Mathematics And Beauty

This book develops a naturalistic aesthetic theory that accounts for aesthetic phenomena in mathematics in the same terms as it accounts for more traditional aesthetic phenomena. Building upon a view advanced by James McAllister, the assertion is that beauty in science does not confine itself to anecdotes or personal idiosyncrasies, but rather that it had played a role in shaping the development of science. Mathematicians often evaluate certain pieces of mathematics using words like beautiful, elegant, or even ugly. Such evaluations are prevalent, however, rigorous investigation of them, of mathematical beauty, is much less common. The volume integrates the basic elements of aesthetics, as it has been developed over the last 200 years, with recent findings in neuropsychology as well as a good knowledge of mathematics. The volume begins with a discussion of the reasons to interpret mathematical beauty in a literal or non-literal fashion, which also serves to survey historical and contemporary approaches to mathematical beauty. The author concludes that literal approaches are much more coherent and fruitful, however, much is yet to be done. In this respect two chapters are devoted to the revision and improvement of McAllister’s theory of the role of beauty in science. These antecedents are used as a foundation to formulate a naturalistic aesthetic theory. The central idea of the theory is that aesthetic phenomena should be seen as constituting a complex dynamical system which the author calls the aesthetic as process theory. The theory comprises explications of three central topics: aesthetic experience (in mathematics), aesthetic value and aesthetic judgment. The theory is applied in the final part of the volume and is used to account for the three most salient and often used aesthetic terms often used in mathematics: beautiful, elegant and ugly. This application of the theory serves to illustrate the theory in action, but also to further discuss and develop some details and to showcase the theory’s explanatory capabilities.

This is a cultural history of mathematics and art, from antiquity to the present. Mathematicians and artists have long been on a quest to understand the physical world they see before them and the abstract objects they know by thought alone. Taking readers on a tour of the practice of mathematics and the philosophical ideas that drive the discipline, Lynn Gamwell points out the important ways mathematical concepts have been expressed by artists. Sumptuous illustrations of artworks and cogent math diagrams are featured in Gamwell's comprehensive exploration. Gamwell begins by describing mathematics from antiquity to the Enlightenment, including Greek, Islamic, and Asian mathematics. Then focusing on modern culture, Gamwell traces mathematicians' search for the foundations of their science, such as David Hilbert's conception of mathematics as an arrangement of meaning-free signs, as well as artists' search for the essence of their craft, such as Aleksandr Rodchenko's monochrome paintings. She shows that self-reflection is inherent to the practice of both modern mathematics and art, and that this introspection points to a deep resonance between the two fields: Kurt Gödel posed questions about the nature of mathematics in the language of mathematics and Jasper Johns asked "What is art?" in the vocabulary of art. Throughout, Gamwell describes the personalities and cultural environments of a multitude of mathematicians and artists, from Gottlob Frege and Benoît Mandelbrot to Max Bill and Xu Bing. Mathematics and Art demonstrates how mathematical ideas are embodied in the visual arts and will enlighten all who are interested in the complex intellectual pursuits, personalities, and cultural settings that connect these vast disciplines.

The worlds of visual art and mathematics beautifully unite in this spectacular volume by award-winning writer Stephen Ornes. He explores the growing sensation of math art, presenting such pieces as a colorful crocheted representation of non-Euclidian geometry that looks like sea coral and a 65-ton, 28-foot-tall bronze sculpture covered in a space-filling curve. We learn the artist's story for every work, plus the mathematical concepts and equations behind the art.

If someone told you that mathematics is quite beautiful, you might be surprised. But you should know that some people do mathematics all their lives, and create mathematics, just as a composer creates music. Usually, every time a mathematician solves a problem, this gives rise to many oth ers, new and just as beautiful as the one which was solved. Of course, often these problems are quite difficult, and as in other disciplines can be understood only by those who have studied the subject with some depth, and know the subject well. In 1981, Jean Brette, who is responsible for the Mathematics Section of the Palais de la Decouverte (Science Museum) in Paris, invited me to give a conference at the Palais. I had never given such a conference before, to a non-mathematical public. Here was a challenge: could I communicate to such a Saturday afternoon audience what it means to do mathematics, and why one does mathematics? By "mathematics" I mean pure mathematics. This doesn't mean that pure math is better than other types of math, but I and a number of others do pure mathematics, and it's about them that I am now concerned. Math has a bad reputation, stemming from the most elementary levels. The word is in fact used in many different contexts. First, I had to explain briefly these possible contexts, and the one with which I wanted to deal.

In 17 chapters, this book attempts to deal with well-known and less well-known topics in mathematics. This is done in a vivid way and therefore the book contains a wealth of colour illustrations. It deals with stars and polygons, rectangles and circles, straight and curved lines, natural numbers, square numbers and much more. If you look at the illustrations, you will discover plenty of exciting and beautiful things in mathematics. The book offers a variety of suggestions to think about what is depicted and to experiment in order to make and check your own assumptions. For many topics, no (or only few) prerequisites from school lessons are needed. It is an important concern of the book that young people find their way to mathematics and that readers whose school days are some time ago discover new things. The numerous references to internet sites and further literature help in this respect. "Solutions" to the suggestions interspersed in the individual sections can be downloaded from the Springer website. The book was thus written for everyone who enjoys mathematics or who would like to understand why the book bears this title. It is also aimed at teachers who want to give their students additional or new motivation to learn. This book is a translation of the original German 2nd edition Mathematik ist schön by Heinz Klaus Strick, published by Springer-Verlag GmbH, DE, part of Springer Nature in 2019. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). In the subsequent editing, the author, with the friendly support of John O'Connor, St Andrews University, Scotland, tried to make it closer to a conventional translation. Still, the book may read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.

In this innovative book, Nathalie Sinclair makes a compelling case for the inclusion of the aesthetic in the teaching and learning of mathematics. Using a provocative set of philosophical, psychological, mathematical, technological, and educational insights, she illuminates how the materials and approaches we use in the mathematics classroom can be enriched for the benefit of all learners. While ranging in scope from the young learner to the professional mathematician, there is a particular focus on middle school, where negative feelings toward mathematics frequently begin. Offering specific recommendations to help teachers evoke and nurture their students’ aesthetic abilities, this book: Features powerful episodes from the classroom that show students in the act of developing a sense of mathematical aesthetics. Analyzes how aesthetic sensibilities to qualities such as connectedness, fruitfulness, apparent simplicity, visual appeal, and surprise are fundamental to mathematical inquiry. Includes examples of mathematical inquiry in computer-based learning environments, revealing some of the roles they play in supporting students’ aesthetic inclinations.

Discussion ranges from theories of biological growth to intervals and tones in music, Pythagorean numerology, conic sections, Pascal's triangle, the Fibonnacci series, and much more. Excellent bridge between science and art. Features 58 figures.

Mathematical ideas with aesthetic appeal for any mathematically minded person.