Leni Riefenstahl S Last Words About Hitler Goebbels Nazis And The Jews

LENI RIEFENSTAHL's LAST WORDS ABOUT HITLER, GOEBBELS, NAZIS AND THE JEWS This book is based upon Maximillien de Lafayette's book: The Complete Story of the Planned Escape of Hitler: The Nazi-Spain-Argentina Coverup. Published by Times Square Press, New York and Berlin www.timessquarepress.com The true account of what LENI RIEFENSTAHL thought about Hitler, the Nazis, the SS, Goebbels, and the events which surrounded and shaped Nazi Germany. A candid interview with her reveals the true identity of this extraordinary woman, whether you like it or not. Leni spoke about her passion for cinema, Hitler's double, Hitler's escape from Germany, the dreadful Goebbels, and how she was harassed by her military interrogators, her pain, and imprisonment.

A Boston Globe Best Book of 2015 A Washington Post Notable Nonfiction Pick of 2015 Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into "the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation" (New Yorker).

LAST 20 YEARS OF HITLER IN ARGENTINA AND HIS VISITORS FROM 1945 TO 1965. Two volumes in one This documented book is based upon: Military Interrogations:

Yahweh's injustice, cruelty and crimes against little girls, women, and wives. Published by Times Square Press New York. There is no book, no law, no scroll, and no inscription in the history of humanity, civilizations and religions, which degrades and disgraces women more than the words, the decrees, the laws and the commands of Yahweh (The God of the Hebrews/Israelites) as clearly written ad infinitum in verses of the Bible (The Old Testament). The author's arguments, findings, and conclusions are solely and exclusively based upon the Old Testament (Jewish Bible) and what God (Yahweh) himself said word-for-word about wives, women and girls, and what he ordered or allowed his "Chosen" People to do to wives, women and girls, as written in the Bible (Old Testament). Thus, he presents irrefutable facts and findings without personal interpretation, and free from biased and subjective analyses. He is neither analyzing the Old Testament nor interpreting the Old Testament, the Torah, or the Talmud.

5th Edition. ALDEBARAN VRIL: 1917 Extraterrestrials Messages to Maria Orsic and the Birth of the First German-Made UFO. REVISED AND EXPANDED EDITION. 345 pages. A publication of TIMES SQUARE PRESS(R). New York.The UFO phenomenon and saga, the first contacts with aliens from extraordinarily advanced civilizations beyond our solar system, and extraterrestrials' messages, all started with an occult-metaphysical-mysticism-psychical movement created by Maria Orsic, a medium and founder of the Vrilerinnen (The Vril Society), and based upon messages she claimed she has received from extraterrestrials from Aldebaran (Alpha Tauri), which contained technical data and precise instructions on how to build a super "Out of this World" flying machine (UFO). The extraterrestrials Aryan from Aldebaran told Maria that they were here before, thousands of years ago. And people took them for gods

Dancer, actress, mountaineer, and director - Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched. Until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Known internationally for two of the films she made for him, Triumph of the Will and Olympia, Riefenstahl's demanding and obsessive style introduced unusual angles, new approaches to tracking shots, and highly symbolic montages. Trimborn's revelatory biography celebrates this charismatic and adventurous woman who lived to 101, while also taking on the myths surrounding her.

'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.