Mencken

A towering figure on the American cultural landscape, H.L. Mencken stands out as one of our most influential stylists and fearless iconoclasts--the twentieth century's greatest newspaper journalist, a famous wit, and a constant figure of controversy. Marion Elizabeth Rodgers has written the definitive biography of Mencken, the finest book ever published about this giant of American letters. Rodgers illuminates both the public and the private man, covering the many love affairs, his happy marriage at the age of 50 to Sara Haardt, and his complicated but stimulating friendship with the famed theater critic George Jean Nathan. Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken. When few dared to shatter complacencies, Mencken fought for civil liberties and free speech, playing a prominent role in the Scope's Monkey Trial, battling against press censorship, and exposing pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes. Drawing on research in more than sixty archives including private collections in the United States and in Germany, previously unseen, on exclusive interviews with Mencken's friends, and on his love letters and FBI files, here is the full portrait of one of America's most colorful and influential men. This biography, the best ever on the sage of Baltimore, is exhaustive but never exhausting, and offers readers more than moderate intelligence and an awfully good time. --Martin Nolan, Boston Globe

Ever in control, H. L. Mencken contrived that future generations would see his life as he desired them to. He even wrote Happy Days, Newspaper Days, and other books to fit the pictures he wanted: first, the carefree Baltimore boy; then, the delighted, exuberant critic of American life. But he only told part of the truth. Over the past twenty-five years, vital collections of the writer's papers have become available, including his literary correspondence, a 2,100-page diary, equally long manuscripts about his literary and journalistic careers, and numerous accumulations of his personal correspondence. The letters and diaries of Mencken's intimates have been uncovered as well. Now Fred Hobson has used this newly accessible material to fashion the first truly comprehensive portrait of this most original of American originals. NOTE: This edition does not include photographs.

Over a career that spanned half of a century, Henry Louis Mencken published more than 10 million words. More than a million were written about him, many of which, Mencken liked to remark, were highly condemnatory. He was called, with good reason, the most powerful private citizen in America during the 1920s.This lively introduction to Mencken's life and work begins with a concise biographical portrait before proceeding to a consideration of the five major periods of the renowned Baltimorean's career: his literary apprenticeship; the growth of his national reputation; his fame and unprecedented popularity during the 1920s (when college students would flash the Paris-green cover of the American Mercury as a badge of sophistication); the decline of his reputation during the Depression; and his renewed popularity during the 1940s, with the publication of his autobiographical trilogy, the Days books. In discussing this varied career, Vincent Fitzpatrick touches upon all the roles that Mencken played: journalist; editor; redoubtable critic of literature, culture, and politics; philologist; and autobiographer. Drawing upon Mencken's extensive correspondence of more than 100,000 letters, the book stresses his unflagging belief in the need for free speech (up to the limits of common decency). Indeed, in the end Mencken proved a significant American civil libertarian.Iconoclast, critic, satirist, "individualist," H. L. Mencken offered unique insights into American life. His lifelong celebration of the freedom to dissent marks his most enduring contribution to a nation that gave him such a wealth of material and so much delight.

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Recounts a famously outspoken agnostic's surprising relationship with Christianity H. L. Mencken (1880-1956) was a reporter, literary critic, editor, author--and a famous American agnostic. From his role in the Scopes Trial to his advocacy of science and reason in public life, Mencken is generally regarded as one of the fiercest critics of Christianity in his day. In this biography D. G. Hart presents a provocative, iconoclastic perspective on Mencken's life. Even as Mencken vividly debunked American religious ideals, says Hart, it was Christianity that largely framed his ideas, career, and fame. Mencken's relationship to the Christian faith was at once antagonistic and symbiotic. Using plenty of Mencken's own words, Damning Words superbly portrays an influential figure in twentieth-century America and, at the same time, casts telling new light on his era.

"By far the Mercury's most popular section was a regular feature Mencken entitled "Americana." This department featured a wide assortment of newspaper clippings, wire reports, church bulletins, publicity releases, and other sources which depicted various individuals and organizations - frequently of rural origin - in the throes of some foolish action which Mencken deemed ludicrous enough for its inclusion."--BOOK JACKET.