John Bunyan And The Language Of Conviction

Bunyan's works re-evaluated, and considered in their Restoration and non-conformist context. This book undertakes a major reassessment of the works of John Bunyan [1628-88], the nonconformist author of The Pilgrim's Progress, who was imprisoned for preaching his beliefs. Through a reading of each of his narratives, and many of his pastoral writings, both in textual detail and in relation to the various traditions - such as Reformed spirituality and the nonconformist trial - within which he lived, preached, and wrote, the author offers a systematic re-evaluation of Bunyan's development as an author. She presents new perspectives on his most popular works, Grace Abounding and The Pilgrim's Progress, whilst arguing that the significance of the lesser-known Life and Death of Mr Badman and The Holy War has been severely underestimated; and she shows how overall the works offer a candid document of nonconformist experience in the Restoration period.

A comprehensive introduction to Bunyan's life and works, examining their place in the broader context of seventeenth-century history and literature.

The Oxford Handbook of John Bunyan is the most extensive volume of original essays ever published on the seventeenth-century nonconformist preacher and writer, John Bunyan. Its thirty-eight chapters examine Bunyan's life and works, their religious and historical contexts, and the critical reception of his writings, in particular his allegorical narrative, The Pilgrim's Progress. Interdisciplinary and comprehensive, it provides unparalleled scope and expertise, ranging from literary theory to religious history and from theology to post-colonial criticism. The Handbook is structured in four sections. The first, 'Contexts', deals with the historical Bunyan in relation to various aspects of his life, background, and work as a nonconformist: from basic facts of biography to the nature of his church at Bedford, his theology, and the religious and political cultures of seventeenth-century Dissent. Part 2 considers Bunyan's literary output: from his earliest printed tracts to his posthumously published works. Offering discrete chapters on Bunyan's major works - Grace Abounding to the Chief of Sinners (1666), The Pilgrim's Progress, Parts I and II (1678; 1684); The Life and Death of Mr. Badman (1680), and The Holy War (1682) - this section nevertheless covers Bunyan's oeuvre in its entirety: controversial and pastoral, narrative and poetic. Section 3, 'Directions in Criticism', engages with Bunyan in literary critical terms, focusing on his employment of form and language and on theoretical approaches to his writings: from psychoanalytic to post-secular criticism. Section 4, 'Journeys', tackles some of the ways in which Bunyan's works, and especially The Pilgrim's Progress, have travelled throughout the world since the late seventeenth century, assessing Bunyan's place within key literary periods and their distinctive developments: from the eighteenth-century novel to the writing of 'empire'.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

In the seventeenth and eighteenth centuries, popular works of literature attracted--as they attract today--sequels, prequels, franchises, continuations, and parodies. Sequels of all kinds demonstrate the economic realities of the literary marketplace. This represents something fundamental about the way human beings process narrative information. We crave narrative closure, but we also resist its finality, making such closure both inevitable and inadequate in human narratives. Many cultures incorporate this fundamental ambiguity towards closure in the mythic frameworks that fuel their narrative imaginations. New Testaments: Cognition, Closure and the Figural Logic of the Sequel, 1660-1740 examines both the inevitability and the inadequacy of closure in the sequels to four major works of literature written in England between 1660 and 1740: Paradise Lost, The Pilgrim's Progress, Robinson Crusoe, and Pamela. Each of these works spawned sequels, which--while often different from the original works--connected themselves through rhetorical strategies that can be loosely defined as figural. Such strategies came directly from the culture's two dominant religious narratives: the Old and New Testaments of the Christian Bible--two vastly dissimilar works seen universally as complementary parts of a unified and coherent narrative.

Robert McKelvey argues that John Bunyan wrote The Holy War as a warfare allegory symbolizing the salvation history of Scripture from a Calvinistic-covenantal perspective. In this cosmic drama of redemption, the "Histories That Mansoul, and her Wars Anatomize" include the individual-soteric-microcosmic level or ordo salutis unfolding analogous to the redemptive-historical-macrocosmic level or historia salutis. The eternal covenant of redemption provides the foundation for this history of salvation, which progresses from creation to the anticipation of consummation. This scheme finds its roots in the Puritan philosophy of "universal history" which sees all historical events serving God's redemptive purposes. The individual, through union with Christ founded on election, participates in the drama by inclusion within the trans-historical covenant of grace. As a depiction of cosmic war, The Holy War sets forth the enmity between the church and Antichrist, which is representative of the greater battle between Christ and the devil from Genesis to Revelation. As a pastoral guide to persecuted saints, Bunyan retrospectively rehearses the history of redemption to grant comfort. In addition, he prospectively reveals the consummation of redemption to encourage perseverance and instil eschatological hope. This thesis is substantiated contextually through Bunyan's life and writings, historiographically by surveying the history of Holy War interpretation, pre-textually by examining the introduction to the allegory, and textually by analyzing the allegory itself.

Jason Crawford explores the emergence of modernity by investigating the early modern poetics of allegorical narrative. He focuses on four major allegorical narratives produced in the period: William Langland's Piers Plowman, John Skelton's The Bowge of Courte, Edmund Spenser's The Faerie Queene, and John Bunyan's The Pilgrim's Progress.

Examines possible and fictional worlds, author and authority, otherness and recognition, translation, alternative critique, empire, education, imagination, comedy, history, poetry, and culture. The analyzed works include classical and modern texts and theorists of the past sixty years ranging from Jerome Bruner to Stephen Greenblatt.