John Webster

John Webster was a later contemporary of Shakespeare, and The Duchess of Malfi, Webster’s best known play, is considered among the best of the period. It appears to have been first performed in 1612–13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623. The play is loosely based on a real Duchess of Amalfi, a widow who marries beneath her station. On learning of this, her brothers become enraged and vow their revenge. Soon the intrigue, deceit, and murders begin. Marked by the period’s love of spectacular violence, each character exacts his revenge, and in turn suffers vengeance at the hands of others. Coming after Shakespeare’s equally sanguine Hamlet and Kyd’s The Spanish Tragedy, Webster’s The Duchess of Malfi brings to a close the era of the great Senecan tragedies of blood and revenge. As the Jacobean period progressed, the spectacle became more violent and dark, reflecting the public’s growing dissatisfaction with the corruption of King James’ court.

The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.

An overview and analysis of John Webster’s seminal contributions to Christian theology At the time of his death, John Webster was widely hailed as one of the leading Christian theologians in the world. Over the course of three decades, he produced groundbreaking studies on the theologies of Eberhard Jüngel and Karl Barth and, especially since the turn of the millennium, numerous books and essays on various themes in Christian dogmatics. He then intended to write an encyclopedic systematic theology—a project he was unable to complete. No substitute is possible for that lost opus, but the contributors offer this volume as an homage to Webster and an aid to those who want to learn from him. A Companion to the Theology of John Webster begins with an introductory section on Webster’s theological development, then continues into an extensive overview of Webster’s contributions to contemporary discussions of particular doctrines. An epilogue suggests how Webster’s theology might have unfolded had he lived longer and imagines the continuing influence of his work on the enterprise of Christian dogmatics. Readers hoping to understand the legacy of this great theologian, and also those eager for fresh insights into the present state and future trajectories of contemporary Protestantism, will find much to offer here.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1960.

Reprint of the original, first published in 1857.