Elegies For Uncanny Girls

The ordinary and the extraordinary merge in the strange and complex lives of young women in this “frequently luminous” debut short story collection (Kirkus Reviews). Unsettling and perceptive, this debut story collection challenges our notion of American girlhood in all its delusions, conflicting messages, and treacherous terrain. Alternately wide-eyed, wise, and mysterious, the girls at the center of these stories leave their realities behind for curious new places where the barrier between real and unreal begins to blur. Still others hover over their Midwestern homes in interior worlds of their own creation. The stories in Elegies for Uncanny Girls take place at a boundary where both the girls’ bodies and their narratives belong either to themselves or to the cultures that surround them. A young woman whose body continually shrinks and expands moves to Los Angeles to make a movie about tragic merpeople; bewildered and seeking guidance, a new mom strikes up a conversation with a woman with detachable hands; and spurred on by a new ally who might just be a figment of her imagination, a girl decides she can choose her own friends. “Brisk, satisfying, and fiercely observant.” —Publishers Weekly

The November/December 2021 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by John Wiswell, Grace P. Fong, A.T. Greenblatt, Mary Robinette Kowal, Del Sandeen, Rachael Swirsky, and Mari Ness. Essays by Javier Grillo-Marxuach, Dawn Xiana Moon, Veda Scott, Arley Sorg, Marissa Lingen, and Greer Gilman and Sofia Samatar, poetry by Abu Baqr Sadiq, Hal Y. Zhang, Mary Soon Lee, and Miriam Alex,an interview with John Wiswell by Caroline M. Yoachim, a cover by Grace P. Fong, and editorials by Lynne M. Thomas and Michael Damian Thomas. About Uncanny Magazine Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Chimedum Ohaegbu, each issue of Uncanny includes new stories, poetry, articles, and interviews.

The January/February 2024 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Mary Robinette Kowal, Jordan Taylor, Jana Bianchi, Natalia Theodoridou, Ana Hurtado, Cheri Kamei, and Angela Liu. Essays by John Scalzi, Alex Jennings, Cecilia Tan, and Amanda Wakaruk and Olav Rokne, poetry by Ali Trota, Ai Jiang, C.S.E. Cooney, and Sodïq Oyèkànmí, interviews with Jordan Taylor and Natalia Theodoridou by Caroline M. Yoachim, a cover by Galen Dara, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.

The premise of Micaela Janan's detailed study of Propertius' Book IV is that different critical approaches are required in order to understand the various kinds of Latin poetry. Janan uses modern psychoanalytical methods to examine Propertius (c.

Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. RenŽe L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride.

As close readings, the interpretations confront the reader with the great themes of Rilke's oeuvre, in a cycle that moves gradually, but with growing confidence, to an acceptance of the limitations of human life and death.