Matatus The Vibrant Heartbeat Of Kenyan Urban Life

Matatu za Jogoo Road" takes readers on a colorful journey through Kenya's urban soul. From their origins as rural transport vehicles to their vibrant presence on matatus in Nairobi, matatus are more than just modes of transportation they are cultural icons. With engaging storytelling and vivid descriptions, this book explores the rich history, dynamic art, and communal spirit of matatus, offering a captivating glimpse into the heart of Kenya's urban life. Whether you're a commuter, traveler, or cultural enthusiast, "Matatu za Jogoo Road" offers an immersive experience into the world of Kenya's iconic matatus.

A brave and ground-breaking anthology of queer women's life stories

Who decides which stories about a city are remembered? How do interpretations of the past shape a city’s present and future? Using local, national and international perspectives on the meanings and uses of heritage cities, The Politics of Memory: Urban Cultural Heritage in Brazil explores how a site can turn into a mummification of the past, lifelessly displaying long-gone splendour, or a living, breathing treasure offering dynamic cultural and educational opportunities. This book presents multiple and competing views, needs and desires amongst the different people who use a city, alongside notions of power, national identity, race and class in heritage settings. Discussing the case of UNESCO World Heritage town Ouro Preto in Brazil, Andreza Aruska de Souza Santos asks how and why democratic participation in heritage fails or succeeds, and how preserved historic cities interpret, resist, and consent to the functions and meanings that they have inherited and that they reinvent for themselves.

"The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--

Popular narratives cite religion as the driving force behind homophobia in Africa, portraying Christianity and LGBT expression as incompatible. Without denying Christianity’s contribution to the stigma, discrimination, and exclusion of same-sex-attracted and gender-variant people on the continent, Adriaan van Klinken presents an alternative narrative, foregrounding the ways in which religion also appears as a critical site of LGBT activism. Taking up the notion of “arts of resistance,” Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Love” music video produced by gay gospel musician George Barasa, the Stories of Our Lives anthology project, and the LGBT-affirming Cosmopolitan Affirming Church. Through these case studies, Van Klinken demonstrates how Kenyan traditions, black African identities, and Christian beliefs and practices are being navigated, appropriated, and transformed in order to allow for queer Kenyan Christian imaginations. Transdisciplinary in scope and poignantly intimate in tone, Kenyan, Christian, Queer opens up critical avenues for rethinking the nature and future of the relationship between Christianity and queer activism in Kenya and elsewhere in Africa.

Winner, 2020 Oxfam / Novib PEN International Award for Freedom of Expression"Nyanzi is a hero. Her insistence on violating patriarchy's rules by talking explicitly about taboo subjects-be they the president's buttocks, sex, sexuality, queerness-should be studied everywhere as a masterclass in the power of refusing to obey the rules of "politeness." - Mona Eltahawy, author of The Seven Necessary Sins for Women and Girls"Through her actions, Nyanzi has shown that fighting for a free, democratic and equal Uganda does not come free. [...] Her story is one that reminds Ugandans that the struggle for freedom has never been achieved by playing to the standards of civility set by those in power." - Rosebell Kagumire, Editor, African Feminism Stella Nyanzi was arrested on November 2, 2018 for posting a poem on Facebook that was said to cyber-harras the long-serving President of Uganda, Mr. Yoweri Museveni. She was convicted and sentenced to eighteen months in jail. At the date of publishing this poetry collection, Nyanzi remains incarcerated. She wrote all the poems in this collection during her detention. This arguably makes her the first Ugandan prison writer to publish a poetry collection written in jail while still incarcerated. The first batch of the poems was released on her 45th birthday on June 16, 2019 celebrated while she was in jail under the hashtag #45Poems4Freedom. Other poems were written after the birthday. These poems must be read not only for their beauty and the power of the poet's vision, but also for the bravery and radical intent of their writing and publishing.

Queer Africa is a collection of unapologetic, tangled, tender, funny, bruising and brilliant stories about the many ways in which we love each other on the continent In these unafraid stories of intimacy, sweat, betrayal and restless confidences, we accompany characters into cafs, tattoo salons, the barest of bedrooms, coldly gleaming spaces into which the rich withdraw, unlit streets, and their own deepest interiors.

This book addresses major sociological issues in sub-Saharan African education today. Its fourteen contributors present a thoroughly African world-view within a sociology of education theoretical framework, allowing the reader to see where that theory is relevant to the African context and where it is not. Several of the chapters bring a much-needed cultural nuance and critical theoretical perspective to the issues at hand. The sixteen chapters thus aim to be of interest internationally, to those who work in such fields as social and political foundations of comparative and international education, and development studies, including university professors, teacher educators, researchers, school teachers, tertiary education students, consultants and policy makers.