Georgia O Keeffe S Hawai I

Reproduces O'Keeffe's 20 Hawai'i paintings, plus 50 period and locational photographs.

In 1939, artist Georgia O'Keeffe creates nearly 20 paintings as she tours the Hawaiian islands, but refuses to paint pictures of pineapples the way her sponsors tell her to. The book includes an Author's Note, Illustrator's Note, bibliography, map of the islands, and endpapers that identify O'Keeffe's favorite Hawaiian flowers. Full color.

"Accompanying an exhibition at The New York Botanical Garden, this catalogue focuses on Georgia O'Keeffe's life and work in relation to her transformative three-month trip to Hawaii"--

Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.

Reproduces O'Keeffe's 20 Hawai'i paintings, plus 50 period and locational photographs.

Ansel Adams and Georgia O'Keeffe first met in Taos, New Mexico, in 1929. She was already an established artist, while he was at the beginning of his career. Their friendship lasted for the rest of their lives. GEORGIA O'KEEFE AND ANSEL ADAMS: NATURAL AFFINITIES suggests parallels in their distinctive visions of both natural and human-made environments and illustrates the artists' achievements in capturing the reality and essence of the world around them. More than 100 beautifully reproduced paintings and photographs are accompanied by critical essays on Adams and O'Keeffe and a biographical essay on the friendship between Adams, O'Keeffe, and Alfred Stieglitz.

From her appearance as a provocative young artist in Alfred Stieglitz's photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O'Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century's foremost American painters. O'Keeffe's professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protegee posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O'Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted. This publication brings together for the first time, photographs by Stieglitz, Newman, Loengard, Webb, and others--many of which probe fascinating tensions between abstractionism and realism in O'Keeffe's art. In addition, a selection of O'Keeffe's works chronicles the span of her long career.