Making Memory Matter

In an ancient account of painting’s origins, a woman traces the shadow of her departing lover on the wall in an act that anticipates future grief and commemoration. Lisa Saltzman shows here that nearly two thousand years after this story was first told, contemporary artists are returning to similar strategies of remembrance, ranging from vaudevillian silhouettes and sepulchral casts to incinerated architectures and ghostly processions. Exploring these artists’ work, Saltzman demonstrates that their methods have now eclipsed painting and traditional sculpture as preeminent forms of visual representation. She pays particular attention to the groundbreaking art of Krzysztof Wodiczko, who is known for his projections of historical subjects; Kara Walker, who creates powerful silhouetted images of racial violence in American history; and Rachel Whiteread, whose work centers on making casts of empty interior spaces. Each of the artists Saltzman discusses is struggling with the roles that history and memory have come to play in an age when any historical statement is subject to question and doubt. In identifying this new and powerful movement, she provides a framework for understanding the art of our time.

What will your children remember of their childhood? Calling all moms who want to break out of monotony, distraction, and busyness to a life of making lasting memories with your kids and drawing your family closer to one another and to God! What’s the solution to gaining the balanced, meaningful life you desire with your family? Create traditions that bring joy and significance! Popular "Smartter Each Day" blogger and mom of three, Jessica Smartt explains why memory-making is the puzzle piece that today’s families are longing for. As Jessica shares her ideas, traditions, and beautiful insights on parenting in this well-written resource guide, she highlights the tradition-gifts kids need most with 300+ unique traditions including: Food: memories that stick to your ribs Holidays: fall bucket lists, crooked Christmas trees, and lingering over Lent Spontaneity: going on adventures Faith: why you need the puzzle box Memory-Making Mom is jam-packed with her own favorite childhood traditions, those she has started with her own children, traditions tied to the Christian faith, and additional ideas that you can take and tailor to suit your needs. Jessica also offers spiritual guidance and practical encouragement to modern parents to keep on adventuring—even when they are fighting distractions, are on a budget, and exhausted.

Matter and Memory presents an analysis of the classical philosophical problems concerning this relation. Within that frame the analysis of memory serves the purpose of clarifying the problem. Matter and Memory was written in reaction to the book The Maladies of Memory by Théodule Ribot, which appeared in 1881. Ribot claimed that the findings of brain science proved that memory is lodged within a particular part of the nervous system; localized within the brain and thus being of a material nature. Bergson was opposed to this reduction of spirit to matter. Defending a clear anti-reductionist position, he considered memory to be of a deeply spiritual nature, the brain serving the need of orienting present action by inserting relevant memories. The brain thus being of a practical nature, certain lesions tend to perturb this practical function, but without erasing memory as such. The memories are, instead, simply not 'incarnated', and cannot serve their purpose.

Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. By accounting for the material world as a medium through which acts of remembering and forgetting take place, the chapters of this book offer new insights on such topics as the study of ruins, the exchange and circulation of souvenirs, digitization and the Internet of Things, fashion and technology, as well as the material dimensions of corporeality and traumatic re-enactment.

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Matter and Memory presents an analysis of the classical philosophical problems concerning this relation. Within that frame the analysis of memory serves the purpose of clarifying the problem. Matter and Memory was written in reaction to the book The Maladies of Memory by Théodule Ribot, which appeared in 1881. Ribot claimed that the findings of brain science proved that memory is lodged within a particular part of the nervous system; localized within the brain and thus being of a material nature. Bergson was opposed to this reduction of spirit to matter. Defending a clear anti-reductionist position, he considered memory to be of a deeply spiritual nature, the brain serving the need of orienting present action by inserting relevant memories. The brain thus being of a practical nature, certain lesions tend to perturb this practical function, but without erasing memory as such. The memories are, instead, simply not 'incarnated', and cannot serve their purpose.

Step-by-step instructions for making several different types of keepsake boxes.

This book is unique as it explores memory on a variety of planes - artistic, scientific, emotional, and spiritual. Through artistic images and imaginative text, the reader is able to delve into the place of memory both as a universal concept, and ultimately in a uniquely profound and personal way. Using metaphor, both visual and literary, the artist author takes us metaphorically through her book, and as we flip the pages any way, forward or backward, unravels the way in which we remember involves creativity, no matter who you are.

This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’.