Iron House

An old man is dying. When the old man is dead they will come for him. And they will come for her, to make him hurt. John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget. HE WOULD GO TO HELL At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time to kill, time for two young orphans to learn that life isn't won without a fight. Julian survives only because his older brother, Michael, is fearless and fiercely protective. When tensions boil over and a boy is brutally killed, there is only one sacrifice left for Michael to make: He flees the orphanage and takes the blame with him. TO KEEP HER SAFE For two decades, Michael has been an enforcer in New York's world of organized crime, a prince of the streets so widely feared he rarely has to kill anymore. But the life he's fought to build unravels when he meets Elena, a beautiful innocent who teaches him the meaning and power of love. He wants a fresh start with her, the chance to start a family like the one he and Julian never had. But someone else is holding the strings. And escape is not that easy. . . . GO TO HELL, AND COME BACK BURNING The mob boss who gave Michael his blessing to begin anew is dying, and his son is intent on making Michael pay for his betrayal. Determined to protect the ones he loves, Michael spirits Elena—who knows nothing of his past crimes, or the peril he's laid at her door— back to North Carolina, to the place he was born and the brother he lost so long ago. There, he will encounter a whole new level of danger, a thicket of deceit and violence that leads inexorably to the one place he's been running from his whole life: Iron House. Now with an excerpt of John Hart's next book The Hush, available in February 2018.

Part history, part memoir, this tale of Canada’s heritage horse is a moving odyssey into the past — and one man’s heart. Saving what’s left of our history often falls to a passionate few. This is the case with a group of horse breeders who have pledged to re-establish Canada’s heritage horse, aptly called the Canadian — a breed descended from the Norman horses that took European knights into battle. Habitants of old Quebec called this uncommonly strong breed le petit cheval de fer — the little horse of iron — and in many ways the tumultuous story of this horse mirrors the history of Canada. Little Horse of Iron tells the story of one man and his horse. At the age of 50, Lawrence Scanlan bought his first horse — a Canadian called Saroma Dark Fox Dali. A spirited and untrained young Canadian gelding, Dali taught Scanlan a great deal about patience, fear and courage. Always candid and often amusing, the year-long diary of their relationship deftly explores the joys and sorrows as both horse and human struggle to trust and understand each other. Along the way, we meet the people who prize the Canadian horse’s unparalleled contributions over three centuries — on the family farm, on the battlefield, on the race track and in the show ring. Marvellously detailed and rich in character, Little Horse of Iron is a heart-warming celebration of one horse, and of his breed — Canada’s own.

In From the Iron House: Imprisonment in First Nations Writing, Deena Rymhs identifies continuities between the residential school and the prison, offering ways of reading “the carceral”—that is, the different ways that incarceration is constituted and articulated in contemporary Aboriginal literature. Addressing the work of writers like Tomson Highway and Basil Johnston along with that of lesser-known authors writing in prison serials and underground publications, this book emphasizes the literary and political strategies these authors use to resist the containment of their institutions. The first part of the book considers a diverse sample of writing from prison serials, prisoners’ anthologies, and individual autobiographies, including Stolen Life by Rudy Wiebe and Yvonne Johnson, to show how these works serve as second hearings for their authors—an opportunity to respond to the law’s authority over their personal and public identities while making a plea to a wider audience. The second part looks at residential school narratives and shows how the authors construct identities for themselves in ways that defy the institution’s control. The interactions between these two bodies of writing—residential school accounts and prison narratives—invite recognition of the ways that guilt is colonially constructed and how these authors use their writing to distance themselves from that guilt. Offering new ways of reading Native writing, From the Iron House is a pioneering study of prison literature in Canada and situates its readings within international criticism of prison writing. Contributing to genre studies and theoretical understandings of life writing, and covering a variety of social topics, this work will be relevant to readers interested in indigenous studies, Canadian cultural studies, postcolonial studies, auto/biography studies, law, and public policy.

这是清华大学外文系的孙赛茵老师在剑桥大学圣三一学院的博士论文。理论新，观点犀利，论据坚实。且作者英语水平极好，文字典雅洗练。可以补国内鲁迅研究之不足。

An intimate and authentic depiction of life in U.S. prisons, this book incorporates the language, the characters, the tragedies, and the comedies of day-to-day prison life.

Lu Xun, formerly also romanized Lu Hsün, was the pen name of Zhou Shuren (25 September 1881 - 19 October 1936), a leading figure of modern Chinese literature. Writing in Vernacular Chinese as well as Classical Chinese, Lu Xun was a short story writer, editor, translator, literary critic, essayist, and poet. In the 1930s he became the titular head of the League of Left-Wing Writers in Shanghai--Wikipedia.