Modern Albania

In the early 1990s, Albania, arguably Europe’s most closed and repressive state, began a startling transition out of forty years of self-imposed Communist isolation. Albanians who were not allowed to practice religion, travel abroad, wear jeans, or read “decadent” Western literature began to devour the outside world. They opened cafés, companies, and newspapers. Previously banned rock music blared in the streets. Modern Albania offers a vivid history of the Albanian Communist regime’s fall and the trials and tribulations that led the country to become the state it is today. The book provides an in-depth look at the Communists' last Politburo meetings and the first student revolts, the fall of the Stalinist regime, the outflows of refugees, the crash of the massive pyramid-loan schemes, the war in neighboring Kosovo, and Albania’s relationship with the United States. Fred Abrahams weaves together personal experience from more than twenty years of work in Albania, interviews with key Albanians and foreigners who played a role in the country’s politics since 1990—including former Politburo members, opposition leaders, intelligence agents, diplomats, and founders of the Kosovo Liberation Army—and a close examination of hundreds of previously secret government records from Albania and the United States. A rich, narratively-driven account, Modern Albania gives readers a front-row seat to the dramatic events of the last battle of Cold War Europe.

In the early 1990s, Albania, arguably Europe’s most closed and repressive state, began a startling transition out of forty years of self-imposed Communist isolation. Albanians who were not allowed to practice religion, travel abroad, wear jeans, or read “decadent” Western literature began to devour the outside world. They opened cafés, companies, and newspapers. Previously banned rock music blared in the streets. Modern Albania offers a vivid history of the Albanian Communist regime’s fall and the trials and tribulations that led the country to become the state it is today. The book provides an in-depth look at the Communists' last Politburo meetings and the first student revolts, the fall of the Stalinist regime, the outflows of refugees, the crash of the massive pyramid-loan schemes, the war in neighboring Kosovo, and Albania’s relationship with the United States. Fred Abrahams weaves together personal experience from more than twenty years of work in Albania, interviews with key Albanians and foreigners who played a role in the country’s politics since 1990—including former Politburo members, opposition leaders, intelligence agents, diplomats, and founders of the Kosovo Liberation Army—and a close examination of hundreds of previously secret government records from Albania and the United States. A rich, narratively-driven account, Modern Albania gives readers a front-row seat to the dramatic events of the last battle of Cold War Europe.

Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English-Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj's works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and '70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura. Armando Lulaj was born in Tirana in 1980. He is a writer of plays, texts on risk territories, filmmaker, and producer of conflict images. He's research is orientated towards accentuating the border between economical power, fictional democracy, and social disparity in a global context. His main topics of interest remain power, corruption and institutional critique. Lulaj has participated in many international exhibitions and film festivals. His works are part of various important private and public collections. Armando Lulaj is one of the founders of DebatikCenter of Contemporary Art. Marco Mazzi (1980) is an Italian photographer and writer living and working between Florence, Tokyo, and Tirana. Mazzi studied Contemporary Literature at the University of Florence and has also studied Japanese avant-garde art and visual poetry in Japan. In 2008, Mazzi founded the non-profit organization Relational Cinema Association within the University of Waseda in Tokyo. Mazzi was photographer-in-residence at The Department of Eagles (Tirana, Albania) during the conference Pedagogies of Disaster and for the project Lapidari, and he was the stage and still photographer for Armando Lulaj's Recapitulation (2015), commissioned by the 2015 Venice Biennale' s Albanian Pavilion.

Noel Malcolm is the author of Bosnia: A Short History and Kosovo: A Short History. --Book Jacket.

This is the first full account of a country that, following decades of isolation, has undergone unprecedented changes to its political system: the collapse of communism, the progression to multi-party elections and the upheaval that followed the March 1997 uprising. Miranda Vickers traces the history of the Albanian people from the Ottoman period to the formation of the Albanian Communist Party. She considers the charismatic leadership of Enver Hoxha; Albania's relationship with Tito and the alliance with the Soviet Union and then China; and the long period of isolation. Newly revised for this paperback edition, The Albanians considers the gradual process of reform and the fragility of the Albanian experiment with democracy, and includes a dramatic account of the days leading up to Sali Berisha's resignation of the presidency. It has now been updated to cover the crisis in Kosovo that has led to the first 'Western' war in Europe since 1945.

This is the first full account of a country that, following decades of isolation, has undergone unprecedented changes to its political system: the collapse of communism, the progression to multi-party elections and the upheaval that followed the March 1997 uprising. Miranda Vickers traces the history of the Albanian people from the Ottoman period to the formation of the Albanian Communist Party. She considers the charismatic leadership of Enver Hoxha; Albania's relationship with Tito and the alliance with the Soviet Union and then China; and the long period of isolation. Newly revised for this paperback edition, The Albanians considers the gradual process of reform and the fragility of the Albanian experiment with democracy, and includes a dramatic account of the days leading up to Sali Berisha's resignation of the presidency. It has now been updated to cover the crisis in Kosovo that has led to the first 'Western' war in Europe since 1945.

Upon her arrival in Tirana, Albania, in April 1994, the author found a city unlike any other she had experienced. Rotting trash was piled in the center of the streets, animals shared the rutted roads with cars, and housing, when it could be found, was crowded and crumbling. But she found a people full of optimism, particularly the women. Despite the subservient role forced by tradition on nearly all Albanian women, they have increasingly become the foundation upon which the country exists. Not only are they responsible for caring for extended households, these women are now also becoming vital parts of the country's economy. Most importantly, however, they maintain a faith in Albania that belies the country's turbulent past and widely predicted future. Through interviews with over 200 Albanian women, this work is an insightful, often poignant, look at a country that remains a mystery to most in the West.

In these stories representing the last three decades of Albanian writing--especially the burst of creativity in the newfound freedom of the 1990s--readers will encounter work that reflects the literary paradox of Eastern Europe in the late twentieth century: the startling originality of the new uneasily coupled with the strains of history; the sophistication and self-consciousness of late (or post-) modernity married to the simplicity of a literature first finding its voice; a refusal of political influence and pressure expressed through frankly political subject matter.