Feminism Postmodernism Development

In a world where global restructuring is leading to both integration and fragmentation, the meaning and practice of development are increasingly contested. New voices from the South are challenging Northern control over development. Feminism/Postmodernism/Development is a comprehensive study of this power struggle. It examines new issues, "voices", and dilemmas in development theory and practice. Drawing on the experiences of women from Africa, Latin America, and Asia, as well as women of colour, this collection questions established development practices and suggests the need to incorporate issues such as identity, representation, indigenous knowledge, and political action. Feminism/Postmodernism/Development acknowledges the importance of Third World and minority women's experiences. It acknowledges their importance for development and suggests that postmodernist insights can enhance their quest for empowerment.

After the success of the hardback, students and academics will welcome the publication of this book in paperback. The aim of the book is to explore the connection between two perspectives that have had a profound effect upon contemporary thought: post-modernism and feminism. Through bringing together and systematically analysing the relations between these, Hekman is able to make a major intervention into current debates in social theory and philosophy. The critique of Enlightenment knowledge, she argues, is at the core of both post-modernism and feminism. Each also offers a basis for critical reflections about the other. In particular, post-modern philosophy provides a means of criticizing aspects of contemporary feminism and thus contributing to the development of a more sophisticated approach to current feminist issues.

Feminism/Postmodernism asks the question, is a postmodern feminist politics possible? This anthology draws on prominent contemporary theorists to attempt a response. The contributors examine the meaning of postmodernism both as a position of method and a diagnosis of the times. They consider issues such as: the nature of personal and social identity today, the relevance of location in constituting theory, the political implications of recent aesthetic trends, and the consequence of changing work and family relations on women's lives.

Highly original and stimulating, this book provides a detailed overview of postmodern feminist theory and practice. Subjects covered include: *the differences between the feminism of the 1970s and contemporary feminism *liberal, radical, socialist and postmodern feminisms *feminist reactions to the growth in reproductive technologies *how feminism informs debates about the subject, epistemology and political action *feminism into the new millennium

This collection of essays explores the significant agreements and tensions between contemporary feminist and postmodern theories and practices. Having brought enormous changes to conceptions of the body, identity, and the media, postmodernity compels the rethinking of many feminist categories, including female experience, the self, and the notion that "the personal is political." Feminist analysis has been equally important, though not always equally acknowledged, as a force within postmodernism. Feminist writings on subjectivity, master narratives, and the socioeconomic underpinnings of the master narrative of theory itself have been particularly influential. This volume traces the crossings and mutual interrogations of these two traditions into the arenas of cultural production, legal discourse, and philosophical thought. Multidisciplinary and international in their collective focus, the essays range from a study of Madonna as an Italian American woman who is revising the cultural meanings of an ethnic feminism to a unique interview with Mairead Keane, the national head of the Women's Department of the Irish political party Sinn Fein. Turning the prism of postmodern feminism onto such diverse cultural objects as literary and literary critical texts, contemporary film, and music, these essays intervene in debates regarding technology, sexuality, and politics. Challenging modern feminisms to articulate their inescapable relation to postmodern society, this expanded edition of a special issue of boundary 2 also explores ways in which feminism can work as the cutting edge of a global postmodernism. Contributors. Salwa Bakr, Claire Detels, Margaret Ferguson, Carla Freccero, Marjorie Garber, Barbara Harlow, Laura E. Lyons, Anne McClintock, Toril Moi, Linda Nicholson, Mary Poovey, Andrew Ross, David Simpson, Kathyrn Bond Stockton, Jennifer Wicke

Womens Liberation and the Sublime is a passionate report on the state of feminist thinking and practice after the linguistic turn. A critical assessment of masculinist notions of the sublime in modern and postmodern accounts grounds the author's positive and constructive recuperation of sublime experience in a feminist voice.

Theoretical Perspectives on Gender and Development demytsifies the theory of gender and development and shows how it plays an important role in everyday life. It explores the evolution of gender and development theory, introduces competing theoretical frameworks, and examines new and emerging debates. The focus is on the implications of theory for policy and practice, and the need to theorize gender and development to create a more egalitarian society. This book is intended for classroom and workshop use in the fields ofdevelopment studies, development theory, gender and development, and women's studies. Its clear and straightforward prose will be appreciated by undergraduate and seasoned professional, alike. Classroom exercises, study questions, activities, and case studies are included. It is designed for use in both formal and nonformal educational settings.

Addressing the relationship between feminist and postmodernist writing and theory through the insights of psychoanalysis and in the context of the development of modern fiction in Britain and America, Patricia Waugh attempts to uncover the reasons why women writers have been excluded from the considerations of postmodern art. The second part of the book analyses the work of six 'traditional' and six 'experimental' writers, challenging the restrictive definitions of 'realist', 'modernist', 'postmodernist' in the light of the theoretical position developed in part one. Authors covered include: Woolf (viewed as a postmodernist 'precursor' rather than a 'high' modernist), Drabble, Tyler, Plath, Brookner, Paley, Lessing, Weldon, Atwood, Walker, Spark, Russ, and Piercy.