Matter Memory

Matter and Memory presents an analysis of the classical philosophical problems concerning this relation. Within that frame the analysis of memory serves the purpose of clarifying the problem. Matter and Memory was written in reaction to the book The Maladies of Memory by Théodule Ribot, which appeared in 1881. Ribot claimed that the findings of brain science proved that memory is lodged within a particular part of the nervous system; localized within the brain and thus being of a material nature. Bergson was opposed to this reduction of spirit to matter. Defending a clear anti-reductionist position, he considered memory to be of a deeply spiritual nature, the brain serving the need of orienting present action by inserting relevant memories. The brain thus being of a practical nature, certain lesions tend to perturb this practical function, but without erasing memory as such. The memories are, instead, simply not 'incarnated', and cannot serve their purpose.

Jonathan Nossiter, acclaimed filmmaker and former sommelier, had his first taste of wine at the age of three in Paris, from his father's fingertip. For him, wine is "memory in its most liquid and dynamic form," as essential an expression of culture as cinema, books, baseball, painting, even sex. With great wit and passion, he celebrates wine and its enthusiasts—and defends both from those who tell us what to drink and how to think about it. In Liquid Memory, the American expatriate investigates the infinite mysteries of terroir, the historical sense of place that makes wine a living, thrilling expression of cultural identity that can stretch back centuries. The book is a deliriously joyful master class in locating the soul of a wine, and in learning to trust your own palate and desires. Nossiter, who has already created an uproar in the world of wine with his film Mondovino, arms us against the tyranny of snobs, critics, and charlatans who would prevent us from taking part in what should be a gloriously democratic bacchanalia. From the sacred wine shops and three-star restaurants of Paris to the biodynamic vineyards of Burgundy, from the hipster bistros of New York to film locations in Rio de Janeiro and Athens, this singular journey invites us to consider how power, misused, can sometimes mask an absence of taste—and how our own personal taste can combat power in any sphere. A controversial bestseller in Europe, Liquid Memory is sure to rile the establishment, enlighten the thirsty, and reveal the inner life of the world's most mysterious, contradictory, and jubilatory drink.

In an ancient account of painting’s origins, a woman traces the shadow of her departing lover on the wall in an act that anticipates future grief and commemoration. Lisa Saltzman shows here that nearly two thousand years after this story was first told, contemporary artists are returning to similar strategies of remembrance, ranging from vaudevillian silhouettes and sepulchral casts to incinerated architectures and ghostly processions. Exploring these artists’ work, Saltzman demonstrates that their methods have now eclipsed painting and traditional sculpture as preeminent forms of visual representation. She pays particular attention to the groundbreaking art of Krzysztof Wodiczko, who is known for his projections of historical subjects; Kara Walker, who creates powerful silhouetted images of racial violence in American history; and Rachel Whiteread, whose work centers on making casts of empty interior spaces. Each of the artists Saltzman discusses is struggling with the roles that history and memory have come to play in an age when any historical statement is subject to question and doubt. In identifying this new and powerful movement, she provides a framework for understanding the art of our time.

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Matter and Memory presents an analysis of the classical philosophical problems concerning this relation. Within that frame the analysis of memory serves the purpose of clarifying the problem. Matter and Memory was written in reaction to the book The Maladies of Memory by Théodule Ribot, which appeared in 1881. Ribot claimed that the findings of brain science proved that memory is lodged within a particular part of the nervous system; localized within the brain and thus being of a material nature. Bergson was opposed to this reduction of spirit to matter. Defending a clear anti-reductionist position, he considered memory to be of a deeply spiritual nature, the brain serving the need of orienting present action by inserting relevant memories. The brain thus being of a practical nature, certain lesions tend to perturb this practical function, but without erasing memory as such. The memories are, instead, simply not 'incarnated', and cannot serve their purpose.

Culture and the Literary is a study of how cultural codes are constructed, consumed and conveyed as represented in selected works of fiction and non-fiction. Examining cultural studies as a discipline by revisiting some of its seminal figures, the book includes a study of selected literary as well as non-fictional texts. It offers a unique combination of three major theoretical frames: memory studies, thing theory, and affect studies. Drawing on fictional representations, theoretical frames and historical events, this book aims to provide a unique perspective into how culture as a phenomenon is represented, reified and re-membered in the world we inhabit today.

Caldecott Medalist Allen Say presents a stunning graphic novel chronicling his journey as an artist during WWII, when he apprenticed under Noro Shinpei, Japan's premier cartoonist DRAWING FROM MEMORY is Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.

Dotyczy m. in. Polski.

Matter and Memory presents an analysis of the classical philosophical problems concerning this relation. Within that frame the analysis of memory serves the purpose of clarifying the problem. Matter and Memory was written in reaction to the book The Maladies of Memory by Théodule Ribot, which appeared in 1881. Ribot claimed that the findings of brain science proved that memory is lodged within a particular part of the nervous system; localized within the brain and thus being of a material nature. Bergson was opposed to this reduction of spirit to matter. Defending a clear anti-reductionist position, he considered memory to be of a deeply spiritual nature, the brain serving the need of orienting present action by inserting relevant memories. The brain thus being of a practical nature, certain lesions tend to perturb this practical function, but without erasing memory as such. The memories are, instead, simply not 'incarnated', and cannot serve their purpose.