The Fireflies Of Autumn

San Ginese is a village where God lingers in people’s minds and many dream of California, Argentina or Australia. Some leave only to return feeling disheartened, wishing they had never come back, some never leave and forever wish they had. The Fireflies of Autumn takes us to the olive groves and piazzas of this little-known Tuscan village. There we meet Bucchione, who was haunted by the Angel of Sadness; Lo Zena, his neighbour, with whom he feuded for forty years; Tommaso the Killer, the Adulteress, the Dead Boy and many others. These are tales of war and migration, feasts and misfortunes – of a people and their place over the course of the twentieth century. ‘I have never read a migrant tale so original, so breathtaking in scope, or so magical. I have not since stopped thinking about the characters in San Ginese.’ ALICE PUNG ‘Astonishing in the seductiveness and uniqueness of its storytelling. I read it greedily, not wanting to leave San Ginese and return to the real world.’ CHRISTOS TSIOLKAS

In the second installment of a tale of conspiracy and corruption, our friends try to stay alive and sane.

Where the sixth Spookie Town Murder Mystery was more Abby’s and Frank’s stories, their mysteries to deal with, solve and remain alive through; this seventh book is old Myrtle’s story. Two mysteries, one from her far distant past of over seventy-years ago; and one for the future, a dire prediction (only a prediction as I didn't want to venture into the actual time of the pandemic because we are living through it and that has been difficult enough) of a pandemic from her grandniece, Glinda, the psychic, that will affect not only Spookie and its inhabitants, but the whole world. Mysterious bones are unearthed in the ground behind Luke’s Hardware Store, and Frank and the sheriff are determined to find out whose bones they are, and how the victim died…even though whatever happened occurred over seventy years ago. This seventh novel also revisits some of Spookie’s best loved characters and catches the readers up on what they’ve been up to recently. Then again, the town and its people are still as eccentric and quirky as ever, and the fog is always witness to their shenanigans.

For the monumental Poetry Competition in Six Hundred Rounds (Roppyakuban uta’awase), twelve poets each provided one hundred waka poems, fifty on seasonal topics and fifty on love, which were matched, critiqued by the participants and judged by Fujiwara no Shunzei, the premiere poet of his age. Its critical importance is heightened by the addition of a lengthy Appeal (chinjō) against Shunzei’s judgements by the conservative poet and monk, Kenshō. It is one of the key texts for understanding poetic and critical practice in late twelfth century Japan, and of the conflict between conservative and innovative poets. The Competition and Appeal are presented here for the first time in complete English translation with accompanying commentary and explanatory notes by Thomas McAuley.

The Routledge Global Haiku Reader provides a historical overview and comprehensive examination of haiku across the world in numerous languages, poetic movements, and cultural contexts. Offering an extensive critical perspective, this volume provides leading essays by poets and scholars who explore haiku’s various global developments, demonstrating the form’s complex and sometimes contradictory manifestations from the twentieth century to the present. The sixteen chapters are carefully organized into categories that reflect the salient areas of practice and study: Haiku in Transit, Haiku and Social Consciousness, Haiku and Experimentation, and The Future of Global Haiku. An insightful introduction surveys haiku’s influence beyond Japan and frames the collection historically and culturally, questioning commonly held assumptions about haiku and laying the groundwork for new ways of seeing the form. Haiku’s elusiveness, its resistance to definition, is partly what keeps it so relevant today, and this book traces the many ways in which this global verse form has evolved. The Routledge Global Haiku Reader ushers haiku into the twenty-first century in a critically minded and historically informed manner for a new generation of readers and writers and will appeal to students and researchers in Asian studies, literary studies, comparative literature, creative writing, and cultural studies

Autumn was a Meadow Elf that spent most of her life hidden away with her nose in a book. But everything changed when she met Chriol, a Wood Elf from a neighboring village and a lovable goofball. Their friendship adds brightness and company to her life as Chriol shows her the wonders of the Heinthral Forest, Wood Elf culture, and a budding romance. Not everything is wonderful in Autumn’s life, though, as every night she continues to be plagued by a nightmare she can never remember. The only hint she has as to what this dream is? A vague feeling of warmth on her skin. Join Autumn and Chriol in their fantastical friendship in this unique story that will leave you hoping, yelling, wondering, and crying over the journey that takes place.

Eddie didn't favor anyone in his family. Fair, blonde, and green-eyed, he stood in sharp contrast to the other darker-complected, dark-haired, blue-eyed members. The difference created a rift in the family fabric and his mother singled him out for abuse, irrationally holding him responsible for the family's turmoil. Little Eddie struggled with the severity of his maltreatment but, by age eleven, could no longer handle the circumstances of his life. He decided his only escape would be to die, that by conscious will, he could simply resolve to give up life and cease to exist. Eddie's mind, alerted to his decision, and believing the ultimate goal for any entity was to continue, regardless of form or quality of life, was determined to survive. Panicked at the threat of cessation, his mind made a desperate decision -- it fractured his personality and created Randy from traits that had been repressed in Eddie. Randy, a tough, defiant individual, was created to bring new energy, new life, and stand in defense of the defeated, accepting Eddie. Rising to the challenge, he accepted the responsibility of his creation and was fiercely focused to protecting Eddie while endeavoring to create new circumstances for the life they shared. Randy was proud of his efforts to save Eddie. He knew he was Eddie's paladin, his champion, created for a noble purpose -- to bring Eddie back from the brink of oblivion. After many struggles, Randy's efforts appeared to be successful and the mind considered the possibility of enjoying the existence he'd insured. It pondered the idea of Eddie being involved with the world, rather than merely persisting through the time allotted for the life. Aware of Eddie's inability to interact with the world around him, the mind again fractured the personality creating Jesse, a new facet, an aesthetic personality, focused to tender feelings of love and friendship -- and aspects which determine quality of life. Jesse felt he was created to experience emotions and appreciate beauty, to evolve the repressed side of the personality, to bring stability to the entity. He believed he was born to search for love, to find the emotional equilibrium that would bring the separate identities into harmony. Developed from suppressed characteristics, Jesse was creative and confident, loving and inquisitive, charming and fun loving. And he was on a quest -- determined to achieve his goal. Without Eddie's awareness of them, Randy and Jesse sought to balance their existence and hoped they were achieving what they saw as a normal life until Jesse experienced an incident which shattered that belief and forced them to realize they had not progressed as far as they thought. Jesse's realization that he had made a terrible mistake was devastating. Jumping to a conclusion, Randy, the controlling personality, in his determination to fend off any challenges to them, felt he must take over to handle the crisis in an effort to protect them...

"The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word. Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel."