Knowing Mothers

How do women experience the identity changes involved in becoming mothers for the first time? Throughout in depth case examples, Wendy Hollway demonstrates how a different research methodology, underpinned by a psychoanalytically informed epistemology, can transform our understanding of the early foundations of maternal identity.

How do women experience the identity changes involved in becoming mothers for the first time? Throughout in depth case examples, Wendy Hollway demonstrates how a different research methodology, underpinned by a psychoanalytically informed epistemology, can transform our understanding of the early foundations of maternal identity.

This collection presents a sustained critique of the leading mothering advice literature of the past decade or so, addressing issues related to pregnancy and childbirth, breastfeeding, theories and models of parenting (including attachment parenting, natural mothering, and feminist parenting), and the construct of the "good mother."

A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist

"A fast-paced and gripping exploration of a mother's love. A powerful affecting novel."—Heather Gudenkauf, New York Times bestselling author of The Weight of Silence and One Breath Away How Far Will a Mother Go to Find Her Daughter? Michelle Mason can't remember that day, that drive, that horrible crash that killed the young man in her car. All she knows is she's being held responsible, and her daughter is missing. Despite a shaky marriage, a threatening lawsuit, and troubling flashbacks pressing in on her, Michelle throws herself into searching. Her daughter in the one person who might know what really happened that day, but the deeper Michelle digs, the more she questions the innocence of those closest to her, even herself. As her search hurtles toward a shattering revelation, Michelle must face the biggest challenge of her life. A poignant story of the unshakable bond between mother and child, What a Mother Knows is about finding the truth that can set love free. "Her characters are so real...They'll stick with you long after the book ends."—Hope Edelman, Motherless Daughters "A poignant, powerful novel."—Jillian Medoff, bestselling author of I Couldn't Love You More and Hunger Point

The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances It is 1618 in the German duchy of Württemberg. Plague is spreading, the Thirty Years’ War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler, an illiterate widow, is accused of being a witch. Katharina is known for her herbal remedies and the success of her children. Her eldest, Johannes, is the Imperial Mathematician and the renowned author of the laws of planetary motion. It’s enough to make anyone envious, and Katharina has done herself no favours by going out and about and being in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of making her ill by offering her a bitter, witchy drink, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture and even execution, Katharina tells her side of the story to her friend and neighbour Simon, a reclusive widower imperiled by his own secrets. Drawing on real historical documents but infused with the intensity of imagination, sly humour and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen’s bold new novel touchingly illuminates a family and a society undone by superstition, the state and the mortal convulsions of history.

The tale of the legendary golden flower is widely known. The story has been told many times and in many ways. But always the flower is coveted by an old witch to keep herself young and beautiful. And always the flower is used to save a dying queen, who then gives birth to a princess with magical hair. Not willing to lose the flower, the old witch steals the princess and locks her away in a high tower, raising her as her own. But the princess always finds out who she truly is and manages to defeat the old witch. And yet this is only half the story. So what of the old witch, Mother Gothel? Where does she come from? And how does she come across the magical golden flower? Here is one account that recounts a version of the story that has remained untold for centuries . . . until now. It is a tale of mothers and daughters, of youth and dark magic. It is a tale of the old witch.

Women who opt not to be mothers are frequently warned that they will regret their decision later in life, yet we rarely talk about the possibility that the opposite might also be true—that women who have children might regret it. Drawing on years of research interviewing women from a variety of socioeconomic, educational, and professional backgrounds, sociologist Orna Donath treats regret as a feminist issue: as regret marks the road not taken, we need to consider whether alternative paths for women currently are blocked off. She asks that we pay attention to what is forbidden by rules governing motherhood, time, and emotion, including the cultural assumption that motherhood is a “natural” role for women—for the sake of all women, not just those who regret becoming mothers. If we are disturbed by the idea that a woman might regret becoming a mother, Donath says, our response should not be to silence and shame these women; rather, we need to ask honest and difficult questions about how society pushes women into motherhood and why those who reconsider it are still seen as a danger to the status quo. Groundbreaking, thoughtful, and provocative, this is an especially needed book in our current political climate, as women's reproductive rights continue to be at the forefront of national debates.