Masterpieces Of Ancient Jewelry

From the president of the National Jewelry Institute comes the largest collection of the oldest jeweled objects ever assembled. With sparkling photography and history throughout, the book will be supported by a major exhibit of the collection. These gorgeous artifacts—the oldest jeweled armor, weapons, jewelry, household objects, and more, with informative captions and stunning photography on every page—originated in Mesopotamia, Persia, Levant, the Byzantine Empire, and the Islamic world, from 4000 B.C.E. through 700 C.E. Artifacts appearing in the book are being lent to the exhibit by almost every major permanent collection of ancient objects in the world: jeweled treasures from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan, the Princeton Museum, and the Israeli Museum are shown together for the first time. Also included are interviews with major scholars and curators from around the world, speaking on ancient civilizations and the remaining artifacts that reveal their truly stunning cultures.

In Masterpieces of Ancient Jewelry, author Judith Price showcases the largest collection of ancient jeweled objects ever assembled. Stunning photography and captions on every page reveal the history behind jeweled armor, weapons, jewelry, household objects and more, and the ancient Near East civilizations where they originated.

The spectacular jewels of ancient Egypt, long buried in desert tombs, are revealed in all their exotic beauty in this superb survey. Spanning more than 3,000 years, Ancient Egyptian Jewelry features nearly 200 magnificent objects and explores the surprisingly sophisticated techniques used to fashion jewelry from gold, silver, turquoise, lapis lazuli, and other precious and semi-precious stones.The suberb reproductions include not only actual jewelry but also wall paintings, sarcophagi, statues, and reliefs that depict ancient Egyptians wearing their treasures.

This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.

The artistry and splendor of ancient Egyptian jewelry in fifty masterpieces Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers--to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

00 Jewellery has a rare power to communicate, even across millennia, the feelings, beliefs, and aspirations of the people who wore it. Jewellery also contributes to the study of ancient art and metalworking techniques, for great skill was required to create what are often small-scale works of art. But the importance of surviving artifacts of the jeweller's craft--quite apart from the inherent attraction of individual pieces--is now increasing as the number of new scientific techniques available to archaeologists expands, complementing the more traditional methods of analysis. This book shows how important ancient jewellery is to interpreting the past. Jewellery has a rare power to communicate, even across millennia, the feelings, beliefs, and aspirations of the people who wore it. Jewellery also contributes to the study of ancient art and metalworking techniques, for great skill was required to create what are often small-scale works of art. But the importance of surviving artifacts of the jeweller's craft--quite apart from the inherent attraction of individual pieces--is now increasing as the number of new scientific techniques available to archaeologists expands, complementing the more traditional methods of analysis. This book shows how important ancient jewellery is to interpreting the past.

From the president of the National Jewelry Institute comes the largest collection of ancient jeweled objects ever assembled. Worn for much more than just personal adornment, jewelry has played an important role in culture and civilization since the earliest times. Travel back through more than 6,000 years of history as you explore artifacts originating from Mesopotamia, Persia, Levant, the Byzantine Empire and the Islamic Middle East, from 4000 B.C.E. through 700 C.E. Culled from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan Museum of Art, the Princeton Museum, and the Israel Museum, these treasures include jeweled armor, weapons, jewelry, household objects and more.Complete with photographs on every page, Masterpieces of Ancient Jewelry details the collection¿s rich history through informative captions and interviews with major scholars and curators from around the world.

This book introduces the reader to the collecting activities of a late 19th-early 20th century Bostonian couple with a passion for ancient Egypt. The collectors, Laura and Kingsmill Marrs, were guided in their acquisitions by Howard Carter, an archaeologist who would later achieve world-wide recognition for his discovery of the tomb of Tutankhamun (1922). Under his guidance, the Marrs' purchased an outstanding selection of scarabs, amulets, jewelry, and cosmetic-related articles, including rare blue-toned stone vessels. They also acquired a group of Carter's watercolor renditions of important Egyptian sites and royal figures. These artifacts, as well as objects from Worcester's stellar collection of Egyptian antiquities, will be included in the publication. The publication will also include several essays on the Marrs', the amulets and jewelry that form their collection, and the extensive analyses and conservation recently afforded the material.