Imagined Romes

This volume explores the conflicting representations of ancient Rome—one of the most important European cities in the medieval imagination—in late Middle English poetry. Once the capital of a great pagan empire whose ruined monuments still inspired awe in the Middle Ages, Rome, the seat of the pope, became a site of Christian pilgrimage owing to the fame of its early martyrs, whose relics sanctified the city and whose help was sought by pilgrims to their shrines. C. David Benson analyzes the variety of ways that Rome and its citizens, both pre-Christian and Christian, are presented in a range of Middle English poems, from lesser-known, anonymous works to the poetry of Gower, Chaucer, Langland, and Lydgate. Benson discusses how these poets conceive of ancient Rome and its citizens—especially the women of Rome—as well as why this matters to their works. An insightful and innovative study, Imagined Romes addresses a crucial lacuna in the scholarship of Rome in the medieval imaginary and provides fresh perspectives on the work of four of the most prominent Middle English poets.

This volume explores the conflicting representations of ancient Rome—one of the most important European cities in the medieval imagination—in late Middle English poetry. Once the capital of a great pagan empire whose ruined monuments still inspired awe in the Middle Ages, Rome, the seat of the pope, became a site of Christian pilgrimage owing to the fame of its early martyrs, whose relics sanctified the city and whose help was sought by pilgrims to their shrines. C. David Benson analyzes the variety of ways that Rome and its citizens, both pre-Christian and Christian, are presented in a range of Middle English poems, from lesser-known, anonymous works to the poetry of Gower, Chaucer, Langland, and Lydgate. Benson discusses how these poets conceive of ancient Rome and its citizens—especially the women of Rome—as well as why this matters to their works. An insightful and innovative study, Imagined Romes addresses a crucial lacuna in the scholarship of Rome in the medieval imaginary and provides fresh perspectives on the work of four of the most prominent Middle English poets.

The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programme of the cycle has remained mysterious, and an adequate analysis of the Vita Humana cycle as a whole has so far been lacking. Kristin B. Aavitsland covers this gap in the scholarship on Roman art circa 1300, and also presents the first interpretative discussion of the frescoes that is up-to-date with the architectural investigations undertaken in the monastery around 2000. Aavitsland proposes a rationale behind the conception of the fresco cycle, thereby providing a key for understanding its iconography and shedding new light on thirteenth-century Cistercian culture.

The Balkans offer classic examples of how empires imagine they can transform themselves into national states (Ottomanism) and how nation-states project themselves into future empires (as with the Greek "Great Idea" and the Serbian "Načertaniye"). By examining the interaction between these two aspirations this volume sheds light on the ideological prerequisites for the emergence of Balkan nationalisms. With a balance between historical and literary contributions, the focus is on the ideological hybridity of the new national identities and on the effects of "imperial nationalisms" on the emerging Balkan nationalisms. The authors of the twelve essays reveal the relation between empire and nation-state, proceeding from the observation that many of the new nation-states acquired some imperial features and behaved as empires. This original and stimulating approach reveals the imperialistic nature of so-called ethnic or cultural nationalism.

This work argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understandings of historicity itself.

At the turn of the fifteenth century, Rome was a city in transitionparts ancient, medieval, and modern; pagan and Christianand as it emerged from its medieval decline through the return of papal power and the onset of the Renaissance, its portrayals in print transformed as well. Jessica Maier s book explores the history of the Roman city portrait genre during the rise of Renaissance print culture. She illustrates how the maps of this era helped to promote the city, to educate, and to facilitate armchair exploration and what they reveal about how the people of Rome viewed or otherwise imagined their city. She also advances our understanding of early modern cartography, which embodies a delicate, intentional balance between science and art. The text is beautifully illustrated with nearly 100 images of the genre, a dozen of them in color."

Provides students with a balanced understanding of the key aspects of the culture and society of the Roman Republic A Social and Cultural History of Republican Rome is the first undergraduate textbook of its kind to concentrate on the ways Roman societal structures, family dynamics, visual arts, law, religion, and other cultural and intellectual developments contributed to Roman identity between 509 BCE and 14 CE. Drawing from a diverse range of archaeological, epigraphic, and literary sources, author Eric M. Orlin provides insight into the socio-cultural and intellectual issues that shaped both the Roman Republic and the wider Mediterranean world. Thematically organized chapters address the practice of politics in the Roman Republic, explain the concept of patronage and the distinctions between patricians and plebeians, examine the impact of the army and militarism on Roman society, discuss the ties between Roman religion and the Roman state, and more. Chapters include maps, charts, images, and links to further readings in ancient sources and modern scholarship. Throughout the text, discussion of several recurring themes connects individual chapters while helping students critically engage the material. A Social and Cultural History of Republican Rome: Focuses on themes other than politics and the military, such as the position and role of women in the Roman family, the foundation of the Roman legal system, and the topography and growth of the city of Rome Introduces the basic materials available for the study of the Roman Republic, including written, architectural, and numismatic sources Features a brief narrative history of the Roman Republic and an overview of the text’s methodological framework Establishes key points of discussion for students, using comparisons between Roman society and our modern-day world Encourages students to critically examine the problems and issues raised by the material Covering topics in Roman history that are frequently neglected in undergraduate classrooms, A Social and Cultural History of Republican Rome is an excellent primary or supplementary textbook for courses on the Roman Republic as well as broader Roman history classes that incorporate socio-cultural issues.

A new investigation that shows how conversionary preaching to Jews was essential to the early modern Catholic Church and the Roman religious landscape Starting in the sixteenth century, Jews in Rome were forced, every Saturday, to attend a hostile sermon aimed at their conversion. Harshly policed, they were made to march en masse toward the sermon and sit through it, all the while scrutinized by local Christians, foreign visitors, and potential converts. In Catholic Spectacle and Rome’s Jews, Emily Michelson demonstrates how this display was vital to the development of early modern Catholicism. Drawing from a trove of overlooked manuscripts, Michelson reconstructs the dynamics of weekly forced preaching in Rome. As the Catholic Church began to embark on worldwide missions, sermons to Jews offered a unique opportunity to define and defend its new triumphalist, global outlook. They became a point of prestige in Rome. The city’s most important organizations invested in maintaining these spectacles, and foreign tourists eagerly attended them. The title of “Preacher to the Jews” could make a man’s career. The presence of Christian spectators, Roman and foreign, was integral to these sermons, and preachers played to the gallery. Conversionary sermons also provided an intellectual veneer to mask ongoing anti-Jewish aggressions. In response, Jews mounted a campaign of resistance, using any means available. Examining the history and content of sermons to Jews over two and a half centuries, Catholic Spectacle and Rome’s Jews argues that conversionary preaching to Jews played a fundamental role in forming early modern Catholic identity.