Iron House

An old man is dying. When the old man is dead they will come for him. And they will come for her, to make him hurt. John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget. HE WOULD GO TO HELL At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time to kill, time for two young orphans to learn that life isn't won without a fight. Julian survives only because his older brother, Michael, is fearless and fiercely protective. When tensions boil over and a boy is brutally killed, there is only one sacrifice left for Michael to make: He flees the orphanage and takes the blame with him. TO KEEP HER SAFE For two decades, Michael has been an enforcer in New York's world of organized crime, a prince of the streets so widely feared he rarely has to kill anymore. But the life he's fought to build unravels when he meets Elena, a beautiful innocent who teaches him the meaning and power of love. He wants a fresh start with her, the chance to start a family like the one he and Julian never had. But someone else is holding the strings. And escape is not that easy. . . . GO TO HELL, AND COME BACK BURNING The mob boss who gave Michael his blessing to begin anew is dying, and his son is intent on making Michael pay for his betrayal. Determined to protect the ones he loves, Michael spirits Elena—who knows nothing of his past crimes, or the peril he's laid at her door— back to North Carolina, to the place he was born and the brother he lost so long ago. There, he will encounter a whole new level of danger, a thicket of deceit and violence that leads inexorably to the one place he's been running from his whole life: Iron House. Now with an excerpt of John Hart's next book The Hush, available in February 2018.

Part history, part memoir, this tale of Canada’s heritage horse is a moving odyssey into the past — and one man’s heart. Saving what’s left of our history often falls to a passionate few. This is the case with a group of horse breeders who have pledged to re-establish Canada’s heritage horse, aptly called the Canadian — a breed descended from the Norman horses that took European knights into battle. Habitants of old Quebec called this uncommonly strong breed le petit cheval de fer — the little horse of iron — and in many ways the tumultuous story of this horse mirrors the history of Canada. Little Horse of Iron tells the story of one man and his horse. At the age of 50, Lawrence Scanlan bought his first horse — a Canadian called Saroma Dark Fox Dali. A spirited and untrained young Canadian gelding, Dali taught Scanlan a great deal about patience, fear and courage. Always candid and often amusing, the year-long diary of their relationship deftly explores the joys and sorrows as both horse and human struggle to trust and understand each other. Along the way, we meet the people who prize the Canadian horse’s unparalleled contributions over three centuries — on the family farm, on the battlefield, on the race track and in the show ring. Marvellously detailed and rich in character, Little Horse of Iron is a heart-warming celebration of one horse, and of his breed — Canada’s own.

这是清华大学外文系的孙赛茵老师在剑桥大学圣三一学院的博士论文。理论新，观点犀利，论据坚实。且作者英语水平极好，文字典雅洗练。可以补国内鲁迅研究之不足。

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

An intimate and authentic depiction of life in U.S. prisons, this book incorporates the language, the characters, the tragedies, and the comedies of day-to-day prison life.

Lu Xun, formerly also romanized Lu Hsün, was the pen name of Zhou Shuren (25 September 1881 - 19 October 1936), a leading figure of modern Chinese literature. Writing in Vernacular Chinese as well as Classical Chinese, Lu Xun was a short story writer, editor, translator, literary critic, essayist, and poet. In the 1930s he became the titular head of the League of Left-Wing Writers in Shanghai--Wikipedia.