Gibson S Fabulous Flat Top Guitars

This colorful chronicle shows the entire development of an acoustic guitar reflecting 80 years of American culture. With 250 photos and in-depth text, this is the first thorough examination of Gibson's fabulous flat-tops and their unique impact on musical, social, and political history from the 1920s to the present.

It's for good reason that Gibson is the most recognized name in the history of the guitar. From the 1920s to the present, Gibson and its flat-top guitars have become a slice of Americana. Whether the musicians you listen to have been from the South or from the North, urban or rural, white or African-American, old or young, it's likely that a Gibson was involved in creating the music. To artists as diverse as Bob Dylan, John Hiatt, Lightnin' Hopkins, Ian & Sylvia, the Everly Brothers, Alan Jackson, and Mance Lipscomb, Gibson makes the guitar that makes the music, in a variety of genres ranging from folk and blues and jazz to country and pop and rock. Through more than two hundred photos and detailed text, this book chronicles the development and evolution of Gibson's fabulous flat-tops, showing why these guitars have been the instruments of choice to so many great musicians, professional and amateur alike, over the last seventy years. Gibson's Fabulous Flat-Top Guitars explains why some many guitar players over the decades have felt that only a Gibson is good enough.

"Through detailed text and more than two hundred photos, this book chronicles the development and evolution of Gibson's fabulous flat-tops, discusses the musical properites of individual models, and shows why these guitars have been the choice of so many great musicians, professional and amateur alike, over the last eighty years." --Book Jacket.

Provides a history of the guitar company from its founding in the late 1800s to its present status as one of the leading makers of guitars.

According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.

For more than seven decades Nick Lucas was an entertainer, beginning as a child street musician and becoming one of the most popular singer-guitarists of all time. He was a popular sideman in bands, and his solo career conquered radio, recordings, vaudeville, Broadway, films, night clubs and television. He is credited with being the first musician to replace the banjo with the guitar in big bands and on records, and with initiating the "intimate style" of singing, making him the first crooner.Nick Lucas' guitar playing contributed significantly to the instrument's popularity, and he influenced generations of players with his instruction books and by having a line of popular guitar picks bearing his name. He was the first guitarist to have a custom-made model, "The Nick Lucas Special." This biography comprehensively covers Nick Lucas' career as he entertained audiences in the United States, England and Australia, becoming a beloved star and influencing popular music to the present day.

(Guitar). Introduced in 1922, the Gibson L5 is the precursor of the modern archtop guitar. It was the first archtop to feature f-holes, which allowed it to project through the horn-dominated bands of the day. Its strong, full, warm sound was an immediate and overwhelming success that turned the heads of makers, players and listeners alike. This book takes a look at its history and most famous players, from its creation, through the Norlin years, to its standing today as the world's most popular jazz guitar. With its stunning 16-page full-color photo section, this book is a must for every guitar enthusiast's collection! 8-1/2 x 11 .

Beginning with a comparison of the American acoustic guitar world in the early 1960s with that of today, then describing iconic performances at storied venues such as The Ark in Ann Arbor while meticulously researching the instrument’s top makers, Smith assembles a passion-filled and eye-opening history of that “cool wooden box” from the folk era through the pandemic. The author focuses on both the playing and making of the acoustic guitar, concluding that the instrument has been transformed in both aspects during the last sixty years. On the playing side, Smith examines the influences on, and the impact of, such guitarists as David Bromberg, Elizabeth Cotten, Paul Geremia, and Norman Blake. On the making side, the author takes the reader into the tradition-minded yet dynamic world of lutherie. He traces how the oldest, most revered companies whose reputations are based on legendary breakthroughs in lutherie, Gibson and Martin, have adapted as the new lutherie movement of innovative small-scale producers, exemplified by interviewees such as Michael Gurian, Bill Collings, Richard Hoover, and Dana Bourgeois, arose. Starting small and then growing exponentially, Taylor Guitars is a wholly different “player” in acoustic guitar building, and Smith compellingly tells its story. Finally, Cool Wooden Box considers the effects of globalization on the industry. Clocking thousands of miles and hours of interviews with guitar makers, suppliers, and sellers, W. Rand Smith has created not only a detailed history of the acoustic guitar, but also a lasting tribute to an instrument he so clearly reveres.