Landscape And Ideology In American Renaissance Literature

In this provocative and original study, Robert E. Abrams argues that in mid-nineteenth-century American writing, new concepts of space and landscape emerge. Abrams explores the underlying frailty of a sense of place in American literature of this period. Sense of place, Abrams proposes, is culturally constructed. It is perceived through the lens of maps, ideas of nature, styles of painting, and other cultural frameworks that can contradict one another or change dramatically over time. Abrams contends that mid-century American writers ranging from Henry D. Thoreau to Margaret Fuller are especially sensitive to instability of sense of place across the span of American history, and that they are ultimately haunted by an underlying placelessness. Many books have explored the variety of aesthetic conventions and ideas that have influenced the American imagination of landscape, but this study introduces the idea of placeless into the discussion, and suggests that it has far-reaching consequences.

The Routledge History of Nineteenth-Century America provides an important overview of the main themes within the study of the long nineteenth century. The book explores major currents of research over the past few decades to give an up-to-date synthesis of nineteenth-century history. It shows how the century defined much of our modern world, focusing on themes including: immigration, slavery and racism, women's rights, literature and culture, and urbanization. This collection reflects the state of the field and will be essential reading for all those interested in the development of the modern United States.

This book charts how the cartographies of American literature as an institutional category have varied radically across different times and places. Arguing that American literature was consolidated as a distinctively nationalist entity only in the wake of the U.S. Civil War, Paul Giles identifies this formation as extending until the beginning of the Reagan presidency in 1981. He contrasts this with the more amorphous boundaries of American culture in the eighteenth century, and with ways in which conditions of globalization at the turn of the twenty-first century have reconfigured the parameters of the subject. In light of these fluctuating conceptions of space, Giles suggests new ways of understanding the shifting territory of American literary history. ranging from Cotton Mather to David Foster Wallace, and from Henry Wadsworth Longfellow to Zora Neale Hurston. Giles considers why European medievalism and Native American prehistory were crucial to classic nineteenth-century authors such as Emerson, Hawthorne, and Melville. He discusses how twentieth-century technological innovations, such as air travel, affected representations of the national domain in the texts of F. Scott Fitzgerald and Gertrude Stein. And he analyzes how regional projections of the South and the Pacific Northwest helped to shape the work of writers such as William Gilmore Simms, José Martí, Elizabeth Bishop, and William Gibson. Bringing together literary analysis, political history, and cultural geography, The Global Remapping of American Literature reorients the subject for the transnational era.

This is the first collection to bring together leading scholars from diverse disciplines to offer a variety of perspectives on ideology and its analysis, emphasizing the input of different intellectual and scholarly traditions to the meaning of ideology. The articles explore commonalities in the use and understanding of ideology as well as delineating constructive differences in its interpretation, while illuminating the changes that the concept of ideology, as well as the practices it signifies, has undergone in recent years. Contributions are included from the fields of political theory, history, literature, political science, cultural studies, post-Marxism, discourse analysis, language studies, law, and sociology. The Meaning of Ideology advances our understanding of the intricacy and relevance of ideology, and offers the latest theories and insights that currently inform scholarship on the subject. Ideology emerges through the pages of this collection more strongly than ever as a major tool of understanding political language and as a durable and normal phenomenon that is inherent in the many ways we conceive the world around us. This book was previously published as a special issue of The Journal of Political Ideologies and will be of interest to students of political ideologies and political and social theory.

As important cultural icons of the early nineteenth-century United States, adventurers energized the mythologies of the West and contributed to the justifications of territorial conquest. They told stories of exhilarating perils, boundless landscapes, and erotic encounters that elevated their chauvinism, avarice, and violence into forms of nobility. As self-proclaimed avatars of American exceptionalism, Jimmy L. Bryan Jr. suggests in The American Elsewhere, adventurers transformed westward expansion into a project of romantic nationalism. A study of US expansionism from 1815–1848, The American Elsewhere delves into the “adventurelogues” of the era to reveal the emotional world of men who sought escape from the anonymity of the urban East and pressures of the Market Revolution. As volunteers, trappers, traders, or curiosity seekers, they stepped into “elsewheres,” distant and dangerous. With their words and art, they entered these unfamiliar realms that had fostered caution and apprehension, and they reimagined them as regions that awakened romantic and reckless optimism. In doing so, Bryan shows, adventurers created the figure of the remarkable American male that generated a wide appeal and encouraged a personal investment in nationhood among their audiences. Bryan provides a thorough reading of a wide variety of sources—including correspondence, travel accounts, fiction, poetry, artwork, and material culture—and finds that adventurers told stories and shaped images that beguiled a generation of Americans into believing in their own exceptionality and in their destiny to conquer the continent.

Demonstrates that the quest for immediacy, or experiences of direct connection and presence, has propelled the development of American literature and media culture.