Late Medieval France

An in-depth study of coexisting social norms of princely power cutting across categories of hierarchy, gender, and collaborative rulership.

These 12 essays, some taken from a colloquium held in Liverpool in 1998, reflect on the state of Late Medieval France after its long war with England. Although they deal with different aspects of Medieval society, many of them focus on the contribution of contemporary writers for reconstructing this period of history. Political power, authority, court life, war, diplomacy and propaganda are all discussed.

A fresh introduction to the political history of late medieval France duing the turbulent period of the Hundred Years' War, taking into account the social, economic and religious contexts. Graeme Small considers not just the monarchy but also prelates, noble networks and the emerging municipalities in this new analysis.

The essays in this volume portray the public life of late medieval France as that country established its position as a leader of western European society in the early modern world. A central theme is the contribution made by contemporary writers, chroniclers and commentators, such as Jean Froissart, William Worcester and Philippe de Commynes, to our understanding of the past. Who were they? What picture of their times did they present? Were their works intended to influence their contemporaries and what success did they enjoy? Other contributions deal with the exercise of political power, the relationship between the court and those in authority in far-flung reaches of the kingdom, and the role and status of the death penalty as deterrent, punishment and means of achieving justice. "... a very valuable overview of recent work on the interface between the intellectual and the political history of the Valois realm."—De Re Militari Online "... this collection will be of particular interest to literary scholars as well as historians in view of the emphasis of many of the essays on representations above event or record."—Medium Aevum

This study sheds light on the development of female authorship in the sixteenth century, through a close analysis of the female patronage and manuscript production leading up to the Renaissance in late medieval France. Under what conditions did women in late medieval France learn to read and write? What models of female erudition and authorship were available to them in the fourteenth and fifteenth centuries? These questions, often difficult to answer in the extant historical record, are approached here via a number of perspectives, namely, the patronage and book ownership of women between the late medieval and early modern periods, and their involvement in the translation of works from Latin to French.

In the Middle Ages, rolls were ubiquitous as a writing support. While scholars have long examined the texts and images on rolls, they have rarely taken the manuscripts themselves into account. This volume readdresses this imbalance by focusing on the materiality and various usages of rolls in late medieval England and France. Researchers from England, France, Germany and Singapore demonstrate in 11 contributions how this approach can increase our understanding of the rolls and their contents, as well as the contexts in which they were produced and used.

From the contents:00Part I: Allegorical Dream-Visions and Debate Poems Jonathan Morton, 'Friars in love: Manuscript illumination as literary commentary in three fourteenth-century manuscripts of the Roman de la rose' (Paris, BnF, MS .25526; Baltimore, Walters, MS W. 143;London, BL, MS Royal 19 B XIII) - Emma Cayley, ‘Entre deux sommes’: Imagining desire in the songe de la Pucelle' - HelenJ. Swi , 'Limits of representation in late fifteenth-century Burgundy: What the eye doesn’t hear and the ear doesn’t see'. 00Part II: 'Burgundian prose narratives' Dominique Lagorgette, 'Staging transgression rough text and image: Violence and nudity in the cent nouvelles nouvelles'(Glasgow, University Library, MS Hunter252, and Vérard 1486 and 1498) – Rebecca Dixon, 'The Roman de Buscalus; or, the artof not being French' – Rosalind Brown-Grant, 'Personal drama or chivalric spectacle? The reception of the Roman d’Olivier de Castille in the illuminations of the Wavrin aster and Loyset Liédet'00Part III: Reworkings of classical and Medieval auctores' J. Chimène Bateman, 'The hybrid art of the compiler: Text/Image relations in the Ovidemoralisé of Colard Mansion' – KathleenWilson-Chevalier, 'Proliferating narratives: Texts, images, and (Mostly Female) dedicatees in a few héroïdes productions' – Elizabeth L’Estrange, 'Re-Presenting Emilia in the context of the Querelle des femmes: Text and image in Anne de Graville’s Beau Roman list of manuscripts and early printed editions'

This book discusses the 'marginal' people of late medieval Paris, the large and shifting group of men and women who existed on the margins of conventional organized society. Professor Geremek examines the various groups which made up the marginal world - beggars, prostitutes, procuresses and pimps, petty criminals, casual workers and the unemployed - their haunts in and around Paris, their way of life, and their relation to 'normal' society. Professor Geremek has made with this book a major contribution to the study of late medieval society which illuminates the little-known area of the medieval underworld in a fascinating and very accessible manner. Translated by Jean Birrell from the French edition of 1976, this edition includes a new introduction by Jean-Claude Schmitt, which offers a frank appraisal of the author's life and career to date.