Train Wreck

Trains are massive—with some weighing 15,000 tons or more. When these metal monsters collide or go off the rails, their destructive power becomes clear. In this book, George Bibel presents riveting tales of trains gone wrong, the detective work of finding out why, and the safety improvements that were born of tragedy. Train Wreck details 17 crashes in which more than 200 people were killed. Readers follow investigators as they sift through the rubble and work with computerized event recorders to figure out what happened. Using a mix of eyewitness accounts and scientific explanations, Bibel draws us into a world of forensics and human drama. Train Wreck is a fascinating exploration of• runaway trains• bearing failures• metal fatigue• crash testing • collision dynamics• bad rails

“Smart ... compelling ... persuasive .” —New York Times Book Review She’s everywhere once you start looking: the trainwreck. She’s Britney Spears shaving her head, Whitney Houston saying “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.

Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.

Train Wreck: The Life and Death of Anna Nicole Smith, is the definitive story of the rise and tragic fall of a woman who became one of the most recognized celebrities in the world because of her voluptuous beauty and her devotion to sex, drugs, money and fame. Donna Hogan, Anna's sister and confidante to Anna and other family members, provides an intimate and mesmerizing view of how her sister broke away from anonymity, poverty and an abusive family, rocketed to fame, and then all-too-soon crashed to her death at the age of 39, weighed down by drugs, alcohol, lawsuits, scandal and the unexpected death of her 20-year-old son, Daniel. Born Vickie Lynn Hogan, she left school in 10th grade, had a son by age 18, became a stripper at 20, and married a billionaire at 26. Vickie transformed herself through plastic surgery and sheer determination into Anna Nicole Smith, Playboys Playmate of the Year in 1993, spokesperson for Guess? Jeans and TrimSpa, and star of The Anna Nicole Show on E! She told everyone that she would be the next Marilyn Monroe and pursued that dream, right to her tragic end. Book jacket.

“Sean Carswell is a wonderful storyteller. . . . Reading his stuff makes you laugh and makes you think.”—Howard Zinn “[Carswell’s writing is] the antidote to what is so boring or safe or wrong with modern book publishing.”—Joe Meno, author of Hairstyles of the Damned Train Wreck Girl is the funny and tragic story of one man’s quest to figure out what to do with his life now that it’s too late for him to die young. After finding his girlfriend dead on the railroad tracks right after breaking up with her, Danny McGregor—Flagstaff bartender and surfer without an ocean—rides the next bus out of Arizona, fleeing to his Cocoa Beach, Florida, hometown, where a maelstrom of past ghosts await. Back in Florida, his treacherous friend, Bart, finds Danny a job picking up corpses. Sophie, a former crazy girlfriend who stabbed Danny, wants to rekindle their relationship. Taylor, a twelve-year-old neighborhood girl, only wants Danny to teach her to surf. And then there’s Helen, with a face that launched a dozen Greyhounds. Through the chaos, Danny discovers his strengths amid all his weaknesses and is able to move forward while making peace with his past. Sean Carswell is a former carpenter, housepainter, dishwasher, and warehouse clerk. His fiction has appeared in dozens of literary journals. He has been a staff writer for Flipside, Clamor, and Ink 19, and is a regular contributor to Razorcake. A co-founder of Gorsky Press, he is currently a professor at the University of California.

What really happened on the circus train in 1918? Read the story of this tragedy for the entertainment industry of the time. In the cool, pre-dawn hours on a June night in 1918, a train engineer closed his cab window as he chugged toward Hammond, Indiana. He drifted to sleep, and his train bore down on the idle Hagenbeck-Wallace Circus Train. Soon after, the sleeping engineer's locomotive plowed into the circus train. In the subsequent wreckage and blaze, more than two hundred circus performers were injured and eighty-six were killed, most of whom were interred in a mass grave in the Showmen's Rest section of Chicago's Woodlawn Cemetery. Join local historian Richard Lytle as he recounts, in the fullest retelling to date, the details of this tragedy and its role in the overall evolution and demise of a unique entertainment industry.

Pepper O’Brien was Hollywood royalty. Also, her life sucked. Money couldn’t buy everything—including grace, true love, and the ability to not screw up. Every. Single. Time. Which was why Pepper had moved across the country to start over. Only, as was typical, her life had other plans. Namely in the form of Derek Cashette. Her former teenage crush and now ridiculously handsome man was her older brother’s friend. He was also determined to salvage the train wreck of her life. And maybe in doing that, he would save the train wreck that was her heart.