Gen X Tv

No generation eludes definition as much as Generation X. Rob Owens opens with a history of network and cable television since the birth of Generation X, but goes on to explore the symbiotic relationship between television and this largely misunderstood age group. From the first megahit The Brady Bunch to today's Friends, Owen unflinchingly describes the boob tube as the ubiquitous babysitter for millions of young people. Television, Owen maintains, consumes innocence as viewers encounter countless episodes of society's woes, from political strife and environmental decimation to everyday violence and crime.

The acclaimed author explores the hidden crises of Gen X women in this “engaging hybrid of first-person confession, reportage [and] pop culture analysis” (The New Republic). Ada Calhoun was married with children and a good career—and yet she was miserable. She thought she had no right to complain until she realized how many other Generation X women felt the same way. What could be behind this troubling trend? To find out, Calhoun delved into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw that Gen X women were facing new problems as they entered middle age—problems that were being largely overlooked. Calhoun spoke with women across America who were part of the generation raised to “have it all.” She found that most were exhausted, terrified about money, under-employed, and overwhelmed. And instead of being heard, they were being told to lean in, take “me-time,” or make a chore chart to get their lives and homes in order. In Why We Can’t Sleep, Calhoun opens up the cultural and political contexts of Gen X’s predicament. She offers practical advice on how to ourselves out of the abyss—and keep the next generation of women from falling in. The result is reassuring, empowering, and essential reading for all middle-aged women, and anyone who hopes to understand them.

While the Baby Boomer generation has consistently commanded widespread attention--both scholarly and popular--little has been written about Generation X, the 46 million Americans born between the mid-1960s and late 1970s. But with Baby Boomers now moving into retirement, members of Generation X have come to the forefront of American society. Consequently, understanding Generation X--and the potential impact of the independent, sometimes rebellious spirit that characterizes it--is critical. In Generation X Professors Speak: Voices from Academia, Elwood Watson has assembled a unique collection of thematically arranged essays by academics that offers insights into the issues, conflicts, and triumphs that epitomize this often overlooked generation. One essayist writes about her determination to achieve her career goals without sacrificing time with her family, while another speaks about being a stay-at-home dad and teaching part-time at a university. Another essay covers disabilities, depression, and mental illness, pointing to the sympathetic approach Gen Xers tend to take toward individuals often marginalized by society. The acceptance of interracial marriage on the part of members of Generation X is engagingly presented by an ivy-league educated white man married to a woman of African descent. And the role religion plays in the lives of Gen Xers is movingly expressed by an essayist whose commitment to his spiritual faith have allowed him to combat racial, social, family, personal, and academic issues. These and the other essays in this collection passionately--and sometime provocatively--cover topics ranging from career, class, family life, health, music, and physical disabilities to race, religion, and sexuality. Together, the essays define the characteristics and demonstrate the diversity of Generation X, and will appeal to scholars, students, and others interested in social history, psychology, gender studies, and popular culture.

Seen through the eyes of siblings 14 years apart in age, X vs. Y is a smart, funny, stylish, and visually driven anthology that com­piles and compares their two generational cul­tures. It’s a story told through lists, infographics, essays, anecdotes, and images, with chapters devoted to fashion, TV, music, technology, dating, books, and movies. Through musings on topics such as leg warmers, Clueless, Sassy magazine, and MTV, along with mixtapes and TV characters, X vs. Y paints a portrait of two intricately entwined generations.

In Zero Hour for Gen X, Matthew Hennessey calls on his generation, Generation X, to take a stand against tech-obsessed millennials, apathetic baby boomers, utopian Silicon Valley “visionaries,” and the menace to top them all: the soft totalitarian conspiracy known as the Internet of Things. Soon Gen Xers will be the only cohort of Americans who remember life as it was lived before the arrival of the Internet. They are, as Hennessey dubs them, “the last adult generation,” the sole remaining link to a time when childhood was still a bit dangerous but produced adults who were naturally resilient. More than a decade into the social media revolution, the American public is waking up to the idea that the tech sector’s intentions might not be as pure as advertised. The mountains of money being made off our browsing habits and purchase histories are used to fund ever-more extravagant and utopian projects that, by their very natures, will corrode the foundations of free society, leaving us all helpless and digitally enslaved to an elite crew of ultra-sophisticated tech geniuses. But it’s not too late to turn the tide. There’s still time for Gen X to write its own future. A spirited defense of free speech, eye contact, and the virtues of patience, Zero Hour for Gen X is a cultural history of the last 35 years, an analysis of the current social and historical moment, and a generational call to arms.

Generation X is Douglas Coupland's classic novel about the generation born in the late 1950s and 1960s—a generation known until then simply as twenty somethings. Andy, Claire, and Dag, each in their twenties, have quit pointless jobs in their respective hometowns to find better meaning in life. Adrift in the California desert, the trio develops an ascetic regime of story-telling, boozing, and working McJobs—"low-pay, low-prestige, low-benefit, no-future jobs in the service industry." They create their own modern fables of love and death among the cosmetic surgery parlors and cocktail bars of Palm Springs as well as disturbingly funny tales of nuclear waste, historical overdosing, and mall culture. A dark snapshot of the trio's highly fortressed inner world quickly emerges—peeling back the layers on their fanatical individualism, pathological ambivalence about the future, and unsatisfied longing for permanence, love, and their own home. Andy, Dag, and Claire are underemployed, overeducated, intensely private, and unpredictable. They have nowhere to assuage their fears, and no culture to replace their anomie.

Essays in this volume explore the popular cultural effects of rock culture on high literary production in Spain in the 1990s.

Sponsored by the Communication, Information Technologies, and Media Sociology Section of the American Sociological Association (CITAMS), Millennials and Media brings together case studies from across the globe to provide a timely examination of Generation Y's media practices.