Himself

"[A] fast-paced yarn that nimbly soars above the Irish crime fiction genre Kidd clearly knows very well." —New York Times Book Review “[A] supernaturally skillful debut.” —Vanity Fair “A delicious, gratifying and ageless story.” —New York Journal of Books Abandoned on the steps of an orphanage as an infant, Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives a tip one night at the bar suggesting that foul play may have led to the disappearance of his mother, he decides to return to the rural Irish village where he was born to learn what really happened twenty-six years earlier. From the moment he sets foot in Mulderrig, Mahony’s presence turns the village upside down. His uncannily familiar face and outsider’s ways cause a stir among the locals, who receive him with a mixture of curiosity (the men), excitement (the women), and suspicion (the pious). It seems that his mother, Orla Sweeney, had left quite an impression on this little town—dearly beloved to some, a scourge and a menace to others. But who would have had reason to get rid of her for good? Determined to find answers, Mahony solicits the help of brash pot-stirrer and retired actress Mrs. Cauley, and the two concoct an ingenious plan to get the town talking, aided and abetted by a cast of eccentric characters, some from beyond the grave. What begins as a personal mission gradually becomes a quiet revolution: a young man and his town uniting against corruption of power, against those who seek to freeze their small worlds in time, to quash the sinister tides of progress and modernity come hell or high water. But what those people seem to forget is that Mahony has the dead on his side.... Centering on a small town rife with secrets and propelled by a twisting-and-turning plot, Himself is a gem of a book, a darkly comic mystery, and a beautiful tribute to the magic of language, legacy, and storytelling.

Arthur Brownjohn has never quite got anything right. Whatever he does, it always seems to go more than a little awry. The same could be said for the murder of his wife - a bungled, inferior affair despite his having consulting all the experts in the field of killings, executions and dastardly deeds. Resolving never to repeat the same mistakes, he enlists the help of Major Easonby Mellon - a man who really knows what he's doing...

This is Volume VIII of thirty-eight of collection of works on General Psychology. Initially published in 1947, it offers an enquiry into the psychology of ethics and forms a continuation of the author's other work 'Escape from Freedom’ in which he attempted to analyse modern man's escape from himself and his freedom. This book discusses the problem of ethics, of norms and values leading to the realisation of man's self and of his potential.

What happens when older men become widowers? Popular books, movies, and television present widowers as lost and unable to cope or care for themselves. These stereotypes do not encapsulate the experiences of real widowers, how their daily lives change, and what being a widower means to individuals in both sociological and practical ways. By Himself is based on in-depth interviews with twenty-six widowers over the age of sixty living in the United States and Canada. Using these interviews, Deborah K. van den Hoonaard explores masculine identity and traces the stories that widowers tell about their wives' illnesses and deaths. She also focuses on the widowers' changed relationships with their children and friends, as well as with women, and details the men's encounters with tasks such as housework and cooking. An eminently readable and accessible book, By Himself sheds new light on the social meaning of being a widower.

The polarization in the Church today can be traced back to a more fundamental crisis in theology, one which has failed to connect our mundane experiences and the mysteries of the Christian faith with the person of Jesus Christ. Ecclesial discourse on the so-called ‘hot- button issues’ of the day too often take place without considering the foundation and goal of the Church. And this is unfortunately due to a similar tendency in the academic theology that informs that ecclesial discourse. In short, much of post-conciliar Catholic theology is adrift, floating aimlessly away from the center of the Christian faith, who is Christ. The Center is Jesus Christ Himself is a collection of essays which anchor theological reflection in Jesus Christ. These diverse essays share a unified focal point, but engage with a variety of theological subdisciplines (e.g., dogmatic, moral, Biblical, etc.), areas (e.g., Christology, Pneumatology, missiology, etc.), and periods (e.g., patristic, medieval, and modern). Given the different combinations of sub-disciplines, areas, and periods, theology is susceptible to fragmentation when it is not held together by some principle of unity. A theology in which the person of Jesus Christ serves as that principle of unity is a Christocentric theology. Together, the essays illustrate not only what Christocentric theology looks like, but also what the consequences are when Christ is dislodged from the center, whether by a conspicuous silence on, or by a relativization of, his unique salvific mission. The volume is published in honor of Emeritus Professor of Systematic Theology at Boston College, Rev. Dr. Robert P. Imbelli, who dedicated his teaching and writing to bringing Christ back to the center of Catholic theological discourse.

In Dickens Imagining Himself the author applies biographical materials to analysis of art by examining the way elements in Dicken's life led his imagination to shape his novels. This is a study of how Dickens' self-perceptions guided the patterns of six created worlds at significant points in his life. Contents: What Sort of Consanguinity; Barnaby Rudge: Two Cheers for Maturity; Martin Chuzzlewit: Ambiguously Whittington; David Copperfield: Memory and the Flow of Time; Bleak House: Passing the Bog; Great Expectations: Defining Estella; Our Mutual Friend: Reborn with Galatea; Eclectic Affinities; Notes; Index