Everyone Loves A Good Train Wreck

Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.

“Smart ... compelling ... persuasive .” —New York Times Book Review She’s everywhere once you start looking: the trainwreck. She’s Britney Spears shaving her head, Whitney Houston saying “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.

Pepper O’Brien was Hollywood royalty. Also, her life sucked. Money couldn’t buy everything—including grace, true love, and the ability to not screw up. Every. Single. Time. Which was why Pepper had moved across the country to start over. Only, as was typical, her life had other plans. Namely in the form of Derek Cashette. Her former teenage crush and now ridiculously handsome man was her older brother’s friend. He was also determined to salvage the train wreck of her life. And maybe in doing that, he would save the train wreck that was her heart.

A Today.com Best Pick for Valentine’s Day! A whirlwind twenty-four-hour romance about two teens who meet—and perhaps change their minds about love—on a train ride in the middle of a snowstorm. Leah Konen’s Love and Other Train Wrecks is perfect for fans of Emery Lord and Jennifer E. Smith. Noah is a hopeless romantic. He’s traveling home for one last chance with his first love, and he needs a miracle to win her back. Ammy doesn’t believe in true love—just look at her parents. If there’s one thing she’s learned about love in the last year, it’s that it ends. That is, until one winter night when Noah and Ammy find themselves in the same Amtrak car heading to Upstate New York. After a train-wreck first impression between the two of them, the Amtrak train suddenly breaks down—in the middle of a snowstorm. Desperate to make it to their destinations, Noah and Ammy have no other option but to travel together. What starts off as a minor detour turns into the journey of a lifetime, but come morning their adventure takes an unexpected turn for the worst. Can one night can really change how they feel about love...and the course of their lives forever?

Donna Cooner establishes herself as our own Jodi Picoult in this timely tale of sisters, loss, and redemption. Torrey Grey is famous. At least, on the internet. Thousands of people watch her popular videos on fashion and beauty. But when Torrey's sister is killed in an accident -- maybe because of Torrey and her videos -- Torrey's perfect world implodes. Now, strangers online are bashing Torrey. And at her new school, she doesn't know who to trust. Is queen bee Blair only being sweet because of Torrey's internet infamy? What about Raylene, who is decidedly unpopular, but seems accepts Torrey for who she is? And then there's Luis, with his brooding dark eyes, whose family runs the local funeral home. Torrey finds herself drawn to Luis, and his fascinating stories about El Dia de los Muertos, the Day of the Dead. As the Day of the Dead draws near, Torrey will have to really look at her own feelings about death, and life, and everything in between. Can she learn to mourn her sister out of the public eye?

With safety protocols in their infancy and the jet engine still in development, early commercial flight above American cities was too often deadly. Between December 1951 and January 1952, three separate plane crashes barreled down onto Elizabeth, New Jersey. Many dozens perished as the crashes destroyed entire city blocks and wreaked havoc throughout various neighborhoods. Frightened residents turned to the nearby Newark Airport for blame as a groundswell of political pushback occurred in an ultimately unsuccessful bid to stop the airport's expansion. President Truman formed an airport safety commission in response that recommended better zoning around airports and runways. Author Peter Zablocki tells the harrowing story of one of the most unique and tragic series of plane crashes in the nation's history.

A study of what motivates humans and the activity that gives rise to human social life and social structures. In his 2010 book What Is a Person?, Christian Smith argued that sociology had for too long neglected this fundamental question. Prevailing social theories, he wrote, do not adequately “capture our deep subjective experience as persons, crucial dimensions of the richness of our own lived lives, what thinkers in previous ages might have called our ‘souls’ or ‘hearts.’” Building on Smith’s previous work, To Flourish or Destruct examines the motivations intrinsic to this subjective experience: Why do people do what they do? How can we explain the activity that gives rise to all human social life and social structures? Smith argues that our actions stem from a motivation to realize what he calls natural human goods: ends that are, by nature, constitutionally good for all human beings. He goes on to explore the ways we can and do fail to realize these ends—a failure that can result in varying gradations of evil. Rooted in critical realism and informed by work in philosophy, psychology, and other fields, Smith’s ambitious book situates the idea of personhood at the center of our attempts to understand how we might shape good human lives and societies. Praise for To Flourish or Destruct “This major work in sociology theory should be read by social scientists in all disciplines. Highly recommended.” —Choice “To Flourish or Destruct poses a powerful and important challenge to the entire discipline of sociology. Smith is becoming the anchor of a humanist renewal in sociology and although he is not alone in this movement, what makes To Flourish or Destruct different is a coherent, new, oppositional perspective that draws on critical realism to affirm both human personhood and the ever-present moral element in human affairs. Smith’s Personalism could become the banner around which a very different kind of sociology develops, one that respects the centered consciousness that is human personhood.” —Douglas Porpora, Drexel University “This book represents a major advance in sociology and more specifically within critical realism, which is gradually emerging as a full-fledged alternative in the social sciences. I am fundamentally convinced by this book.” —George Steinmetz, University of Michigan

Train Wreck: The Life and Death of Anna Nicole Smith, is the definitive story of the rise and tragic fall of a woman who became one of the most recognized celebrities in the world because of her voluptuous beauty and her devotion to sex, drugs, money and fame. Donna Hogan, Anna's sister and confidante to Anna and other family members, provides an intimate and mesmerizing view of how her sister broke away from anonymity, poverty and an abusive family, rocketed to fame, and then all-too-soon crashed to her death at the age of 39, weighed down by drugs, alcohol, lawsuits, scandal and the unexpected death of her 20-year-old son, Daniel. Born Vickie Lynn Hogan, she left school in 10th grade, had a son by age 18, became a stripper at 20, and married a billionaire at 26. Vickie transformed herself through plastic surgery and sheer determination into Anna Nicole Smith, Playboys Playmate of the Year in 1993, spokesperson for Guess? Jeans and TrimSpa, and star of The Anna Nicole Show on E! She told everyone that she would be the next Marilyn Monroe and pursued that dream, right to her tragic end. Book jacket.