I Am Alive In Los Angeles

Being alive in Los Angeles means driving It means having friends in a hundred neighborhoods. Everyday I figure 8 my way through the blood & bones of the city. These journeys invigorate me. Connecting the dots is what I like to do, from the hilltop parties to the Watts Towers, North Long Beach to Frogtown, there's o much flavor-landscape & characters. I love it all. I Am ALIVE IN LOS ANGELES! In this progressive collection of poems. Essays & notes, Mike the PoeT digs into the real Los Angeles. Passages of charged prose & poetic snapshots capture the panorama of the city of angels. Pieces cover the mythical afterhour parties, unique architecture, socioeconomics, graffiti, gangs Hollywood & more. Poet Journalist Historian, Mike Sonksen aka Mike the PoeT has performed at the L.A. Times Book Prizes, Divine Forces Radio, Music Plus TV & published hundreds of poems & articles in the LA. Citybeat, O,C. Weekly, Jointz, Kotori & so on. "It's easy to target Los Angeles' deficits: flashiness, venality, gross disparity of wealth. But is takes rare understanding and eloquence to see this fair city in all its lights, both good and bad. Mike Sonksen, aka Mike the Poet, achieves that unusual feat with his debut spoken-word release, "I Am Alive in Los Angeles!" A third-generation L.A. native Sonksen has special insight into the multi-textured realities that comprise the city."-L.A. Alternative Press "Mike the Poet the most cool, positive guy in poetry, future LA legend you read it here first." -TEKA LARK LO

Writings by the conceptual artist Michael Asher—including notes, proposals, exhibition statements, and letters to curators and critics—most published here for the first time. The California conceptual artist Michael Asher (1943–2012) was known for rigorous site specificity and pioneering institutional critique. His decades of teaching at CalArts influenced generations of artists. Much of Asher's artistic practice was devoted to creating works that had no lasting material presence and often responded to the material, social, or ideological context of a situation. Because most of Asher's artworks have ceased to exist, his writings about them have special significance. Public Knowledge collects writings by Asher about his work—including preliminary notes and ideas, project proposals, exhibition statements, and letters to curators and critics—most of which have never been previously published. Asher gave few interviews, didn't write art criticism, and rarely published extensive accounts of his own work. Yet writing was central to his artistic practice, serving as a tool for working out ideas, negotiating institutional parameters, and describing thought processes. In these texts, he considers writing and documentation, discusses artistic practice, offers notes for gallery and museum talks, presents artist statements for exhibition-goers, describes individual works and their situational context, and reflects on teaching and art education. Among other things, Asher provides his definition of site specificity, addresses the function of art in public space, and analyzes the intersection of teaching art and institutional models of education. Readers will see an artist at work, formulating ethical and political strategies for making art in a situational world.

How does one navigate a social world consisting of identities, facts, truths, problems and solutions constructed from the imprecise building blocks of language? What, if anything, does it mean to be gendered, racialized, aged, sexualized, oriented, mediated, penetrated, assaulted, traumatized, addicted, recovered, redeemed, educated, coupled, immigrated? Misguided Home provides contextual details related to lyrical artifacts of 64 songs composed between 1984 and 2010; between ages 15 and 41; between HIV, AA and DOMA; between existentialism, spiritualism, solipsism, and functional contextualism; between the United States, France, Indonesia, and Canada.

A detailed mini-guidebook about Los Angeles freeways and select boulevards.

Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.

A world-traveled writer recounts the amazing adventures of an American who mentored Robert Baden-Powell and inspired the Boy Scouts. Burnham is bigger than the Chief Scout.