Enraged

An examination of remedies for violent rage rediscovered in ancient Greek myths Millennia ago, Greek myths exposed the dangers of violent rage and the need for empathy and self-restraint. Homer's Iliad, Euripides' Hecuba, and Sophocles' Ajax show that anger and vengeance destroy perpetrators and victims alike. Composed before and during the ancient Greeks' groundbreaking movement away from autocracy toward more inclusive political participation, these stories offer guidelines for modern efforts to create and maintain civil societies. Emily Katz Anhalt reveals how these three masterworks of classical Greek literature can teach us, as they taught the ancient Greeks, to recognize violent revenge as a marker of illogical thinking and poor leadership. These time-honored texts emphasize the costs of our dangerous penchant for glorifying violent rage and those who would indulge in it. By promoting compassion, rational thought, and debate, Greek myths help to arm us against the tyrants we might serve and the tyrants we might become.

“Anhalt’s contribution is building an overarching narrative of how the Greeks engaged problems of anger—problems that continue to provoke.”—Choice Millennia ago, Greek myths exposed the dangers of violent rage and the need for empathy and self-restraint. Homer’s Iliad, Euripides’ Hecuba, and Sophocles’ Ajax show that anger and vengeance destroy perpetrators and victims alike. Composed before and during the ancient Greeks’ groundbreaking movement away from autocracy toward more inclusive political participation, these stories offer guidelines for modern efforts to create and maintain civil societies. Emily Katz Anhalt reveals how these three masterworks of classical Greek literature can teach us, as they taught the ancient Greeks, to recognize violent revenge as a marker of illogical thinking and poor leadership. These time-honored texts emphasize the costs of our dangerous penchant for glorifying violent rage and those who would indulge in it. By promoting compassion, rational thought, and debate, Greek myths help to arm us against the tyrants we might serve and the tyrants we might become. “An engaging and sometimes inspiring guide to the rich complexities of the Iliad . . . Her underlying point is that, from its earliest origins, Western literature questioned the values of the society that produced it.”—The New York Times Book Review “Anhalt has taken on three of history’s most important works of literature and applied their lessons to the present day. Enraged is an important reminder that reflection, dialogue, and empathy have no boundaries or time limits.”—Amanda Foreman, Whitbread Prize-winning author of Georgiana: Duchess of Devonshire “[Anhalt’s study is] rewarding and unnerving . . . A call to arms.”—Bryn Mawr Classical Review

As battle looms closer, problems plague Jolie and the princes. Nico keeps sneaking off, Justina and Brayden are still on the loose, and Jolie must learn to harness her powers before the battle. It’s going to take everyone working together to win. Join Jolie, and the Four Princes of Jinla, in the final book of the Her Royal Harem Series. ROYALLY ENRAGED is a full-length reverse harem fantasy novel, and the fourth and final book in the HER ROYAL HAREM series.

(Applause Books). "I am your accompanist. You do not know me. I am the guy who sits behind the upright in the unflattering fluorescent light of the dance studio, a bottle of water on the floor, a half-eaten Power Bar on the bench, and your audition in my hands." Award-winning New York theatre composer and pianist Andrew Gerle pulls no punches in this irreverent, fly-on-the-wall guide to everything you've never been taught about auditioning for musical theatre. From the unique perspective of the pianist's bench, he demystifies the audition process, from how to put together your book and speak to an accompanist to the healthiest and savviest ways to approach the audition marketplace and your career. By better understanding the dynamics of professional auditions, you will learn to present yourself in the strongest, most castable way while remaining true to your own special voice the one that, in the end, will get you the job.

Psychological entitlement, or a sense that some individuals or groups are inherently worthier of certain privileges, is an overlooked but essential feature of the persistent inequality that resists social progress and oppresses those in the margins. In the political climate that gave rise to and resulted in Donald Trump's presidency, confusion, rage, and feelings of victimization linger among those who felt empowered by the validation felt with him into office--feelings that existed and will continue to exist independently of the former president himself. Enraged, Rattled, and Wronged confronts psychological entitlement in its many forms or related attributes, such as narcissism, to expose the ugly truths at the heart of this phenomenon. In exploring how members of advantaged groups come to understand their belief in their own worthiness relative to those in disadvantaged groups, expert psychologist Kristin J. Anderson channels her research and expertise in prejudice and discrimination to ask critical questions of the current political and social climate. What happens to entitled people when they feel pushed aside? How does their inflated sense of deservingness make them vulnerable to manipulation by the demagogues who use them, blinding them to the negative outcomes that are often paradoxical? What are they willing to tear down as they scramble to keep their grip on the status and power they believe are rightfully theirs? How has entitled rage played out historically, and how do these events lend themselves to both the predictable and unpredictable manifestations of power grabs that we see now? Drawing from a wealth of timely examples and empirical literature, Anderson situates this anger as backlash against the social progress that empowers marginalized groups, even at the expense of the dominant group, if necessary. Citing historical moments such as the rage of whites directed at newly freed African Americans in the South during Reconstruction and the anger of the entitled when women have attempted to control their reproduction, Anderson traces this phenomenon over time and delineates the link between individual-level processing of psychological deservingness and macro-level problems that impede equality, concluding with a call for action for to dominant group members to join the vibrant movements for social progress that have emerged in recent years.

To the court of King Charlemagne comes Angelica (daughter to the king of Cathay, or India) and her brother Argalia. Angelica is the most beautiful woman any of the Peers have ever seen, and all want her. However, in order to take her as wife they must first defeat Argalia in combat. The two most stricken by her are Orlando and Ranaldo ("Rinaldo" in Rose). When Argalia falls to the heathen knight Ferrau, Angelica flees -- with Orlando and Ranaldo in hot pursuit. Along the way, both Angelica and Ranaldo drink magic waters -- Angelica is filled with a burning love for Ranaldo, but Ranaldo is now indifferent. Eventually, Orlando and Ranaldo arrive at Angelica's castle. Others also gather at Angelica's castle, including Agricane, King of Tartary; Sacripant, King of Circassia; Agramante, King of Africa and Marfisa "Marphisa" in Rose), an Asian warrior-Queen. Except for Orlando and Ranaldo, all are eathen. Meanwhile, France is threatened by heaten invaders. Led by King Gradasso of Sericana (whose principal reason for going to war is to obtain Orlando's sword, Durindana) and King Rodomonte of Sarzia, a Holy War between Pagans and Christians ensues. Ranaldo leaves Angelica's castle, and Angelica and a very love-sick (but very chaste and proper) Orlando, set out for France in search of him. Again the same waters as before are drunk from, but this time in reverse -- Ranaldo now burns for Angelica, but Angelica is now indifferent. Ranaldo and Orlando now begin to fight over her, but King Charlemagne (fearing the consequences if his two best knights kill each other in combat) intervenes and promises Angelica to whichever of the two fights the best against the heathen; he leaves her in the care of Duke Namus. Orlando and Ranaldo arrive in Paris just in time to repulse an attack by Agramante. Namus' camp is overrun by the heathen. Angelica escapes, with Ranaldo in pursuit. Also in pursuit is Ferrau, who (because he had defeated Argalia) considers Angelica his. It is at this point that the poem breaks off. While the Orlando-Ranaldo-Angelica triangle is going on, the stories of other knights and their loves are mixed in. Most important of these is that of the female knight Bradamante (sister of Ranaldo), who falls in love with a very noble heathen knight named Ruggiero ("Rogero" in Rose). Ruggiero, who is said to be a descendent of Alexander the Great and Hector, also falls in love with Bradamante, but because they are fighting on opposite sides it is felt that their love is hopeless. Nevertheless, it is prophecised that they shall wed and found the famous Este line, who shall rise to become one of the major families of Medieval and Renaissance Italy (it is worth noting that the Estes where the patrons of both Boiardo and Ariosto). Opposed to this prophecy is Atlantes, an frican wizard who seeks to derail fate and keep Ruggiero from becoming a Christian. By the end of the poem, Ruggiero is imprisoned in Atlantes' castle. However, Bradamante (who has decided to follow her heart) is in pursuit of her love, and is not too far away. It is the Bradamante-Ruggiero story that eventually takes center stage in Ariosto's work. Other characters of importance: Astolfo, a Peer and friend of Orlando, who is kidnaped by the evil witch Morgana and her sister Alcina; Mandricardo, a fierce but hot-headed heathen; and a young knight named Brandimarte, who falls in love with (and wins the heart of) the beautiful Fiordelisa ("Flordelice" in Rose). All play major or semi-major roles in the events of Ariosto's poem.

In March 2010, Robert Menasse went to Brussels to begin researching a novel about the European Union. Instead of producing a work of fiction, however, his extended stay in Brussels resulted in The European Courier, a text in which he examines the European community from its beginnings in the transnational "Montanunion" (European Coal and Steel Community, 1951) to the current "financial crisis" of the European Union. In the course of his analysis, Menasse focuses on the institutional structures and forces that work to advance--or obstruct--the European project and its goal of a truly postnational European democracy. Given the internal tensions among the European Commission, the European Parliament, and the European Council, Menasse argues that what is frequently misunderstood as a financial crisis is, in fact, a political one. As Menasse claims in The European Courier, "Either the Europe of nation-states will perish or the project of transcending the nation-states will."

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.