Enriching Our Music 1

This is the first of two collections from the Standing Commission on Liturgy and Music of additional service music for the church with eleven settings for the eucharist and two settings each of Canticles A-K from Enriching Our Worship 1.

This is the edition of Supplemental Liturgical Materials prepared by The Standing Liturgical Commission 1997. Materials include seventeen additional canticles taken from the Old Testament, the Apocrypha, the New Testament, Anselm of Canterbury, and Julian of Norwich. There are also additions and changes to the previously published supplemental materials including a third Eucharistic Prayer.

In the section entitled “Concerning the Service of the Church,” the Book of Common Prayer identifies the normative services of the Episcopal Church: The Holy Eucharist, the principal act of Christian worship on the Lord’s Day and other major Feasts, and Daily Morning and Evening Prayer, as set forth in this book, are the regular services appointed for public worship in the Church. (BCP, 13) Eucharistic propers (collects, Scripture readings, and proper prefaces) are provided in the Book of Common Prayer for the days when the Eucharist is the principal service. As celebration of the Eucharist has become more frequent, many congregations and other communities of faith now celebrate weekday Eucharists on days for which the Prayer Book does not assign propers. To facilitate the use of these authorized options, this resource contains weekday propers for the seasons of the Church Year (the temporal cycle), the Common of Saints (the sanctoral cycle), and Various Occasions from the Prayer Book and from resources authorized since the adoption of the Prayer Book. The propers in this resource are grouped into three sections by type for the temporal cycle, the sanctoral cycle, and various occasions.

This is a complete revision of a detailed resource which has been the essential guide for church musicians working in the Episcopal church for over 20 years. A Guide to the Practice of Church Music (1989) was originally written by Marion J. Hatchett, who taught for many years at the Episcopal seminary at Sewanee, was key in developing materials for The Hymnal 1982. This updated revision contains brief, but articulate discussions of the role of music in the church, the variety and nature of music ministries (people, cantor, choirs, organists, directors, instrumentalists, clergy, and music committees); principles for the selection of hymns, psalms, canticles, and other service music and their sources in materials from CPI and beyond; guidance for planning services for all rites of the church in the BCP and the Book of Occasional Services. Updated revision includes hymnals, electronic resources, and materials published since The Hymnal 1982.

These authorized rites are intended to be a supplement to the burial services in the Book of Common Prayer, adding a rich variety of material from many sources, including prayers for one who has died in military service, for one of unknown faith, for an unbeliever, and for a member of an inter-faith family. All of the major pastoral issues of the Prayer Book rites are addressed from the reception of the body to the consecration of the grave and the interment but with a freshness of language in new texts that the speak to contemporary sensibilities. CONTENTS Introduction with planning information Two vigil rites before a funeral Rites for the reception of the body Collects, prayers and readings for the burial service, including a celebration of the Eucharist Rites of committal Burial of one who does not profess the Christian faith Additional prayers Committal at a crematory A service of remembrance Suggested hymns and songs

Prepared by the Standing Commission on Liturgy and Music and adopted by the 73rd General Convention, this new set of materials was adapted from sources in scripture; a variety of contemporary prayer books throughout the Anglican Communion; traditional materials from Orthodox and medieval western sources; and hymnody of various American cultures. Newly written texts and some texts from the 1979 Book of Common Prayer which have been revised are also included.

This second volume of canticles and settings for the eucharist contains music for the remaining new canticles found in "Enriching Our Worship 1" and more compositions for the eucharist by a wide variety of composers. The varied styles will satisfy many tastes and worship needs.

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.