Fireflies Of Autumn

San Ginese is a village where God lingers in people’s minds and many dream of California, Argentina or Australia. Some leave only to return feeling disheartened, wishing they had never come back, some never leave and forever wish they had. The Fireflies of Autumn takes us to the olive groves and piazzas of this little-known Tuscan village. There we meet Bucchione, who was haunted by the Angel of Sadness; Lo Zena, his neighbour, with whom he feuded for forty years; Tommaso the Killer, the Adulteress, the Dead Boy and many others. These are tales of war and migration, feasts and misfortunes – of a people and their place over the course of the twentieth century. ‘I have never read a migrant tale so original, so breathtaking in scope, or so magical. I have not since stopped thinking about the characters in San Ginese.’ ALICE PUNG ‘Astonishing in the seductiveness and uniqueness of its storytelling. I read it greedily, not wanting to leave San Ginese and return to the real world.’ CHRISTOS TSIOLKAS

In the second installment of a tale of conspiracy and corruption, our friends try to stay alive and sane.

For the monumental Poetry Competition in Six Hundred Rounds (Roppyakuban uta’awase), twelve poets each provided one hundred waka poems, fifty on seasonal topics and fifty on love, which were matched, critiqued by the participants and judged by Fujiwara no Shunzei, the premiere poet of his age. Its critical importance is heightened by the addition of a lengthy Appeal (chinjō) against Shunzei’s judgements by the conservative poet and monk, Kenshō. It is one of the key texts for understanding poetic and critical practice in late twelfth century Japan, and of the conflict between conservative and innovative poets. The Competition and Appeal are presented here for the first time in complete English translation with accompanying commentary and explanatory notes by Thomas McAuley.

Eastwards is a collection of essays each of whom focuses on a special aspect or on an episode within the cross-cultural narrative that imposes on our minds the terms «West» and «East». The volume assembles seventeen essays by eighteen authors divided into three chapters. Being the outcome of the first international conference for East Asian studies that was held in the Baltic states in 2008 at the University of Latvia in Riga, the volume contains not only contributions by scholars from Vilnius, Tallinn and Riga but also rather rare topics like critiques of translation from Japanese and Classical Chinese into Latvian. The book contains also an essay on the life and personality of an almost neglected Baltic «pioneer» in Manchuria.

Small Creatures and Ordinary Places reveals to us the beauty and value of hornets, bats, katydids, mice, cicadas, and other tiny dwellers in our own backyards. Young, a renowned expert on butterflies and cicadas of the American tropics, records in these charming essays his keen observations of the natural world as he walks through an urban woods near the Lake Michigan shore, or sits on his deck facing his backyard, or gazes at a field of corn stubble in autumn. He invites us to venture into our own yards, neighborhood parks, fields, and forests and pause there . . . to look and to listen. Small creatures have unique and interesting stories to tell us, Young points out. Their brief life cycles illustrate the intricate workings of a bigger clock driving the seasons, and they dominate the larger web of life in which humans are but a strand. Far too often they are ignored, taken for granted, reviled, or misunderstood. Even now, Young writes, as we move into a new millennium as a species and the technological pace of our existence further quickens, we can gain much from appreciating nature close at hand, despite how steadily it is being pushed aside.

"The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word. Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel."