Italian Renaissance Courts

In this fascinating study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua, and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint, and sculpt, but also to oversee the court's building projects and entertainments. The courtly styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles, and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.

This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.

A complete overview of the Italian Renaissance courts covering all areas influenced by them: art, music, literature etc.

The extraordinary cultural Renaissance in the northern Italian courts of the late 15th and early 16th centuries is the subject of this volume. It starts with Baldessar Castiglione's Book of the Courtier (1528) which encapsulates this sense of renewal: his experiences at court and their subsequent rewriting form the backbone of the work. The author then addresses questions of biography, gender, genre, and the varied roles of the courtier, expanding the perspective of Castiglione's text to include the lives and writings of other courtiers and patrons. What was it like to be a courtier? What were the problems associated with such a lifestyle? The importance of women in court circles is also highlighted in studies of one of the most notable of female patrons Isabella d'Este (1474-1539) and of the theoretical developments in writing about gender, stimulated by such women. Stephen Kolsky's analysis of both well-known and comparatively obscure texts brings out the diversity of practices that constituted court society and their centrality to our understanding of the Renaissance.

This fascinating study of Renaissance courtly art and culture in fifteenth and early sixteenth-century Italy encompasses the most recent scholarship on the courts, court art and noble values. Alison Cole not only considers the role of artists, but explores the distinctive uses to which art was put at the courts, from the smaller duchies and princely courts of Ferrara, Mantua and Urbino to the larger courts of Naples and Milan. The social, intellectual and artistic milieu of each court is brought vividly to life, along with the complex personalities of the rulers, their relationships with the civic and ecclesiastical authorities, and the role of court women as patrons of the arts. Drawing on a wide range of contemporary texts and visual material, Cole paints a rich picture of the these extraordinary courts in the moment of their greatest brilliance.

The first major paperback original books on art in almost two decades, aimed at the general reader and students and reflecting the most recent developments in art history.

Weddings in 15th-century Italian courts were grand, sumptuous affairs, often requiring guests to listen to lengthy orations given in Latin. D'Elia shows how Italian humanists used these orations to support claims of legitimacy and assertions of superiority among families jockeying for power, as well as to advocate for marriage and sexual pleasure.

This comprehensive study of the courts of Renaissance Italy explores every aspect of their diversity and magnificence, from Naples in the south to Monferrato in the north, from the oriental-like splendors presided over by the Swabian emperor Frederick II to the Baroque glories of the Counter-Reformation in Florence. . .Scholarly and well documented, The Courts of the Italian Renaissance vividly evokes the past and is an essential guide for the reader wishing to learn more about one of the most fascinating periods of Italian history. /