Ma Ana Iguana

"A comical takeoff on the familiar Little Red Hen story, this upbeat read-along is brought vividly to life through Brian and Rosi Amador's tandem narration. ...Soft Latin background music is a lilting accompaniment." -Booklist

"Brian and Rosi Amador perform the story with energy and a smile, giving distinct voices to each character and presenting the Spanish-language words (nicely defined in the text and in an accompanying glossary) with brío. Light original music with a Mexican flavor dances in the background. A delightful production." -School Library Journal

After years of obscurity, Anna Maria Ortese (1914–1998) is emerging as one of the most important Italian authors of the twentieth-century, taking her place alongside such luminaries as Italo Calvino, Primo Levi, and Elsa Morante. Anna Maria Ortese: Celestial Geographies features a selection of essays by established Ortese scholars that trace her remarkable creative trajectory. Bringing a wide range of critical perspectives to Ortese’s work, the contributors to this collection map the author’s complex textual geography, with its overlapping literary genres, forms, and conceptual categories, and the rhetorical and narrative strategies that pervade Ortese’s many types of writing. The essays are complemented by material translated here for the first time: Ortese’s unpublished letters to her mentor, the writer Massimo Bontempelli; and an extended interview with Ortese by fellow Italian novelist Dacia Maraini.

Now published for the first time as a trade paperback with a new introduction and the short story on which it was based. Williams wrote: “This is a play about love in its purest terms.” It is also Williams’s robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women’s college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin (“the world’s oldest living and practicing poet”), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. “I’m tired of conducting services in praise and worship of a senile delinquent—yeah, that’s what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this…this…this angry, petulant old man.” —The Rev. T. Lawrence Shannon, from The Night of the Iguana

In this magical novel a count from Milan stumbles upon a desolate community of lost noblemen on an uncharted island off the coast of Portugal. When he discovers, to his astonishment, that their ill-treated servant is in fact a maiden iguana, and then proceeds to fall in love with her, the reader is given a fantastic tale of tragic love and delusion that ranks among the most affecting in contemporary literature. "The reptilian servant is only the first in a series of fantastic touches that tansform the narrative into a satiric fable dense with the echoes of Shakespeare's 'Tempest' and Kafka's 'Metamorphosis.' . . . The Iguana is a superb performance.""€"New York Times Book Review

Annie and Lillemor are best friends for many reasons: they are both seven, love the colors pink and purple, and can speak two languages. (Annie is sure Oinky Boinky counts.) But when a new girl who seems to have even more in common with Lillemor arrives, Annie feels left out. Will she lose her best friend? Or is there room in their friendship for one more? A funny, note-perfect tale of friendship that’s sure to strike a chord with grade-schoolers.

Presents a scary retelling of the classic story of a brother and sister lost in the forest who encounter a witch living in a candy house.

In this third book about the four friends -- Conejo (a rabbit), Tortuga (a tortoise), Culebra (a snake) and Iguana -- bilingual counting and vocabulary are the backdrop for a humorous tale. When Conejo can't make her cactus butter dulces because she stubbed her toe, Culebra devises a very loud and ingenious plan to help her forget her pain and get all the friends involved in making the candy. A glossary, pronunciation guide and a no-cook recipe are included.