences"--

The Wound and the Bow contains seven essays by "The greatest literary critic of the twentieth century.” -New York magazine. Combining biographical and critical sketches, Edmund Wilson writes brilliantly on a wide-range of authors including Dickens, Kipling, Edith Wharton, Ernest Hemingway, Joyce, Jacques Casanova, and Sophocles. "In the best tradition of literary criticism... combines exact information with shrewd and searching penetration into the personal life of the artist."-The New York Times

A young man leaves his bohemian lifestyle in Greenwich Village to pursue the chorus girl he loves.

Regarded by many critics as Edmund Wilson's greatest book, Patriotic Gore brilliantly portrays the vast political, spiritual, and material crisis of the Civil War as reflected in the lives and writings of some thirty representative Americans.