Luke Gilford National Anthem America S Queer Rodeo

A unique document of America's gay rodeo subculture, National Anthem is a celebration of outsiders and the beauty of chosen families everywhere Growing up in Colorado with his father in the Professional Rodeo Cowboys Association, filmmaker and photographer Luke Gilford spent his formative years around the rodeo, an American institution that has often been associated with conservatism and homophobia. It was only later, when he discovered the International Gay Rodeo Association (IGRA), that he began to see himself as part of a rodeo family. The IGRA is the organizing body for the LGBTQ+ cowboy and cowgirl communities in North America--a safe space for all races and gender expressions. The queer rodeo brings in participants from rural regions all over America for structured educational programs and competitions, facilitating opportunities to hone athletic skills, connection and care for animals, personal integrity, self-confidence and support for one another. Gilford has spent over three years traveling the country to document this diverse and ever-evolving subculture. Shot on medium-format film and printed in a traditional darkroom, the work is detailed and rich with emotion and color. The resulting photographs are both personal and poetic--clear testaments to Gilford's intimate relationship to the community.

This volume focuses on ‘fittingness’ as an ethical-aesthetical idea, and in particular examines how the concept is beneficial for environmental ethics. It brings together an innovative set of contributions to argue that fittingness is a significant but under-investigated facet of human ethical deliberation with both ethical and aesthetic dimensions. In widely diverse matters – from architecture to table manners – individuals and communities make decisions based on ‘fittingness’, also expressed in related terms, such as appropriateness, prudence, temperance, and mutuality. In the realm of environmental ethics, fittingness denotes a relation between conscious embodied persons and their habitats and is of relevance to judgements about how humans shape, and take up with, the non-human environment, and hence to ethical decisions about the development and use of the environment and non-human creatures. As such, fittingness can be of great benefit in reframing human relationships to the non-human, stimulating a way of living in the world that is fitting to the preservation of its fruitfulness, goodness, beauty, and truth.

A journalist and activist who was profiled in a 2011 Marie Claire feature outlines bold perspectives on the realities of being young, multi-racial, economically challenged and transgender in today's America, recounting her disadvantaged youth and decision to undergo gender reassignment surgery at the age of 18 before pursuing a career and falling in love.

"A real page-turner that is by turns startling, shocking and as engrossing as a good novel. What a splendid book it is." -- Dick Cavett "It's one of the best books about a show-business icon I've ever read...It makes Groucho live so much more than the conventional bios." -- Woody Allen "Raised Eyebrows is an intimate account of one of our national treasures - Groucho Marx. It's written by a young man who was fortunate enough to live with and work for Groucho, and if he doesn't know what he's talking about, who would? It has a unique insider's point of view and is a fascinating study of a man who was one of the kings of comedy." -- Jack Lemmon "In this delightful report, Mr. Stoliar brings the real Groucho alive with wit, tears and all." -- Steve Allen

The writer, TV host, and advocate examines her life and career, including the challenges of being trans, a woman, and a person of color.

Includes full descriptions of all Donald Duck, Mickey Mouse, Pluto, and Goofy cartoons; the story of Mickey's birth; the Disney Channel Premiere films and Disney television shows; the Disney parks; Disney Academy Awards and Emmy Awards; the Mouseketeers throughout the years; and details of Disney company personnel and primary actors.

Snapshots of the downtown and East Village drag scene of the late 1980s and early 1990s

One can obtain as many opinions about television as there are people with eyes. No two people see it in exactly the same way. You may not be aware of it, but up there, in that compartment of your brain where memories are stored, all sorts of strange images are stockpiled. The purpose of this book is to coax those memories out of their hiding places and bring them front and center, where you can savor them anew. Although this book is intended to be a comprehensive review of television during the past twenty years-the two decades that have passed since the medium became a commercial reality- it is not to be just a scholarly history. The programs and people represented here were chosen not because they were "good" or "popular" or "successful," but because each contributed, in some large or small way, to the progress of television.