Great Wolf And The Good Woodsman

The miracle of Christmas permits the animals to work together as friends, despite their fear of the Great Wolf, and to rescue their beloved woodsman.

From the villainous beast of “Little Red Riding Hood” and “The Three Little Pigs,” to the nurturing wolves of Romulus and Remus and Rudyard Kipling’s The Jungle Book, the wolf has long been a part of the landscape of children’s literature. Meanwhile, since the 1960s and the popularization of scientific research on these animals, children’s books have begun to feature more nuanced views. In Picturing the Wolf in Children’s Literature, Mitts-Smith analyzes visual images of the wolf in children’s books published in Western Europe and North America from 1500 to the present. In particular, she considers how wolves are depicted in and across particular works, the values and attitudes that inform these depictions, and how the concept of the wolf has changed over time. What she discovers is that illustrations and photos in works for children impart social, cultural, and scientific information not only about wolves, but also about humans and human behavior. First encountered in childhood, picture books act as a training ground where the young learn both how to decode the “symbolic” wolf across various contexts and how to make sense of “real” wolves. Mitts-Smith studies sources including myths, legends, fables, folk and fairy tales, fractured tales, fictional stories, and nonfiction, highlighting those instances in which images play a major role, including illustrated anthologies, chapbooks, picture books, and informational books. This book will be of interest to children’s literature scholars, as well as those interested in the figure of the wolf and how it has been informed over time.

In the vein of Naomi Novik’s New York Times bestseller Spinning Silver and Katherine Arden’s national bestseller The Bear and the Nightingale, this unforgettable debut— inspired by Hungarian history and Jewish mythology—follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant. In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline—her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman—he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it’s like to be an outcast, and he and Évike make a tenuous pact to stop his brother. As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they’re on, and what they’re willing to give up for a nation that never cared for them at all.

This is a book that takes us inside the Hoovers’ wilderness home during those sixteen Years of the Forest and lets us experience not only the joys and the techniques but also the challenges and travails of going it alone in the beautiful but not always accommodating wilderness, far from the technology and services that city people take for granted. It is a book of wilderness adventure, it is an education in the ingenuities of wilderness housekeeping, filled with practical details about making do, building and rebuilding, gardening for fun and for food, even advice about getting away from getting-away-from-it-all. Good times and Hard times, good neighbors and bad neighbors, the strains engendered by conflicting views—and passions—about the use of the environment: Mrs. Hoover shares her experience without stint. But above all—over, under, and all around her straightforward and practical approach to life in the wilderness—there is, as always, the sensitive and moving awareness of nature (especially of the animals with whom she and her husband shared the forest, often helping them through starving winters) that is the special quality of her writing and her life.

New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife. From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.

Cold, wet, and acidic, bogs appear to be extremely hostile to life, yet numerous plants and animals have adapted in fascinating ways in order to survive there. In Big Belching Bog, Phyllis Root lets us in on the secrets of the mysterious bog, describing such special inhabitants as plants that eat insects, bog lemmings, and frogs that stay frozen through the winter and thaw out in the spring. But what's that coming up from the bottom of the bog? The biggest bog secret of all, we learn, is the remarkable process of methane gas belching out of the bog. The gas is created by decaying peat moss and forms a bulge in the surface of the moss six inches or taller before breaking through. Does this "belch" make a sound? No one knows, says Root, because no one has ever heard it. In fact, bogs are known as some of the quietest places on earth. Maybe you will be the first to hear the big bog belch! Illustrated by renowned woodcut artist Betsy Bowen, Big Belching Bog also contains a section of bog facts, including more information about the plants and animals mentioned in the book as well as tips for visiting a bog. Big Belching Bog will stir the imagination of young readers and teach them about the landscape and environment of these mysterious and, ahem, gassy places.

First published in 1968, this engrossing and beautiful picture book about wildlife on Isle Royale is available again Isle Royale, “the big island” of this book, is a wilderness national park in Lake Superior and home to a unique and fascinating ecosystem of animals, most notably the iconic wolf and majestic moose. Here is author Julian May’s story about the island’s beginning, the kinds of animals that came to populate it, and their effects on the pristine landscape. Among them were the moose, who swam to the island from the distant shore to fend off starvation. The moose found conditions on Isle Royale so favorable that they reproduced quickly—but then faced another food shortage. The wolves arrived by floating to the island on an ice floe in winter and soon became important to the island’s ecology as successful predators of the moose. Complementing this fascinating text, John Schoenherr’s magnificent illustrations convey the strength of these animals and the beauty of the island that is their home. First published in 1968, and reprinted here with a new note by renowned wolf expert L. David Mech, The Big Island is an enchanting introduction to the wilderness and wildlife of Isle Royale.