Masked Possession

A MAN WHO CAN WEAR ANY FACE Caro Yeats doesn’t run from much. As a former investigative reporter now working PR for Toronto’s supernaturals, what she hasn’t seen mostly isn’t worth seeing. But the assignment to “rebrand” Eric Kelton’s out-of-control alter egos has her on edge from the start. Kelton is the heirarch of the Masquerada, beings able to change their face—their entire persona—on a whim. Eric’s charisma muddles her instincts. How can she trust a man who can become anybody? A WOMAN WITHOUT A PASTEric has never met anyone like Caro, with her lightning wit and uncanny insight. But desirable as she is, he’d be a fool to let her near. Struggling to hide the sudden loss of his powers, Eric can’t risk becoming entangled with a woman who scorns her supernatural side and claims not to play politics. The enemies on her trail are strong, clever, and vicious. And when they force Eric and Caro together, the fallout could shatter far more than two hearts . . .

This two-volume text reviews spirit possession throughout history, analyzes case studies from a cognitive neuroscience perspective, and examines rites for exorcism. From the beginning of civilization to the present day, and across all major religions and cultures, there have been documented cases of people seemingly overtaken by an unseen entity. The invading force—whether good or bad—appears to replace the possessor's soul with the spirit's own persona, resulting in mystifying symptoms such as levitation or other supernatural feats, speaking in tongues, and even horrific and inexplicably accelerated physical distortion and deterioration. This is a two-volume chronological history and examination of spirit possession that addresses its phenomenological, psychological, and neurobiological aspects, and its effects on societies. Volume one reviews spirit possession from the upper Paleolithic era to modern times, while Volume two focuses on case studies and rites of exorcism.

A PERFECT DISGUISE As security chief of the supernaturals’ ruling council, Michaela Chui has seen more than her fair share of disaster. For centuries, she’s survived through caution and strategy. But when the only human councilor is viciously murdered, Michaela knows the coincidences that keep blocking her investigation are a sure sign of bad things to come. She needs answers fast. And her only ally is Cormac Redoak: wild, unpredictable, unreliable—and worse, distractingly attractive. A HIDDEN TRUTH An exile from the court of the Fairy Queen, Cormac has all the experience with careful strategy and veiled intentions he can stand. But he also has the fey talent for getting his way, and he’s sure his way lies with Michaela’s. No matter that she can change her lovely face at will; there’s a clarity to her being that he’d know anywhere. Working with her will be temptation and frustration bound together. Somehow, though, he must convince her to trust him—without revealing the secrets he dares never share . . .

This text explores the ways in which colonial Europeans have been represented in African ritual art and drama.

This book recuperates the important history that Haitian thought around Vodou possession has had in French critical theory. The author takes the period of the 1930s and ‘40s, as the centerfold of a more complex network of relations that places Haiti as one of the pivots of a more expanded intellectual conversation around “possession,” which links anthropology, literature, psychoanalysis, human rights, and visual arts in France, Haiti, and the United States. Benedicty argues that Haiti as the anthropological other serves as a kick-starter to an entire French-based theoretical apparatus (Breton, Leiris, Bataille, de Certeau, Foucault, and Butler), but once up and running, its role as catalyst is forgotten and the multiple iterations of the anthropological other are cast back into the net of Michel-Rolph Trouillot’s “Savage slot.” The book offers the reader unfamiliar with Haiti a comprehensive interdisciplinary study of twentieth and early twenty-first century Haitian thought, including a detailed timeline of important moments in the intellectual history that connects Haiti to France and the United States. The first part of the book is about global dispossessions in the first decades of the twentieth century; the second part points to how the narratives of ‘Haiti’ are intimately linked to a Franco-U.S.-American discursive space, constructed over the course of the twentieth century, a discursive order that has conflated the representation of ‘Haiti’ with an understanding of Vodou primarily as an occult religion, and not as a philosophical system. The third and fourth parts of the book examine how the novels of René Depestre, Jean-Claude Fignolé, and Kettly Mars have revisited the notion of possession since the fall of the Duvalier dictatorships.

In Africa as well as in Europe, many spirits and their mediums are part of local as well as global cultures. Christian spirits named Hitler, Mussolini, or King Bruce (Bruce Lee) flourish in a pantheon of new holy spirits in Uganda waging war against the government. Spirits of airplanes, engines, guitars, and angels are found in Central Africa; and thunder, snakes, and rain as well as playboys and prostitutes inhabit the spirit world in West Africa. Spirit possession cults have continued to proliferate, even in the secular West, and continue to be a subject of intense interest. Despite the continuous expansion of the field, some problems are only now beginning to be explored. The experts in this volume focus on questions of power, the history and inner dynamics of cults, the role of gender and images of the other, based on research conducted during the last fifteen years in Africa. The contributors document changes taking place across the continent as possession beliefs and practices respond to new circumstances and address the shifting local implications of an increasingly global socio-economy. Gender, ethnicity, and class are examined as intersecting forces and features of spirit phenomena. The case studies presented are richly contextualized: history, social organization and upheaval, alternative religious options--all are considered relevant to an understanding of possession forms. Contributors: Leslie Sharp, Heike Behrend, Adeline Masquelier, Mathias Krings, Jean-Paul Colleyn, Alexandra O. de Sousa, Susan Kenyon, Tobias Wendl, Ute Luig, and Linda Giles Co-published with James Currey Publishers, U.K. The Wisconsin edition is not for sale in the United Kingdon, the traditional British Commonwealth (excepting Canada), nor in Europe.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.