Finlay Donovan Is Killing It

"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It. A USA Today bestseller! One of Suspense Magazine's "Best Thrillers of 2021" One of New York Public Library's Best Books of 2021 Nominated for the Left Coast Crime 2022 Lefty Award for the Best Humorous Mystery “Finlay Donovan is irresistible!”—Janet Evanovich Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moment, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.

A USA TODAY BESTSELLER! From Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Knocks 'Em Dead—the hilarious and heart-pounding follow-up to Finlay Donovan is Killing It. "Cosimano skillfully combines suspense and laughs in the manner of Janet Evanovich’s early (and best) novels, finished off with a metafictional twist."—New York Times Book Review "A funny and smart, twisty and surprising series."—Megan Miranda Finlay Donovan is—once again—struggling to finish her next novel and keep her head above water as a single mother of two. On the bright side, she has her live-in nanny and confidant Vero to rely on, and the only dead body she's dealt with lately is that of her daughter's pet goldfish. On the not-so-bright side, someone out there wants her ex-husband, Steven, out of the picture. Permanently. Whatever else Steven may be, he's a good father, but saving him will send her down a rabbit hole of hit-women disguised as soccer moms, and a little bit more involvement with the Russian mob than she'd like. Meanwhile, Vero's keeping secrets, and Detective Nick Anthony seems determined to get back into her life. He may be a hot cop, but Finlay's first priority is preventing her family from sleeping with the fishes... and if that means bending a few laws then so be it. With her next book's deadline looming and an ex-husband to keep alive, Finlay is quickly coming to the end of her rope. She can only hope there isn't a noose at the end of it...

Bones meets Fringe in a big, dark, scary, brilliantly-plotted urban thriller that will leave you guessing until the very end Nearly Boswell knows how to keep secrets. Living in a DC trailer park, she knows better than to share anything that would make her a target with her classmates. Like her mother's job as an exotic dancer, her obsession with the personal ads, and especially the emotions she can taste when she brushes against someone's skin. But when a serial killer goes on a killing spree and starts attacking students, leaving cryptic ads in the newspaper that only Nearly can decipher, she confides in the one person she shouldn't trust: the new guy at school--a reformed bad boy working undercover for the police, doing surveillance. . . on her. Nearly might be the one person who can put all the clues together, and if she doesn't figure it all out soon--she'll be next.

"An inventive paranormal gambit, a compelling lead character, and a plot that twists and turns through to the last page." -Claudia Gray, New York Times best-selling author of the Evernight series "Intelligent, sharp-edged and action packed." -Alan Lawrence Sitomer, author of The Hoopster and Caged Warrior John "Smoke" Conlan is serving time for two murders-but he wasn't the one who murdered his English teacher, and he never intended to kill the only other witness to the crime. A dangerous juvenile rehabilitation center in Denver, Colorado, known as the Y, is Smoke's new home and the only one he believes he deserves. But, unlike his fellow inmates, Smoke is not in constant imprisonment. After a near death experience leaves him with the ability to shed his physical body at will, Smoke is able to travel freely outside the concrete walls of the Y, gathering information for himself and his fellow inmates while they're asleep in their beds. Convinced his future is only as bright as the fluorescent lights in his cell, Smoke doesn't care that the "threads" that bind his soul to his body are wearing thin-that one day he may not make it back in time. That is, until he meets Pink, a tough, resourceful girl who is sees him for who he truly is and wants to help him clear his name. Now Smoke is on a journey to redemption he never thought possible. With Pink's help, Smoke may be able to reveal the true killer, but the closer they get to the truth, the more deadly their search becomes. The web of lies, deceit, and corruption that put Smoke behind bars is more tangled than they could have ever imagined. With both of their lives on the line, Smoke will have to decide how much he's willing to risk, and if he can envision a future worth fighting for.

"It's dark magic brings him back." Tori Burns and her family left D.C. for claustrophobic Chaptico, Maryland, after suddenly inheriting a house under mysterious circumstances. That inheritance puts her at odds with the entire town, especially Jesse Slaughter and his family—it's their generations-old land the Burns have "stolen." As the suspicious looks and muttered accusations of her neighbors build, so does the pressure inside her, and Tori returns to the pattern of self-harm that landed her in a hospital back in D.C. It all comes to a head one night when, to Tori's shock, she witnesses a young man claw his way out of a grave under the gnarled oak in her new backyard. Nathaniel Bishop may not understand what brought him back, but it's clear to Tori that he hates the Slaughters for what they did to him centuries ago. Wary yet drawn to him by a shared sense of loss, she gives him shelter. But in the wake of his arrival comes a string of troubling events—including the disappearance of Jesse Slaughter's cousin—that seem to point back to Nathaniel. As Tori digs for the truth—and slowly begins to fall for Nathaniel—she uncovers something much darker in the tangled branches of the Slaughter family tree. In order to break the curse that binds Nathaniel there and discover the true nature of her inheritance, Tori must unravel the Slaughter family's oldest and most guarded secrets. But the Slaughters want to keep them buried... at any cost.

A sweeping saga in the vein of Ask Again, Yes following a foster family through almost a decade of dazzling triumph and wrenching heartbreak—from the author of The Orphans at Race Point. Set in the late 1950s through 1960s in a small town in Massachusetts, All the Children Are Home follows the Moscatelli family—Dahlia and Louie, foster parents, and their long-term foster children Jimmy, Zaidie, and Jon—and the irrevocable changes in their lives when a six-year-old indigenous girl, Agnes, comes to live with them. When Dahlia decided to become a foster mother, she had a few caveats: no howling newborns, no delinquents, and above all, no girls. A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life. Eleven years after they began fostering, Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no. Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. As the years pass and outside forces threaten to tear them apart, the children, now young adults, must find the courage and resilience to save themselves and each other. Heartfelt and enthralling, All the Children Are Home is a moving testament to the enduring power of love in the face of devastating loss.

From the author of Let’s Talk About Love and If It Makes You Happy, this exuberant YA Novel follows six teens locked together in a mansion, contending for a life-changing cash prize in a competition run by a reclusive heiress. Everyone thinks they know Jewel Van Hanen. Heiress turned actress turned social media darling who created the massively popular video-sharing app, Golden Rule. After mysteriously disappearing for a year, Jewel makes her dramatic return with an announcement: she has chosen a few lucky Golden Rule users to spend an unforgettable weekend at her private estate. But once they arrive, Jewel ingeniously flips the script: the guests are now players in an elaborate estate-wide game. And she’s tailored every challenge and obstacle to test whether they have what it takes to win--at any cost. Told from the perspective of three dazzling players--Nicole: the new queen of Golden Rule; Luna: Jewel’s biggest fan; and Stella: a brilliant outsider--this novel will charm its way into your heart and keep you guessing how it all ends because money isn’t the only thing at stake. Praise for Let's Talk About Love: "This book is so charming and funny and bighearted. ... I recommend this one for fans of Rainbow Rowell's Fangirl and Sandhya Menon's When Dimple Met Rishi." —Becky Albertalli, author of Simon vs. the Homo Sapiens Agenda "Claire Kann makes an admirable debut with this milestone for ace visibility." —Entertainment Weekly

PULITZER PRIZE FINALIST • "A stunning exposé of why Black people in our society 'live sicker and die quicker'—an eye-opening game changer."—Oprah Daily From an award-winning writer at the New York Times Magazine and a contributor to the 1619 Project comes a landmark book that tells the full story of racial health disparities in America, revealing the toll racism takes on individuals and the health of our nation. In 2018, Linda Villarosa's New York Times Magazine article on maternal and infant mortality among black mothers and babies in America caused an awakening. Hundreds of studies had previously established a link between racial discrimination and the health of Black Americans, with little progress toward solutions. But Villarosa's article exposing that a Black woman with a college education is as likely to die or nearly die in childbirth as a white woman with an eighth grade education made racial disparities in health care impossible to ignore. Now, in Under the Skin, Linda Villarosa lays bare the forces in the American health-care system and in American society that cause Black people to “live sicker and die quicker” compared to their white counterparts. Today's medical texts and instruments still carry fallacious slavery-era assumptions that Black bodies are fundamentally different from white bodies. Study after study of medical settings show worse treatment and outcomes for Black patients. Black people live in dirtier, more polluted communities due to environmental racism and neglect from all levels of government. And, most powerfully, Villarosa describes the new understanding that coping with the daily scourge of racism ages Black people prematurely. Anchored by unforgettable human stories and offering incontrovertible proof, Under the Skin is dramatic, tragic, and necessary reading.