Keyboard Primer

The companion book to the Keyboard DVD and is specially designed for the beginning keyboard or piano player. Using many photos and illustrations, this book teaches proper technique and hand positions, scales, chords, and note reading. All music is written in standard music notation and is fully explained. This course includes an audio CD where all the songs are played at 2 speeds (slow for practicing and performance tempo). The book contains markers for each piece of music so you can locate it's exact position on the CD or DVD.

Jam-packed with age-appropriate piano pieces, off-the-bench activities, and game-based learning, WunderKeys Primer Piano Book 2 reinforces keyboard awareness and note reading in an environment carefully crafted to meet the physical capabilities of young piano students. The book's engaging illustrations, hilarious dialogue, and step-by-step scaffolding approach combine to create the resource that piano teachers, piano parents, and piano students have been waiting for. In WunderKeys Primer Piano Book 2, students will continue an exploration of the keyboard, build hand strength and coordination, identify notes on the grand staff using guide notes, explore stepping and skipping on the staff and the keyboard, use finger-number clues to identify starting positions, read rhythmic notation, strengthen aural awareness and begin to acquire confidence playing "out of position" WunderKeys Primer Piano Book 2 is the second in a series of three primer piano books. WunderKeys Primer Piano Book 3 is coming soon!

Piano/Keyboard Methods/Series

(Faber Piano Adventures ). This inventive sightreading course uses sets of exercises based on melodic and rhythmic patterns from the 2nd Edition Primer Lesson Book. Students play one exercise a day, completing one set per week. Entertaining musical art helps guide the sightreading process and each page presents a new learning vignette in a spirit of fun.

Your complete guide to playing the keys Making beautiful music on a keyboard or piano requires some know-how and practice. This book offers guidance on how to get the most out of your time learning to play the keys. With six hands-on books wrapped up in one, you'll get a deep guide to the techniques the pros use. Discover the details of music theory and reading music, explore different musical genres, and use practice exercises to improve quickly. You'll even find tips on using electronic keyboard technology to enhance your sound. Inside... Piano & Keyboard 101 Understanding Theory and the Language of Music Beginning to Play Refining Your Technique and Exploring Styles Exercises: Practice, Practice, Practice Exploring Electronic Keyboard Technology

The new classic! C Primer Plus, now in its 5th edition, has been revised to include over 20 new programming exercises, newly improved examples and the new ANSI/ISO standard, C99. Task-oriented examples will teach you the fundamentals of C programming. From extended integer types and compound literals to Boolean support and variable-length arrays, you will learn to create practical and real-world applications with C programming. Review questions and programming exercises at the end of each chapter will reinforce what you have learned. This friendly and easy-to-use self-study guide will help you understand the fundamentals of this core programming language.

A corporeal history of music-making in early modern Europe. Music in the Flesh reimagines the lived experiences of music-making subjects—composers, performers, listeners—in the long seventeenth century. There are countless historical testimonies of the powerful effects of music upon the early modern body; it is described as moving, ravishing, painful, dangerous, curative, and miraculous while affecting “the circulation of the humors, the purification of the blood, the dilation of the vessels and pores.” How were these early modern European bodies constituted that music generated such potent bodily-spiritual effects? Bettina Varwig argues that early modern music-making practices challenge our modern understanding of human nature as a mind-body dichotomy. Instead, they persistently affirm a more integrated anthropology, in which body, soul, and spirit remain inextricably entangled. Moving with ease across repertories and regions, sacred and vernacular musics, and domestic and public settings, Varwig sketches a “musical physiology” that is as historically illuminating as it is relevant for present-day performance. This book makes a significant contribution not just to the history of music, but also to the history of the body, the senses, and the emotions, revealing music as a unique access point for reimagining early modern modes of being-in-the-world.