Living Martyrs In Late Antiquity And Beyond

This book demonstrates that living martyrdom was an important spiritual aspiration in the late antique Latin west and argues that, consequently, attempts to define, study, or locate martyrdom must move away from conceptualizations that require or center on death. After an introduction that traces the persistence of "living martyrs" as real objects of spiritual devotion and emulation across the span of Christian history and discusses why such martyrs have been overlooked, the book focuses on three significant authors from the late ancient Latin west for whom martyrdom did not require death: the Spanish poet Prudentius (c. 348–413), the senator-turned-ascetic Paulinus of Nola (353–431), and the influential North African bishop Augustine of Hippo (354–430). Through historically and literarily contextualized close readings of their work, this book shows that each of these three authors attempted to create a new paradigm of martyrdom focused on living, rather than dying, for God. By focusing on these living martyrs, we are able to see more clearly the aspirations and agendas of those who promoted them as martyrs and how their martyrological discourse illuminates the variety of ways that martyrdom is and can be mobilized (in any era) to construct new, community-creating worldviews. Living Martyrs in Late Antiquity and Beyond is an important resource for historians of Christianity, scholars of religious studies, and anyone interested in exploring or understanding martyrological discourse. The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

"This book demonstrates that living martyrdom was an important spiritual aspiration in the late antique Latin west, and argues that, consequently, attempts to define, study, or locate martyrdom must move away from conceptualizations that require or center on death. After an introduction that traces the persistence of "living martyrs" as real objects of spiritual devotion and emulation across the span of Christian history and discusses why such martyrs have been overlooked, the book focuses on three significant authors from the late ancient Latin west for whom martyrdom did not require death: the Spanish poet Prudentius (c. 348-413), the senator-turned-ascetic Paulinus of Nola (353-431), and the influential North African bishop Augustine of Hippo (354-430). Through historically and literarily contextualized close readings of their work, this book shows that each of these three authors attempted to create a new paradigm of martyrdom focused on living, rather than dying, for God. By focusing on these living martyrs we are able to see more clearly the aspirations and agendas of those who promoted them as martyrs, and how their martyrological discourse illuminates the variety of ways that martyrdom is and can be mobilized (in any era) to construct new, community-creating worldviews. Living Martyrs in Late Antiquity is an important resource for historians of Christianity, scholars of religious studies, and anyone interested in exploring or understanding martyrological discourse"--

The present volume’s focus lies on the formation of a multifaccetted discourse on Christian martyrdom in Late Antiquity. While martyrdom accounts remain a central means of defining Christian identity, new literary genres emerge, e.g., the Lives of Saints (Athanasius on Antony), sermons (the Cappadocians), hynms (Prudentius) and more. Authors like Eusebius of Caesarea and Augustine employ martyrological language and motifs in their apologetical and polemic writings, while the Gesta Martyrum Romanorum represent a new type of veneration of the martyrs of a single site. Beyond the borders of the Roman Empire, new martyrs’ narratives can be found. Additionally, two essays deal with methodological questions of research of such sources, thereby highlighting the hitherto understudied innovations of martyrology in Late Antiquity, that is, after the end of the persecutions of Christianity by Roman Emperors. Since then, martyrology gained new importance for the formation of Christian identity within the context of a Christianized imperium. The volume thus enlarges and specifies our knowledge of this fundamental Christian discourse.

Making Martyrs focuses on both artistic and textual representations to investigate the making of martyrs in the fourth- and fifth-century Latin West. It shows that this 'making' of martyrs played a crucial role in the process of Christianisation during the post-Constantinian period. The writings of some of the most important figures in late antique Christianity - Augustine, Ambrose and Jerome - are considered, along with a number of anonymous, marginal and marginalised texts. The book covers such major subjects as the history of martyrdom and martyr texts and the role of images and relics in cult and representation. It also examines a number of key themes including the role of spectacle in martyr representation, the importance of suffering in the construction of Christian identity, and the interaction of text and image in the process of representation. Between the chapters proper are 'inserts' focusing on individual martyrs (such as the African martyr bishop Cyprian, and the virgin martyr par excellence, Agnes).These sections provide close readings of the textual and material testimony, and show how politics (textual, sexual and ecclesiastical) were bound up in the making of martyrs. The power of the martyrs in Late Antiquity, and beyond, is clearly demonstrated.

One of the most traumatic experiences of Late Antique Christians was the Great Persecution, begun by Emperor Diocletian and his Tetrarchic colleagues in 303 CE. Here Aaltje Hidding unites research of traditional memory studies with work done by cognitive scientists to examine how they remembered the Persecution. The resulting methodological framework, the ‘cognitive ecology’, systemically studies all what can be covered by this term - social surroundings, cognitive artefacts and the physical environment - and bridges the gap between individual and collective memory. The author analyses the remembrance of the Persecution in three different regions along the Nile river. In Oxyrhynchus, the thousands of papyrus fragments found at the city’s rubbish dump give a vivid image of the martyrs in the daily lives of the Oxyrhynchites. In Antinoopolis, known for the cult of the physician saint Colluthus, she zooms in on the rituals and practices at a martyr’s sanctuary. Finally, in Dandara, the rich hagiographical dossier of the anchorite Paphnutius shows how old memories of the Persecution became mixed with new monastic experiences. The Bohairic and Greek Passion of Paphnutius appear in their first complete English translations.

No one mentions Syriac, – a dialect of the Aramaic language Jesus spoke –, without referring to Sebastian P. Brock, the Oxford scholar and teacher who has written and taught about everything Syriac, even reorienting the field as The Third Lung of early Christianity (along with Greek and Latin). In 2018, Syriac scholars world-wide gathered in Sigtuna, Sweden, to celebrate with Sebastian his accomplishments and share new directions. Through essays showing what Syriac studies have attained, where they are going, as well as some arenas and connections previously not imagined, flavors of the fruits of laboring in the field are offered. Contributors to this volume are: Susan Ashbrook Harvey, Shraga Bick, Briouria Bitton-Ashkelony, Alberto Camplani, Thomas A. Carlson, Jeff W. Childers, Muriel Debié, Terry Falla, George A. Kiraz, Sergey Minov, Craig E. Morrison, István Perczel, Anton Pritula, Ilaria Ramelli, Christine Shepardson, Stephen J. Shoemaker, Herman G.B. Teule, Kathleen E. McVey.

The present volumeOCOs focus lies on the formation of a multifaceted discourse on Christian martyrdom in Late Antiquity. While martyrdom accounts remain a central means of defining Christian identity, new literary genres emerge, e.g., the Lives of Saints (Athanasius on Antony), sermons (the Cappadocians), hymns (Prudentius). Authors like Eusebius of Caesarea and Augustine employ martyrological language and motifs in their writings, while beyond the borders of the Roman Empire, new martyrsOCO narratives can be found. The volume thus enlarges and specifies our knowledge of this important Christian discourse."

This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art.