I Killed Scheherazade

For centuries the heroine of "The Arabian Nights," Scheherazade, defined the Arab woman--until Joumana Haddad, an Arab woman herself, had had enough. Haddad angrily challenges prevalent notions of identity and womanhood in the Middle East in this intrepid exploration. While she finds the West's dominant portrayal of Arab women appalling, she finds the image projected by many Middle Eastern women to be infuriating as well. She discusses her intellectual development and the liberating effect of literature on her life, and in the process she transcends religious and cultural perspectives. Ultimately she argues that every woman has not only the right but the duty to ignore social, political, and sexual expectations and be true to herself. Fiery and candid, this is a provocative exploration of what it means to be an Arab woman today that will enlighten and inform a new international feminism. For Haddad, Scheherazade is dead, and the time has come for Arab women to tell their own stories.

Fiery and candid; a provocative and courageous exploration of what it means to be an Arab woman today.

This is not a manifesto against men in general. Nor is it a manifesto against Arab men in particular. It is, however, a howl in the face of a particular species of men: the macho species, Supermen, as they like to envision themselves. But Superman is a lie. In this explosive sequel to I Killed Scheherazade, Joumana Haddad examines the patriarchal system that continues to dominate in the Arab world and beyond. From monotheist religions and the concept of marriage to institutionalised machismo and widespread double standards, Haddad reflects upon the vital need for a new masculinity in these times of revolution and change in the Middle East. 'The revolution and its backlash are not just being fought in the streets, squares and elections across the Middle East, but also on the faces and bodies of millions of Arab women and their sisters across the world. Haddad speaks for all of us. It's time to listen.' Bidisha 'One of the most intelligent, talented and courageous young Arab poets and intellectuals today' Mahmoud Darwish 'The Germain Greer of Lebanon' Independent.

September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love and loss gives voice to the silenced, and adds music to their histories' Maureen Freely, Chair, English PEN 'A must-read' Ayse Arman, Hu ̈rriyet 'A symphony of literature' Açik Radyo 'Defne Suman is a story-teller. She tells the story of how love, emotions and identities are influenced by socio-political events of a lifetime' Cumhuriyet Newspaper 'A wonderfully braided story of family secrets set in the magical city of Smyrna, told in luminous prose' Lou Ureneck, author of Smyrna, September 1922

A book of history, heritage, loyalty, religion, feminism, families, and the Armenian genocide The Book of Queens is a family saga that spans four generations of women caught up in the tragic whirlwind of turf wars and suffering in the Middle East—from the Armenian genocide and the Israeli occupation of Palestine to modern-day civil wars and the struggles between Christians and Muslims in Lebanon and Syria. Four queens of a deck of cards dealt a bad hand by fate—Qayah, Qana, Qadar and Qamar—form the branches of the same family tree rooted in the land of their origins despite the forceful winds that repeatedly try to carry them away. A line of red-haired women united by the ties of blood that runs through their veins—which violence has spread through the ages—each with a deep story and all with one thing in common: unwavering power and resilience in the face of adversities of being a woman in a war-torn region. With the perfect mastery of finely chiseled writing, Joumana Haddad manages to construct a novel of extraordinary intensity, without ever sinking into pathos or grandiloquence. She also challenges the systematic abuse of political and religious power and authority that continues to cloud the lives of a culturally diverse and progressive youth until the present day.

"An immigrant-ethnic cocktail laced with political oppression, but before shaking, [Alia Yunis] adds Scheherazade, the fabled storyteller who kept herself alive by distracting her tyrannical husband for a thousand and one nights." --Carolyn See, Washington Post After 85 years, Fatima knows that she is dying because for the last 991 days she has been visited by the immortal storyteller from The Arabian Nights, Scheherazade. Just as Scheherazade spun magical stories for 1,001 nights to save her own life, Fatima has spent each night telling Scheherazade her life stories. But with only nine days left before her death, Fatima has a few loose ends to tie up. She must find a wife for her openly gay grandson, teach Arabic (and birth control) to her 17-year-old great-granddaughter, make amends with her estranged husband, and decide which of her troublesome children should inherit her family's home in Lebanon--a house she herself has not seen in nearly 70 years. Fatima’s children are spread far apart and are wrapped up in their own chaotic lives seemingly disinterested in their mother and their inheritances. But as she weaves stories of her husband, children, and grandchildren, Fatima brings together a family that is both capricious and steadfast, affectionate and also smothering, connected yet terribly alone. Taken all together, they present a striking and surprising tapestry of modern Arab American life. Shifting between America and Lebanon over the last hundred years, Alia Yunis crafts a bewitching debut novel imbued with great humanity, imagination, family drama and a touch of magic realism. Be prepared to feel utterly charmed.

The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths.

Rediscover the legends of Ali Baba, Aladdin, Sinbad, and more in this Scribner Illustrated Classic keepsake complemented by the stunning art of Maxfield Parrish. This stunning volume of twelve stories adapted from Tales of a Thousand and One Nights features Maxfield Parrish’s gorgeous art, bringing a beloved classic to a whole new generation of readers.